A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Hardcore punk is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".
Psychobilly is a rock music fusion genre that fuses elements of rockabilly and punk rock. It's been defined as "loud frantic rockabilly music", it has also been said that it "takes the traditional countrified rock style known as rockabilly, ramp[ing] up its speed to a sweaty pace, and combin[ing] it with punk rock and imagery lifted from horror films and late-night sci-fi schlock,... [creating a] gritty honky tonk punk rock."
Sniffin' Glue and Other Rock 'N' Roll Habits..., widely known as simply Sniffin' Glue, was a monthly punk zine started by Mark Perry in July 1976 and released for about a year. The name is derived from a Ramones song "Now I Wanna Sniff Some Glue." Some of the zine's writers, such as Danny Baker, later became well-known journalists.
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
The Teen Idles were an American hardcore punk band formed in Washington, D.C., in September 1979. Consisting of teenagers Nathan Strejcek, Geordie Grindle, Ian MacKaye and Jeff Nelson, they recorded two demo sessions and the 1980 Minor Disturbance EP before breaking up in November 1980. The influential independent record label Dischord Records was originally created with the sole purpose of releasing The Teen Idles Minor Disturbance 7" record. They were an early landmark in the D.C. hardcore movement, and MacKaye and Nelson would later form the seminal punk rock outfit Minor Threat.
"Home Taping Is Killing Music" was the slogan of a 1980s anti-copyright infringement propaganda campaign by the British Phonographic Industry (BPI), a British music industry trade group. With the rise in cassette recorder popularity, the BPI feared that the ability of private citizens to record music from the radio onto cassettes would cause a decline in record sales. The logo, consisting of a Jolly Roger formed from the silhouette of a compact cassette, also included the words "And It's Illegal". The campaign was officially launched by then-BPI chairman Chris Wright on 28 October 1981.
Identity Crisis is the debut studio album by American rock band Thrice, released on Greenflag Records on June 6, 2000. Following the release of their debut EP First Impressions and a brief break in touring, frontman Dustin Kensrue became an employee at Greene Records. Owner Andy Greene was interested in funding the band's debut album; sessions were held at For the Record in Orange, California with the band and Paul Miner as producers.
Generation X were an English punk rock band, formed in London in 1976. They were the musical starting point of the career of their frontman Billy Idol, and issued six singles that made the UK Singles Chart and two albums that reached the UK Albums Chart.
Toxic Reasons were an American punk rock band, formed in 1979. The band released nine full-length studio albums between 1982 and 1995.
German punk includes a body of music and a subculture that have evolved since punk rock became popular in Germany in the 1970s. Within the subculture of punk in Germany, a style of music called Deutschpunk was developed; this style of music has developed distinctly from hardcore punk, and includes lyrics in German as well as a fast tempo. In the punk scene in Germany, some bands play music in the Deutschpunk style, while other German punk bands pursue various other styles of punk music.
The Big Takeover is a bi-annual music magazine published in New York City since May 1980 by critic Jack Rabid.
Australian musicians played and recorded some of the earliest punk rock, led by The Saints who released their first single in 1976. Subgenres of punk music, such as local hardcore acts, still have a strong cult following throughout Australia.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
Gary Pig Gold is a Canadian singer-songwriter, record producer, filmmaker, author and journalist. His fanzine The Pig Paper was Canada's second independently published music magazine, and among the recording artists he has worked with are Pat Boone, Dave Rave, Endless Summer, Simply Saucer and Shane Faubert. Gold has written many books on popular music and has contributed to dozens of magazines as well as seven books in the multi-genre MusicHound album guide series. AllMusic describes him as "rock music's all-time hardest-working man ... with all apologies to James Brown".
The first punk rock bands in Canada emerged during the late 1970s, in the wake of the US bands Ramones, The New York Dolls, and Blondie, and the UK band Sex Pistols. The Viletones, the Diodes and the Demics were among the pioneers, together with the Skulls from Vancouver, and Hamilton's Teenage Head, whose records and live shows earned them the nickname "Canada's Ramones". Vibrant local punk scenes sprung up in Toronto and Vancouver and other Canadian cities.
SIN 34 was an American hardcore punk rock band formed in 1981 in Santa Monica, California. The band featured a female front-person, Julie Lanfeld-Keskin. The band's rhythm section would go on to form Painted Willie in 1984, and sign with SST Records in 1985, and embark on a six-month national US tour with Black Flag in 1986. Reforming out of the blue in 2008, SIN 34 would once again play shows primarily in their native southern California through 2012. Longtime member and primary songwriter Phil Newman died after an apparent accident on a sail boat, February 22, 2015; the band has no plans to continue. Singer Lanfeld-Keskin died April 4, 2018.
