South of Suva | |
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Directed by | Frank Urson |
Written by | Fred Myton (scenario) |
Story by | Ewart Adamson |
Produced by | Adolph Zukor (for Realart) |
Starring | Mary Miles Minter |
Cinematography | Allen M. Davey |
Distributed by | Paramount Pictures |
Release date |
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Running time | 5 reels; 4,639 feet |
Country | United States |
Language | Silent (English intertitles) |
South of Suva is a 1922 American silent drama film starring Mary Miles Minter and directed by Frank Urson. It was adapted by Fred Myton from a story by Ewart Adamson. [1] As with many of Minter's features, it is thought to be a lost film. [2]
As described in various film magazine reviews, [3] [4] [5] [6] Phyllis Latimer (Minter) is sailing to Suva in the Fiji Islands to join her husband Sydney (Long), whom she has not seen since their marriage three years previously. She is travelling with Pauline Leonard (Bryson), who is to meet with her ward John Webster (Bowers) on Suva, but Pauline instead chooses to accompany a man she has fallen in love with on board.
When Phyllis arrives at her husband's plantation, she finds that Sydney has degenerated into a brutal drunk and surrounded himself with native women. Phyllis gives him two weeks to reform himself, and when he fails to do so and she tries to leave, he attacks her. When Sydney is knocked unconscious by a falling canopy Phyllis flees, but she does not have the money to pay for her return passage.
Phyllis seeks refuge with John Webster, and uses her knowledge of Pauline from the voyage to successfully pose as his ward. A romance begins to develop between them, but when Webster is away, Sydney arrives at his house. He reveals Phyllis' true identity to Webster's assistant, and drags her back to his own plantation.
When Phyllis refuses to submit to her husband, Sydney hands her over to the natives to be a human sacrifice. Webster arrives just in time to save her, and in the ensuing conflict Sydney is killed. Once it has been made clear to him that she is not his ward, Phyllis and Webster are free to wed.
Wives and Other Wives is a 1918 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter, based on a story by Jules Furthman. As with many of Minter's features, it is thought to be a lost film.
Charity Castle is a 1917 American silent comedy-drama film directed by Lloyd Ingraham and starring Mary Miles Minter. As is the case with many of Minter's features, it is thought to be a lost film.
Her Country's Call is a 1917 American silent drama film directed by Lloyd Ingraham and starring Mary Miles Minter, along with George Periolat and Allan Forrest. The film is the final instalment in a series a films written by Abraham Lincoln impersonator Benjamin Chapin, who also appeared in the film as Lincoln. It was one of many films of the time that catered to the vogue for patriotic pictures after America joined World War 1, with ample shots of soldiers and the American flag. As with many of Minter's features, it is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players–Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
The Cowboy and the Lady is a 1922 American silent Western film directed by Charles Maigne and starring Mary Miles Minter and Tom Moore. It was adapted by Julien Josephson from the 1908 play of the same name by Clyde Fitch, and was shot on location at Jackson Hole in Wyoming. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
The Heart Specialist is a 1922 American silent romantic comedy film directed by Frank Urson and starring Mary Miles Minter and Allan Forrest. It was adapted by Harvey Thew from a story by Mary Morrison. As with many of Minter's features, it is thought to be a lost film.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
A Cumberland Romance is a 1920 American silent drama film written and directed by Charles Maigne and starring Mary Miles Minter and Monte Blue, based on the 1899 novel A Mountain Europa by John Fox Jr. It is one of approximately a dozen of Minter's features still known to survive today.
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. Like many of Minter's features, it is thought to be a lost film.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
A Bit of Jade is a 1918 silent comedy-drama film directed by Edward Sloman and starring Mary Miles Minter. As with many of Minter’s features, it is thought to be a lost film.
A Bachelor's Wife is a 1919 silent drama film directed by Emmett J. Flynn and starring Mary Miles Minter. As with many of Minter's films, the film is thought to be a lost film. In the weeks before its release, some film magazines listed the feature under its working title “Mary O’Rourke.”