Songs of Unreason

Last updated
Songs of Unreason
Songs Of Unreason Book Cover.jpg
Author Jim Harrison
LanguageEnglish
Genre Poetry
Publisher Copper Canyon Press
Publication date
2011
Publication placeUnited States
Media typePrint (Hardback & Paperback)
ISBN 9781556593895
Preceded byIn Search of Small Gods 
Followed byDead Man's Float 

Songs of Unreason is a collection of poems by American writer Jim Harrison published in 2011 by Copper Canyon Press. [1] It was Harrison's thirteenth and penultimate collection. Sixty-seven poems make up the collection, including "Suite of Unreason", a poem of over 350 lines, and a sequence of seven poems relating to rivers (River I - VII). Many of the poems are concerned with the transcendent natural world. [2]

Contents

The collection won the High Plains Book Award for Poetry in 2012. [3]

Themes

Dogs and birds

Non-human creatures, especially dogs and birds, figure prominently in the poems. For example, in Mary the Drug Addict (a poem about a dog named Mary), the poet speaks of the ability to communicate with his dog.

... we speak a bone-deep language without
nouns and verbs, a creature-language skin to skin.

Jim Harrison, Mary the Drug Addict (excerpt), Songs of Unreason

In the poem "Prado," which references dogs, birds and fish, the poet talks about the healing power of a relationship with animals:

I was lucky that early on the birds and fish
disarmed me and the monster in my soul fled.

Jim Harrison, Prado (excerpt), Songs of Unreason

In "Chatter," the poet discusses his non-human nature:

I'm part blackbird and part red squirrel
and my brain chatters, shrieks, and whistles
but outside it tends to get real quiet

Jim Harrison, Chatter (excerpt), Songs of Unreason

Death

A number of poems evaluate death: how we think about it, how we remember it, how it affects us. [4] For example, in “Sister,” Harrison remembers a sister who died long ago:

Maybe you drifted upward as an ancient
bird hoping to nest on the moon.

Jim Harrison, Sister (excerpt), Songs of Unreason

In "River IV" the poet considers aging and death:

....At my age
death stalks me but I don't mind. This is to be
expected but how can I deal with the unpardonable
crime of loneliness?...

Jim Harrison, RIver IV (excerpt), Songs of Unreason

The final poem "Death Again" tells us:

Let’s not get romantic or dismal about death.
Indeed it’s our most unique act along with birth.
We must think of it as cooking breakfast,
it’s that ordinary....

Jim Harrison, Death Again, Songs of Unreason

Poems

Consisting of sixty-seven short stanzas and over three hundred lines, "Suite of Unreason" is the longest poem in the collection. In the first edition, the stanzas of this poem are individually printed on unnumbered left hand pages opposite longer, stand alone poems on the facing right hand pages.

Harrison prefaced the poem as follows: "Nearly all my life I’ve noted that some of my thinking was atavistic, primitive, totemic. This can be disturbing to one fairly learned. In this suite I wanted to examine this phenomenon." [1] :4

The poem can be read as a series of short, haiku-like, meditations. [5] [6] The first stanza of the poem is a good example:

The moon is under suspicion.
Of what use is it?
It exudes its white smoke of light.

Jim Harrison, Suite of Unreason (first stanza), Songs of Unreason

List

The poems are numbered in the order they appear in the first edition of the collection.

  1. Broom
  2. Suite of Unreason
  3. Notations
  4. American Sermon
  5. Arts
  6. Bird's-Eye View
  7. Poet Warning
  8. A Part of My History
  9. Muse in Our Time
  10. Muse II
  11. Poet at Nineteen in NYC
  12. Sister
  13. Skull
  14. Horses
  15. René Char
  16. Xmas Cheeseburgers
  17. Mary the Drug Addict
  18. Night Creatures
  19. Deaf Dog's Bark
  20. June the Horse
  21. Poet No. 7
  22. Puzzle
  23. Rumination
  24. Dan's Bugs
  25. Invisible
  26. Mary
  27. Remote Friends
  28. Poet Science
  29. Ache
  30. Oriole
  31. Blue Shawl
  32. River I
  33. River II
  34. River III
  35. River IV
  36. River V
  37. River VI
  38. River VII
  39. Spring
  40. Sky
  41. March in Patagonia, AZ
  42. Brazil
  43. Grand Marais
  44. Desert Snow
  45. Reality
  46. She
  47. Love
  48. Back into Memory
  49. Debtors
  50. Prisoners
  51. Corruption
  52. Our Anniversary
  53. Doors
  54. Greed
  55. Cereal
  56. D.B.
  57. Sunlight
  58. Brutish
  59. Nightfears
  60. Blue
  61. The Current Poor
  62. Moping
  63. Church
  64. Chatter
  65. Return
  66. Prado
  67. Death Again

