Related Research Articles
"Whiskey in the Jar" is an Irish traditional song set in the southern mountains of Ireland, often with specific mention of counties Cork and Kerry. The song, about a rapparee (highwayman) who is betrayed by his wife or lover, is one of the most widely performed traditional Irish songs and has been recorded by numerous artists since the 1950s.
The Dubliners were an Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s, and were signed to the Major Minor label in 1965 after backing from Dominic Behan who was paid by Major-Minor to work with the Dubliners and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act including the song McAlpine's Fusiliers created specifically to showcase Ronnie Drew's gravel voice. They went on to receive extensive airplay on Radio Caroline which was part-owned by Phil Solomon CEO of Major Minor, and eventually appeared on Top of the Pops in 1967 with hits "Seven Drunken Nights" and "The Black Velvet Band". Often performing political songs considered controversial at the time, they drew criticism from some folk purists and Ireland's national broadcaster RTÉ had placed an unofficial ban on their music from 1967 to 1971. During this time the band's popularity began to spread across mainland Europe and they appeared on The Ed Sullivan Show in the United States. The group's success remained steady right through the 1970s and a number of collaborations with The Pogues in 1987 saw them enter the UK Singles Chart on another two occasions.
Luke Kelly was an Irish singer, folk musician and actor from Dublin, Ireland. Born into a working-class household in Dublin city, Kelly moved to England in his late teens and by his early 20s had become involved in a folk music revival. Returning to Dublin in the 1960s, he is noted as a founding member of the band The Dubliners in 1962. Known for his distinctive singing style, and sometimes political messages, the Irish Post and other commentators have regarded Kelly as one of Ireland's greatest folk singers.
Joseph Ronald Drew was an Irish singer, folk musician and actor who had a fifty-year career recording with The Dubliners.
"Rocky Road to Dublin" is a 19th-century Irish song written by Irish poet D. K. Gavan about a man's experiences as he travels to Liverpool, England from his home in Tuam, Ireland. Originally popularized by Harry Clifton, it has since been performed extensively and become a standard of Irish folk music. The song is also often performed instrumentally.
"The Black Velvet Band" is a traditional folk song collected from singers in Ireland, Australia, England, Canada and the United States describing how a young man is tricked and then sentenced to transportation to Australia, a common punishment in the British Empire during the 19th century. Versions were also published on broadsides.
"Matty Groves", also known as "Little Musgrave and Lady Barnard" or "Little Musgrave", is a ballad probably originating in Northern England that describes an adulterous tryst between a young man and a noblewoman that is ended when the woman's husband discovers and kills them. It is listed as Child ballad number 81 and number 52 in the Roud Folk Song Index. This song exists in many textual variants and has several variant names. The song dates to at least 1613, and under the title Little Musgrave and Lady Barnard is one of the Child ballads collected by 19th-century American scholar Francis James Child.
"The Unquiet Grave" is an English folk song in which a young man's grief over the death of his true love is so deep that it disturbs her eternal sleep. It was collected in 1868 by Francis James Child as Child Ballad number 78. One of the more common tunes used for the ballad is the same as that used for the English ballad "Dives and Lazarus" and the Irish pub favorite "Star of the County Down".
"The Wild Rover" is a very popular and well-travelled folk song. Many territories have laid claim to having the original version.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
Lord Lovel is number 75 of the ballads anthologized by Francis James Child during the second half of the 19th century, and exists in several variants. This ballad is originally from England, originating in the Late Middle Ages, with the oldest known versions being found in the regions of Gloucestershire, Somerset, Worcestershire, Warwickshire, and Wiltshire.
"The Irish Rover" is an Irish folk song about a magnificent though improbable sailing ship that reaches an unfortunate end. It has been recorded by numerous artists, some of whom have made changes to the lyrics over time.
"I'll Tell Me Ma" is a traditional children's song. It was collected in various parts of the United Kingdom in the 19th century and again appears in collections from shortly after the turn of the 20th century. In Ireland, especially within Ulster, the chorus usually refers to Belfast city and is known colloquially as "The Belle of Belfast City", although it is also adapted to other Irish cities, such as Dublin. Other versions refer to the "Golden City" or "London City". This song is Roud Folk Song Index number 2649.
Seán Cannon is an Irish musician. Since 1982 he has been a guitarist for The Dubliners and their follow-up-band The Dublin Legends.
The Irish folk song "Muirsheen Durkin" tells the story of an emigrant from Ireland who goes to mine for gold in California during the California Gold Rush, 1849. The song is about emigration, although atypically optimistic for the genre. The name "Muirsheen" is a good phonetic approximation to the pronunciation of "Máirtín" (Martin) in Connacht Irish; it could alternatively be construed as a diminutive of "Muiris" (Maurice). A pratie is a potato, the historical staple crop of Ireland. "America" is pronounced "Americay", as was common among Gaelic peoples around Ireland.
"The Cuckoo" is a traditional English folk song, also sung in the United States, Canada, Scotland and Ireland. The song is known by many names, including "The Coo-Coo", "The Coo-Coo Bird", "The Cuckoo Bird", "The Cuckoo Is a Pretty Bird", "The Evening Meeting", "The Unconstant Lover", "Bunclody" and "Going to Georgia". Lyrics usually include the line : "The cuckoo is a pretty bird, she sings as she flies; she brings us glad tidings, and she tells us no lies."
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
The Lark in the Morning is an English folk song. It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
References
- ↑ Shepard, Leslie. 1962 The broadside ballad : a study in origins and meaning
- ↑ Vaughan Williams Memorial Library
- ↑ Ballad Index
- ↑ Moore, Christy (2000) One Voice - My Life in Song. London: Hodder and Stoughton; p. 166
