Address | Atlanta, Georgia |
---|---|
Type | Foundation |
Opened | 2010 |
Website | |
http://soulsgrowndeep.org/ |
Souls Grown Deep Foundation is a non-profit organization dedicated to documenting, preserving, and promoting the work of leading contemporary African American artists from the Southeastern United States. Its mission is to include their contributions in the canon of American art history through acquisitions from its collection by major museums, as well as through exhibitions, programs, and publications. [1] The foundation derives its name from a 1921 poem by Langston Hughes (1902–1967) titled "The Negro Speaks of Rivers," the last line of which is "My soul has grown deep like the rivers. [2]
The foundation is led by Maxwell L. Anderson, who serves as its president, and a member of its board of trustees. Anderson was previously director of the Dallas Museum of Art and the Whitney Museum of American Art in New York. [3]
The Souls Grown Deep Foundation Collection contains over 1,100 works by more than 160 artists, two-thirds of whom are women. Ranging from large-scale assemblages to works on paper, the foundation is particularly strong in works dating from the death of Martin Luther King Jr. to the end of the twentieth century. The roots of these works can be traced to slave cemeteries and secluded woods. Following the Civil War, when the southern agrarian economy collapsed and rural African American sharecroppers and tenant farmers were forced to migrate for survival to major population centers—particularly in and around Birmingham, Alabama, where iron and steel production created jobs—a new and more public language of quilts, funerary, and yard arts arose. Beyond painting, sculpture, assemblage, drawing, and textile-making, this tradition also included music, dance, oral literature, informal theater, culinary arts, and more. Much like jazz musicians, the artists of this tradition reflect the rich, symbolic world of the black rural South through highly charged works that address a wide range of revelatory social and political subjects. [1]
Among the artists represented are Thornton Dial, Lonnie Holley, Mary T. Smith, Joe Minter, Nellie Mae Rowe, Purvis Young, Emmer Sewell, Ronald Lockett, Joe Light, and the Gees Bend quilters. [4]
Souls Grown Deep Foundation was founded in 2010, but traces its roots to the mid-1980s, when William S. Arnett, an art historian and collector, began to collect the artworks of largely undiscovered African American artists across nine southeastern states. Developed outside of the structure of schools, galleries, and museums, these rich yet largely unknown African American visual art traditions present a distinct post–Civil Rights phenomenon that offers powerful insight and fresh perspectives into the most compelling political and social issues of our time. The majority of the works and ephemeral documents held by the foundation were compiled by Arnett and his sons over three decades, with the goal of creating a collection that could serve as a record and legacy of this culture. [5]
By the mid-1990s Arnett's efforts culminated in an ambitious survey exhibition of this tradition titled Souls Grown Deep: African American Vernacular Art of the South, presented in conjunction with the 1996 Olympic Games in Atlanta and in partnership with the City of Atlanta and the Michael C. Carlos Museum of Emory University. [6] The subsequent two-volume publication Souls Grown Deep: African American Vernacular Art of the South, remains the most in-depth examination of the movement. [7]
In 2014 the Souls Grown Deep Foundation began a multi-year program to transfer the majority of works in its care to the permanent collections of leading American and international art museums. [8] To date, this program has led to the acquisition of over 350 works by more than 100 artists from the foundation's collection by 17 museums [9] including the Metropolitan Museum of Art, [10] the Fine Arts Museums of San Francisco, [11] the High Museum of Art, [12] the New Orleans Museum of Art, [13] the Philadelphia Museum of Art, [14] the Ackland Art Museum, [15] the Virginia Museum of Fine Arts, [16] the Brooklyn Museum, [17] the Morgan Library & Museum, [17] the Dallas Museum of Art, [17] the Spelman College Museum of Fine Art, [17] the Museum of Fine Arts, Boston, [17] Clark Atlanta University Art Museum, [9] the Minneapolis Institute of Art, [9] the Montgomery Museum of Fine Arts, [9] and The Phillips Collection. [9] Forty works by 21 artists were purchased by the National Gallery of Art in 2020. [18] [19] [20]
Exhibitions of acquisitions from the Souls Grown Deep Foundation include Revelations: Art from the African American South (2017-2018) at the de Young Museum in San Francisco; [21] History Refused to Die: Highlights from the Souls Grown Deep Foundation Gift (2018) at The Metropolitan Museum of Art; [22] Cosmologies from the Tree of Life: Art from the African American South (2019) at the Virginia Museum of Fine Arts; [23] Souls Grown Deep: Artists of the African American South (2019) at the Philadelphia Museum of Art; [24] and Called to Create: Black Artists of the American South (2022-2023) at the National Gallery of Art. [25]
Lonnie Bradley Holley, sometimes known as the Sand Man, is an American artist, art educator, and musician. He is best known for his assemblages and immersive environments made of found materials. In 1981, after he brought a few of his sandstone carvings to then-Birmingham Museum of Art director Richard Murray, the latter helped to promote his work. In addition to solo exhibitions at the Birmingham Museum of Art and the Halsey Institute of Contemporary Art at the College of Charleston, Holley has exhibited in group exhibitions with other Black artists from the American South at the Michael C. Carlos Museum and the High Museum of Art in Atlanta, the Studio Museum in Harlem, the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Toledo Museum of Art, Pérez Art Museum Miami, NSU Museum of Art Fort Lauderdale, the Institute of Contemporary Art, Boston, de Young Museum in San Francisco, National Gallery of Art, Washington, D.C., the Ikon Gallery in Birmingham, England, and the Royal Academy of Arts in London, among other places.