Poems appearing elsewhere

Related Research Articles

<span class="mw-page-title-main">Gary Snyder</span> American poet (born 1930)

Gary Snyder is an American poet, essayist, lecturer, and environmental activist. His early poetry has been associated with the Beat Generation and the San Francisco Renaissance and he has been described as the "poet laureate of Deep Ecology". Snyder is a winner of a Pulitzer Prize for Poetry and the American Book Award. His work, in his various roles, reflects an immersion in both Buddhist spirituality and nature. He has translated literature into English from ancient Chinese and modern Japanese. For many years, Snyder was an academic at the University of California, Davis, and for a time served as a member of the California Arts Council.

<i>Haiku</i> Japanese poetry form

Haiku is a type of short form poetry that originated in Japan, and can be traced back from the influence of traditional Chinese poetry. Traditional Japanese haiku consist of three phrases composed of 17 phonetic units in a 5, 7, 5 pattern; that include a kireji, or "cutting word"; and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji. Similar poems that do not adhere to these rules are generally classified as senryū.

<span class="mw-page-title-main">Poetry</span> Form of literature

Poetry is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm, and sound symbolism, to produce musical or incantatory effects. Most poems are formatted in verse: a series or stack of lines on a page, which follow a rhythmic or other deliberate pattern. For this reason, verse has also become a synonym for poetry.

<span class="mw-page-title-main">Ode to a Nightingale</span> 1819 poem by John Keats

"Ode to a Nightingale" is a poem by John Keats written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house that he shared with Keats in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. The poem is one of the most frequently anthologized in the English language.

<span class="mw-page-title-main">Julian Tuwim</span> Polish poet

Julian Tuwim, known also under the pseudonym Oldlen as a lyricist, was a Polish poet, born in Łódź, then part of the Russian Partition. He was educated in Łódź and in Warsaw where he studied law and philosophy at Warsaw University. After Poland's return to independence in 1918, Tuwim co-founded the Skamander group of experimental poets with Antoni Słonimski and Jarosław Iwaszkiewicz. He was a major figure in Polish literature, admired also for his contribution to children's literature. He was a recipient of the prestigious Golden Laurel of the Polish Academy of Literature in 1935.

Robert L. Hass is an American poet. He served as Poet Laureate of the United States from 1995 to 1997. He won the 2007 National Book Award and shared the 2008 Pulitzer Prize for the collection Time and Materials: Poems 1997–2005. In 2014 he was awarded the Wallace Stevens Award from the Academy of American Poets.

<span class="mw-page-title-main">Jim Harrison</span> American poet, novelist, and essayist (1937–2016)

James Harrison was an American poet, novelist, and essayist. He was a prolific and versatile writer publishing over three dozen books in several genres including poetry, fiction, nonfiction, children's literature, and memoir. He wrote screenplays, book reviews, literary criticism, and published essays on food, travel, and sport. Harrison indicated that, of all his writing, his poetry meant the most to him.

<span class="mw-page-title-main">Japanese poetry</span> Literary tradition of Japan

Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty. Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself, the Heian period, the Kamakura period, and so on, up through the poetically important Edo period and modern times; however, the history of poetry often is different from socio-political history.

Lucien Stryk was an American poet, translator of Buddhist literature and Zen poetry, and former English professor at Northern Illinois University (NIU).

<span class="mw-page-title-main">John Hollander</span> American poet

John Hollander was an American poet and literary critic. At the time of his death, he was Sterling Professor Emeritus of English at Yale University, having previously taught at Connecticut College, Hunter College, and the Graduate Center, CUNY.

This is a glossary of poetry terms.

Nationality words link to articles with information on the nation's poetry or literature.

<span class="mw-page-title-main">Anatoly Kudryavitsky</span> Russian-Irish novelist, poet, literary translator and magazine editor

Anatoly Kudryavitsky is a Russian-Irish novelist, poet, editor and literary translator.

