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Special Generation (band) | |
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Background information | |
Genres | new jack swing, urban contemporary, R&B |
Years active | 1990–present |
Labels | Capitol |
Members |
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Special Generation was an American new jack swing and urban contemporary R&B quintet from Saint Petersburg, Florida. The group members were Maquet Robinson, Kendrick Washington, Fernando Carter, Charles Salter and Maurice Dowdell. They were signed with Capitol Records. Their song "Love Me Just For Me" reached number 8 on the Billboard Top R&B singles chart, [1] and number 91 on the Billboard Hot 100. [2]
They released an album titled Take It To The Floor, produced by MC Hammer, in 1990. The group sings background vocals on several of MC Hammer's songs, including "U Can't Touch This", "Help the Children" and "Have You Seen Her". [3]
Keith Sweat is an American singer, songwriter, record producer, and an early figure in the new jack swing musical movement. He is known for his collection of hits including "I Want Her", "Make It Last Forever", "I'll Give All My Love to You", "Make You Sweat", "Get Up on It", "Twisted" and "Nobody". He has released 13 solo albums and discovered the groups Silk and Kut Klose.
Crunk is a subgenre of southern hip hop that emerged in the early 1990s and gained mainstream success during the early to mid 2000s. Crunk is often up-tempo and one of Southern hip hop's more nightclub-oriented subgenres. Distinguishing itself with other Southern hip hop subgenres, crunk is marked and characterized by its energetic accelerated musical tempo, club appeal, recurrent chants frequently executed in a call and response manner, multilayered synths, its pronounced reliance on resounding 808 basslines, and rudimentary musical arrangement. An archetypal crunk track frequently uses a dominant groove composed of a nuanced utilization of intricately multilayered keyboard synthesizers organized in a recurring pattern, seamlessly shifting from a lower to a higher pitch that encompasses the song's primary central rhythm, both in terms of its harmonious and melodic aspects. The main groove is then wrapped up with looped, stripped-down, and crisp 808 dance claps and manipulated snare rolls coupled, and accompanied by a bassline of thumping 808 kick drums. The term "crunk" was also used throughout the 2000s as a blanket term to denote any style of Southern hip hop, a side effect of the genre's breakthrough to the mainstream. The word derives from its African-American Vernacular English past-participle form, "crunk", of the verb "to crank". It refers to being excited or high on drugs.
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.
Bell Biv DeVoe, also known as BBD, is an American music group from Boston, Massachusetts, formed from members of New Edition, consisting of Ricky Bell, Michael Bivins and Ronnie DeVoe.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown group the Supremes, reaching number one on the Billboard Hot 100. American rock band Vanilla Fudge released a cover version in June the following year, which reached number six on the Billboard Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the Billboard Hot 100 in June 1987. In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of the six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US Billboard Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all-time UK downloads and streams.
Color Me Badd is an American contemporary R&B group that was formed in 1985 in Oklahoma City, Oklahoma by lead singer Bryan Abrams, tenor Mark Calderon, second tenor Sam Watters and baritone Kevin Thornton. Color Me Badd broke up in 1998 before reuniting in 2010, with various lineups since.
Please Hammer Don't Hurt 'Em is the third studio album by American rapper MC Hammer, released on February 12, 1990 by Capitol Records and EMI Records. Produced, recorded and mixed by Felton Pilate and James Earley. With a small budget of around $10,000 and recorded on a modified tour bus between May 1988 to November 1989, The album incorporates Hip Hop, pop rap and dance.
"Dancing Machine" is a song recorded by American R&B group the Jackson 5; it was the title track of their ninth studio album. The song was originally recorded for the group's 1973 album G.I.T.: Get It Together and was released as a remix.
"U Can't Touch This" is a song co-written, produced, and performed by American rapper MC Hammer. It was released as the third single from his third album, Please Hammer Don't Hurt 'Em (1990), and has been considered his signature song. Along with Hammer, Rick James shares songwriting credits with Alonzo Miller, as the song samples the prominent opening riff of James' 1981 single "Super Freak". The song has been used and referred to in many television shows, films, commercials, and other forms of media. It has also received multiple awards and recognition.