Thornton Dial was a pioneering American artist who came to prominence in the late 1980s. Dial's body of work exhibits formal variety through expressive, densely composed assemblages of found materials, often executed on a monumental scale. His range of subjects embraces a broad sweep of history, from human rights to natural disasters and current events. Dial's works are widely held in American museums; ten of Dial's works were acquired by the Metropolitan Museum of Art in 2014.
Maxwell L. Anderson is an American art historian, former museum administrator, and non-profit executive, who currently serves as President of the Souls Grown Deep Foundation. Anderson previously served as Alice Pratt Brown Director of the Whitney Museum of American Art from 1998 to 2003, director of the Indianapolis Museum of Art from 2006 to 2011, and director of Dallas Museum of Art from 2011 to 2015.
Bessie Harvey was an American artist best known for her sculptures constructed out of found objects, primarily pieces of wood. A deeply religious person, Harvey's faith and her own interest in nature were primary sources for her work.
William Sidney Arnett was an Atlanta-based writer, editor, curator and art collector who built internationally important collections of African, Asian, and African American art. Arnett was the founder and chairman of the Souls Grown Deep Foundation, an organization dedicated to the preservation and documentation of African American art from the Deep South that works in coordination with leading museums and scholars to produce groundbreaking exhibitions and publications using its extensive holdings. His efforts produced 13 books with nearly 100 essays by 73 authors. Thirty-eight museums have hosted major exhibitions, and comprehensive archives are maintained at UNC Chapel Hill. The White House has shown the collection. Arnett exhibited works from these collections and delivered lectures at over 100 museums and educational institutions in the United States and abroad. He is perhaps best known for writing about and collecting the work of African American artists from the Deep South. Arnett was named one of the "100 Most Influential Georgians" by Georgia Trend Magazine in January 2015. He died on August 12, 2020.
Hawkins Bolden (1914–2005) was an American artist known for his "scarecrow" assemblages made from pots, pans, leather belts, rubber hoses and other found materials.
Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.
"Missionary" Mary L. Proctor is an American artist, best known for her visionary paintings, collages, and assemblages.
Joe Minter is an American sculptor based in Birmingham, Alabama. His African Village in America, on the southwest edge of Birmingham, is an ever-evolving art environment populated by sculptures he makes from scrap metal and found materials; its theme is recognition of African American history from the first arrivals of captured Africans to the present. Individual pieces from Minter's thirty-year project have been in major exhibitions in the United States and are in the permanent collections of the National Gallery of Art, the Smithsonian American Art Museum, and the Metropolitan Museum of Art, among others.
Sally Mae Pettway Mixon is an American artist. She is associated with the Gee's Bend quilting collective, alongside her mother, Candis Pettway, and her sisters Qunnie Pettway and Edwina Pettway.
Nellie Mae Abrams (1946–2005) was an American artist. She is associated with the Gee's Bend quilting collective. Her art has been exhibited at the Museum of Fine Arts, Houston and the Gund Gallery at Kenyon College, and is included in the collection of the Minneapolis Institute of Art and the Philadelphia Museum of Art. She was the daughter of Annie Mae Young, who was also a quiltmaker.
Delia Bennet (1892–1976) was an American artist. She is associated with the Gee's Bend quilting collective, and is said to be "the matriarch of perhaps the largest family of quilt producers in Gee's Bend. Her work is included in the collection of the Philadelphia Museum of Art.
Sue Willie Seltzer (1922–2010) was an American artist. She is associated with the Gee's Bend quilting collective. Her work has been exhibited at the Museum of Fine Arts, Houston and the National Gallery of Art, and is included in the collection of the New York Metropolitan Museum of Art and the Philadelphia Museum of Art.
Andrea Pettway Williams is an American artist. She is associated with the Gee's Bend quilting collective, along with her mother, Lorraine Pettway. Her work has been exhibited at the Museum of Fine Arts, Houston, and is included in the collection of the Philadelphia Museum of Art. She is a sixth-generation quilter.
Irene Williams (1920–2015) was an American artist. She is associated with the Gee's Bend quilting collective, although she made her quilts "in solitude" and "uninfluenced." Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art, the Indianapolis Museum of Art, the Museum of Fine Arts Boston, and the National Gallery of Art.
Georgia Speller (1931–1988) was an African American artist known for her colorful, dynamic drawings and paintings on paper.
Flora Moore is an American artist associated with the Gee's Bend group of quilters.
Mary L. Bennett is an American artist. She is associated with the Gee's Bend quilting collective. Bennett came from a family of quilters originating with the matriarch of the family her grandmother, Delia Bennett. Her work is included in the collection of the Museum of Fine Arts, Houston, and National Gallery of Art.
Eldren "E. M." Bailey (1903–1987) was an African American artist best known for his large cement sculptures, which he often displayed in his front yard. Born in Flovilla, Georgia, Bailey spent most of his life and career in Atlanta, Georgia.
Richard Dial is an African–American designer and sculptor known for his metal works and anthropomorphic furniture. Dial lives and works in Bessemer, AL.