Thomas Bancroft was a minor seventeenth-century English poet, He wrote a number of poems and epigrams addressed to notable people into which he embedded clever puns.

A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku. Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units in a 5–7–5 pattern, varies greatly.

<span class="mw-page-title-main">Jim Kacian</span> American poet

James Michael Kacian is an American haiku poet, editor, translator, publisher, organizer, filmmaker, public speaker, and theorist. He has authored more than 20 volumes of English-language haiku, and edited scores more, including serving as editor-in-chief for Haiku in English: The First Hundred Years. In addition, he is founder and owner of Red Moon Press (1993), a co-founder of the World Haiku Association (2000), and founder and president of The Haiku Foundation (2009).

<span class="mw-page-title-main">John Keats's 1819 odes</span> Poems

In 1819, John Keats composed six odes, which are among his most famous and well-regarded poems. Keats wrote the first five poems, "Ode on a Grecian Urn", "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche" in quick succession during the spring, and he composed "To Autumn" in September. While the exact order in which Keats composed the poems is unknown, some critics contend that they form a thematic whole if arranged in sequence. As a whole, the odes represent Keats's attempt to create a new type of short lyrical poem, which influenced later generations.

Wally Swist is an American poet and writer. He is best known for his poems about nature and spirituality.

<i>The Great Enigma</i> Book by Tomas Tranströmer

The Great Enigma is a 2004 collection of poetry by the Swedish writer Tomas Tranströmer. It consists of five poems in free format, followed by 45 haiku in eleven suites. It is one of the two collections Tranströmer wrote after his 1990 stroke, and it was therefore written at a slow pace with the left hand. It was published in English in 2006.

A Stanza of Sunlight on the Banks of Brahmaputra is the historic first collaborative Indo-British bilingual book of poetry in English and Assamese, under the joint authorship of novelist, short-story writer, columnist and poet Arnab Jan Deka and poet, blogger and novelist Tess Joyce. The book received wider international acclaim and recognition as a major literary work in the genre of Indo-British literature. This book was first published in 2009, in both the UK and India, by Philling Books (UK) and Spectrum Publications (India).

References

  1. 1 2 Harrison, Jim. Songs of Unreason. Port Townsend, Washington. ISBN   9781556593895. OCLC   709681159.
  2. Brown, Fleda. "Michigan Writers on the Air: Commentaries on Poetry" . Retrieved 2019-03-15. His collection before this one, Saving Daylight, is full of his usual rich conversation between the natural world—rivers and wolves and egg yolks, and the transcendence they contain. I'd say nothing has changed in the new book except that the light of awareness that's infused all of Harrison's work is brighter, here.
  3. "Previous Winners – High Plains Book Awards" . Retrieved 2019-03-08.
  4. Brown, Felda. "Michigan Writers on the Air: Commentaries on Poetry" . Retrieved March 17, 2019. ...this book is an evaluation. It evaluates the issue of death, the way we see death, not death itself.
  5. "Body as Home: A Review of Jim Harrison's SONGS OF UNREASON by Jasmine V. Bailey". 32 Poems Magazine. Retrieved 2019-03-09. ...haiku-like and very reminiscent of the Zen poetry written by sages (often hermits) in the Eastern tradition
  6. Brown, Felda. "Michigan Writers on the Air: Commentaries on Poetry" . Retrieved 2019-03-16. These little poems are very much like the ones in Braided Creek, the 2003 conversation in poems that Harrison and Ted Kooser wrote back and forth to each other. They're aphoristic, sometimes, and sometimes more like haiku. They mirror moment by moment the movement of the mind.
  7. Jaeger, Lowell (2010). New Poets of the American West (1st ed.). Kalispell, Montana: Many Voices Press, Flathead Community College. ISBN   9780979518546. OCLC   660034027.
  8. "Fall 2010". Narrative Magazine. 2010-03-14. Retrieved 2019-03-11.
  9. "Spring 2011". Narrative Magazine. 2011-11-06. Retrieved 2019-03-11.
  10. Harrison, Jim (Fall 2011). "Sunlight" (PDF). Reflections Yale Divinity School: 59.
  11. Harrsion, Jim (Spring 2017). "American Sermon" (PDF). Reflections A Magazine of Theological and Ethical Inquiry from Yale Divinity School: 24.