A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there it was adopted by other communities.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1960s garage rock, punk bands rejected the perceived excesses of mainstream 1970s rock. They typically produced short, fast-paced songs with hard-edged melodies and singing styles, stripped-down instrumentation, and often shouted political, anti-establishment lyrics. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent record labels.
The punk subculture includes a diverse and widely known array of ideologies, fashion, and other forms of expression, visual art, dance, literature and film. It is largely characterised by anti-establishment views, the promotion of individual freedom, DIY ethics, the culture is originated from punk rock.
A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington D.C. and New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
Sniffin' Glue and Other Rock 'N' Roll Habits..., widely known as simply Sniffin' Glue, was a monthly punk zine started by Mark Perry in July 1976 and released for about a year. The name is derived from a Ramones song "Now I Wanna Sniff Some Glue." Some of the zine's writers, such as Danny Baker, later became well-known journalists.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
The Teen Idles were an American hardcore punk band formed in Washington, D.C. in September 1979. Consisting of teenagers Nathan Strejcek, Geordie Grindle, Ian MacKaye and Jeff Nelson, they recorded two demo sessions and the 1980 Minor Disturbance EP before breaking up in November 1980. The influential independent record label Dischord Records was originally created with the sole purpose of releasing The Teen Idles Minor Disturbance 7" record. They were an early landmark in the D.C. hardcore movement, and MacKaye and Nelson would later form the seminal punk rock outfit Minor Threat.
Tony Fletcher is a British music journalist best known for his biographies of drummer Keith Moon and the band R.E.M., and also as a show director for the Rock Academy in Woodstock
"Home Taping Is Killing Music" was the slogan of a 1980s anti-copyright infringement propaganda campaign by the British Phonographic Industry (BPI), a British music industry trade group. With the rise in cassette recorder popularity, the BPI feared that the ability of private citizens to record music from the radio onto cassettes would cause a decline in record sales. The logo, consisting of a Jolly Roger formed from the silhouette of a compact cassette, also included the words "And It's Illegal". The campaign was officially launched by then-BPI chairman Chris Wright on 28 October 1981.
Creem was a monthly American music magazine, based in Detroit, whose main print run lasted from 1969 to 1989. It billed itself as "America's Only Rock 'n' Roll Magazine." It was first published in March 1969 by Barry Kramer and founding editor Tony Reay. Influential critic Lester Bangs served as the magazine's editor from 1971 to 1976. It suspended production in 1989 but attained a short-lived renaissance in the early 1990s as a glossy tabloid. In June 2022, Creem was relaunched as a digital archive, website and weekly newsletter, and quarterly print edition.
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981–1991 is a book by Michael Azerrad. It chronicles the careers of several underground rock bands who, while finding little or no mainstream success, were hugely influential in establishing American alternative and indie rock, mostly through nearly constant touring and records released on small, regional independent record labels. Azerrad conducted many interviews with band members, and also conducted extensive research of old fanzines, as well as more mainstream newspapers and books.
The mod revival was a subculture that started in Scotland in 1978 and later spread to other countries. The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members.
John David Robb is an English music journalist and singer.
Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.
Brisbane punk rock had its main impact between 1975 and 1984 as part of the overall punk rock scene in Australia. According to rock music historian, Ian McFarlane, the Queensland capital provided "some of the most anarchistic bands" of that era whilst it was "arguably the most conservative city" in the country. The development of the local punk movement differed from other cities because of its relative geographic isolation from other similar trends. The Brisbane scene also received a greater scrutiny by local police where early punk bands formed as "an obvious backlash to an oppressed society". This generated antagonistic and individualistic groups or "snot" driven punk bands.
The first punk rock bands in Canada emerged during the late 1970s, in the wake of the US bands Ramones, The New York Dolls, and Blondie, and the UK band Sex Pistols. The Viletones, the Diodes and the Demics were among the pioneers, together with the Skulls from Vancouver, and Hamilton's Teenage Head, whose records and live shows earned them the nickname "Canada's Ramones". Vibrant local punk scenes sprung up in Toronto and Vancouver and other Canadian cities.
Agression is an American hardcore punk band from Silver Strand Beach, Oxnard, California, United States. Agression was one of the first bands of the "Nardcore" scene and an early example of the "skate punk" style. The band fused skate culture with the punk scene, featuring a song about skateboarding and a Glen E. Friedman photo of Arthur Lake skating a pool on their first and most popular album, Don't Be Mistaken.
SIN 34 was an American hardcore punk rock band formed in 1981 in Santa Monica, California. The band featured a female front-person, Julie Lanfeld-Keskin. The band's rhythm section would go on to form Painted Willie in 1984, and sign with SST Records in 1985, and embarking on a six-month national US tour with Black Flag in 1986. Reforming out of the blue in 2008, SIN 34 would once again play shows primarily in their native southern California through 2012. Longtime member and primary songwriter Phil Newman died after an apparent accident on a sail boat, February 22, 2015; the band has no plans to continue. Singer Lanfeld-Keskin died April 4, 2018.