"You've Really Got a Hold on Me" is a song written by Smokey Robinson, which became a 1962 Top 10 hit single for the Miracles. One of the Miracles' most covered tunes, this million-selling song received a 1998 Grammy Hall of Fame Award. It has also been selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. It was recorded by the Beatles for their second album, With the Beatles (1963). Many other musicians also recorded versions.
"Have You Seen Her" is a song by American soul vocal group the Chi-Lites, released on Brunswick Records in 1971. Composed by the lead singer Eugene Record and Barbara Acklin, the song was included on the group's 1971 album (For God's Sake) Give More Power to the People.
"Get Low" is the debut single by American rap group Lil Jon & the East Side Boyz, featuring American hip hop duo Ying Yang Twins, released as a single in 2003. It first appeared on the 2002 album Kings of Crunk. "Get Low" peaked at number two on the Billboard Hot 100 and number 20 on the Hot Digital Songs chart. It was number five on the top Hot R&B/Hip-Hop songs of 2003. Outside of the United States, "Get Low" peaked within the top ten of the charts in the United Kingdom, the top twenty of the charts in Germany and the top forty of the charts in Australia, Austria, and New Zealand. It is also known as a breakthrough song for the crunk genre, as the song's success helped it become mainstream. It is listed number 99 on VH1's 100 Greatest Songs of Hip-Hop.
"Ain't 2 Proud 2 Beg" is the debut single by American girl group TLC, from their debut album, Ooooooohhh... On the TLC Tip (1992). It was released by LaFace Records on November 22, 1991 (promo) and late January 1992 (retail). The song would ultimately peak at number six on the US Billboard Hot 100 and number two on Billboard's Hot R&B/Hip-Hop Singles & Tracks. The single also reached the top 20 in the UK Singles Chart. The song describes the group explaining that they don't mind begging for attention from their significant others. Songwriters Dallas Austin and Lisa 'Left Eye' Lopes received a nomination for the 1993 Grammy Award for Best R&B Song. The song appeared in video games Dance Central 3 and the 2022 reboot of Saints Row.
American rapper Bow Wow has released six studio albums, twenty-six singles, fifty-one music videos, and eight mixtapes.
American R&B singer-songwriter Chris Brown has released 11 studio albums, 1 collaborative album, 1 extended play, 9 mixtapes, 61 singles and 26 promotional singles.
The discography of Rick Ross, an American rapper, consists of 11 studio albums, one compilation album, 145 singles, one soundtrack, and 40 music videos. Ross's debut studio album, Port of Miami (2006), features two singles with "Hustlin'" and "Push It". Ross's second studio album, Trilla (2008), produced hit singles such as "The Boss" and "Here I Am". Ross's third studio album, Deeper Than Rap (2009), includes the singles such as "Magnificent" and "Maybach Music 2". Ross's fourth studio album, Teflon Don (2010), includes the hit single, "Aston Martin Music".
Con Funk Shun is an American R&B and funk band from Vallejo, California, formed in 1969. They were influenced by funk progenitors James Brown and Sly and the Family Stone. Signed to Mercury Records in 1976, the band had numerous successful national and overseas tours, eleven albums, and a number of hit singles. The group formally disbanded in 1986.
"Take Me in Your Arms (Rock Me a Little While)" is a song written by the premier Motown songwriting/production team of the 1960s Holland–Dozier–Holland. The first hit recording was sung by Kim Weston in 1965. It was most popular in 1975 when it was recorded by the Doobie Brothers.
The discography of the Fugees, an American hip hop trio consisting of rapper/singer Lauryn Hill and rappers Pras Michel and Wyclef Jean, consists of two studio albums, three compilation albums, one remix album and nine singles and nine music videos. After the group formed in the 1980s under the name Tranzlator Crew, they signed to Ruffhouse Records and Columbia Records in 1993; they then changed their name to Fugees – an abbreviation of "refugees", also a reference to Haitian immigrants.
"Take Me to Church" is a song by Irish singer-songwriter Hozier. It was released as his debut single on 13 September 2013, originally featuring on his extended play of the same name, before being featured as the opening track of his 2014 debut album Hozier. A struggling musician at the time of its composition, Hozier wrote and recorded the song in the attic of his parents' home in County Wicklow. A mid-tempo soul song, its lyrics use religious terminology to describe a romantic relationship in the face of Church discrimination. The song caught the attention of Rubyworks Records, where producer Rob Kirwan collaborated with Hozier on the final recording.