Sriwhana Spong (born 1979) is an artist and dancer from New Zealand. [1] [2]
Spong grew up in Auckland, New Zealand, in a family of Balinese origin. She studied at Elam School of Fine Arts, graduating with a Bachelor of Fine Arts in 2001. [2] Her first exhibitions were in not-for-profit spaces in New Zealand, Australia and Germany. In 2003 she had her first solo show, at the Anna Miles Gallery. [2]
Spong also holds a master's degree from Piet Zwart Institute in Rotterdam, the Netherlands. [3] Much of her work is in film and video, and reflects her training in classical ballet by focusing on dance and movement. [4] In 2010 she presented a multi-dimensional film at Art Basel, a re-imagining of a lost ballet, George Balanchine’s The Song of the Nightingale. The ballet was originally choreographed in 1925 however all that remains are fragments of a film of it, the score, and photographs of the costumes. Spong also published a companion book to her film. [5] Spong obtained her doctorate from the University of Auckland. The title of her 2021 doctoral thesis was Scirinz (a running sore): particular and ecstatic scripts of the body by mystic women in the Middle Ages and early modern Europe. [6]
Spong's practice has been partly influenced by the works of medieval women mystics, which she first encountered while at Piet Zwart Institute in 2014. In an interview with Ocula in 2018, Spong mentioned the Brazilian writer Clarice Lispector, the Christian mystics Margery Kempe and Hildegard von Bingen, among others, as her inspirations. [7] For Spong, who considers "art history' as largely the history of male looking—and predominantly white male looking", women mystics' writings led her to examine "the idea of breaking and entering the practice of a much-lauded male modernist painter and stealing a work, only to remake it into something of my own". [8]
In 2005 Spong's work Nightfall won the Contemporary Art Award at Waikato Museum. [2] In 2012 her work Fanta Silver and Song was shortlisted for the Walters Prize. [9]
Rita Angus, a New Zealand painter, has a reputation - along with Colin McCahon and Toss Woollaston - as one of the leading figures in twentieth-century New Zealand art. She worked primarily in oil and water colour, and became well known for her portraits and landscapes.
Douglas James Wright was a New Zealand dancer and choreographer in the New Zealand arts establishment from 1980 until his death in 2018. Although he announced his retirement from dance in 2008, on the occasion of the publication of his first book of poetry, Laughing Mirror he subsequently continued to make dance works, including touring The Kiss Inside during April 2015.
Gretchen Albrecht is a New Zealand painter and sculptor.
Michael Te Rakato Parekōwhai is a New Zealand sculptor and a professor at the University of Auckland's Elam School of Fine Arts. He is of Ngāriki Rotoawe and Ngāti Whakarongo descent and his mother is Pākehā.
Penelope Judith Millar is a New Zealand artist, who lives in Auckland, New Zealand and Berlin, Germany.
Saskia Leek is a New Zealand painter.
This is a timeline of the feminist art movement in New Zealand. It lists important figures, collectives, publications, exhibitions and moments that have contributed to discussion and development of the movement. For the indigenous Māori population, the emergence of the feminist art movement broadly coincided with the emergence of Māori Renaissance.
Suzanne Goldberg (1940–1999) was a New Zealand painter, born in Auckland, New Zealand.
Stella Corkery is a New Zealand visual artist and drummer, born in Tuatapere, New Zealand. Corkery's work is experimental and reflective, often commenting on contemporary ideas. She currently lives and works in Auckland, New Zealand.
Selina Foote is a visual artist from New Zealand. Pieces by Foote are included in the collections of the Chartwell Trust and Museum of New Zealand Te Papa Tongarewa.
Jean Alice Horsley was a New Zealand artist. Her work is held in the permanent collection of the Auckland City Art Gallery.
Carole Marie Shepheard is a New Zealand artist. She specialises in printmaking and her work is held in national and international collections including the Museum of New Zealand Te Papa Tongarewa and the Auckland Art Gallery Toi o Tāmaki.
Marilynn Lois Webb was a New Zealand artist, noted for her contributions to Māori art and her work as an educator. She was best known for her work in printmaking and pastels, and her works are held in art collections in New Zealand, the United States, and Norway. She lectured at the Dunedin School of Art, and was made an emeritus principal lecturer in 2004.
Fiona Connor is a visual artist from New Zealand, currently based in Los Angeles.
Kate Newby is an artist from New Zealand.
Elizabeth Thomson is a New Zealand artist.
Fiona Clark is a New Zealand social documentary photographer, one of the first photographers to document New Zealand's LGBT scene. In the 1970s and 1980s she photographed Karangahape Road, and the clubs Mojo's and Las Vegas Club.
Ruth Buchanan is a contemporary Aotearoa New Zealand artist of Te Āti Awa, Taranaki and Pakeha decent. Buchanan was born in Ngamotu New Plymouth and grew up in Poneke Wellington. She lives and works in Berlin.
Yuk King Tan is an Australian-born Chinese-New Zealand artist. Her work is held in the permanent collections of Auckland Art Gallery Toi o Tāmaki and the Museum of New Zealand Te Papa Tongarewa.
Cora-Allan Lafaiki Twiss (born 1985/1986 is a multidisciplinary Aotearoa -based artist and full time self taught hiapo practitioner, Twiss was awarded the Arts Pasifika Award 'Pacific Heritage Artist award' in 2020 through Creative New Zealand.