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Address | 45 Water Street Brooklyn, New York United States |
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Capacity | 1000 |
Opened | 1980 |
Website | |
www |
St. Ann's Warehouse is a performing arts institution in Brooklyn, New York City. It began when the St. Ann's and the Holy Trinity Church on Montague Street was converted into a venue for classical music in 1980. [1] Initially known as Arts at St. Ann's, proceeds from the stage's performances were used to aid in renovating the building. [2]
In 2000 it relocated to a former spice milling factory in Dumbo, Brooklyn, [2] where it has served as a stage for musicians such as David Bowie, Lou Reed, Joe Strummer, Aimee Mann, Nick Cave, Rufus Wainwright and John Cale. [3] Theatrical shows have included the Bertholt Brecht/Kurt Weill musical The Seven Deadly Sins, starring Marianne Faithfull. [3] The current building can accommodate audiences of up to 1500 people. [2]
St. Ann's Warehouse moved to the historic Tobacco Warehouse in Brooklyn Bridge Park in 2015. [4]
The original home of Arts at St. Ann's (now St. Ann's Warehouse) was the National Historic Landmark St. Ann's and the Holy Trinity Church on Montague Street in Brooklyn Heights. For 21 years, St. Ann's presented a broad array of concert and theater performances in the church's Gothic Revival sanctuary. In addition, the organization raised approximately $4 million for the building's restoration, including its historic stained glass windows by William Jay Bolton, which were the first made in America.
From its inception, St. Ann's has earned a reputation as a consistent innovator, forging multi-disciplinary theatrical collaborations, thematic multi-artist concert presentations, and new works for puppet theater.
Beginning in 1980, much of St. Ann's early programming was based on classical music — choral and opera programs, noonday organ recitals, performances by Tashi, The Academy of Ancient Music, and others. St. Ann's had a surprising and defining early success with its staging of the first American puppet opera, Amy Trompetter's production of Rossini's The Barber of Seville, with the Brooklyn Opera Society in 1983. Trompetter's production was revived on its 20th anniversary at St. Ann's Warehouse in 2003. In 2007, it played again to sold-out houses in a new German version at the Festspielhaus St. Polten just outside Vienna, Austria.
The Chamber Music Society of Lincoln Center, under Artistic Director Charles Wadsworth, offered preview concerts at St. Ann's from 1981–1983, which then led to Bach Cantata Sundays under the direction of the Society's cellist, Fred Sherry. The seven-year cantata series proved instrumental in forming St. Ann's genre-defying approach to music programming and helped build the reputation of The Orchestra of St. Luke's, then a new band.
In 1985, Bread and Puppet Theater was invited to stage Bach's Cantata #4 ("Christ lag in Todesbanden") as part of the series. By 1988, the program included the American Premiere of John Cale's The Falklands Suite. The following year, St. Ann's and the Brooklyn Academy of Music instigated the reunion of Cale and Lou Reed by commissioning Songs for Drella, their celebrated song cycle in remembrance of Andy Warhol.
Intrigued by the range and ambition of St. Ann's performances, artists began to take increasing interest and helped to further St. Ann's international reputation[ citation needed ] under the leadership of founding Artistic Director Susan Feldman and Program Director Janine Nichols. In 1989, record producer Hal Willner brought Marianne Faithfull to St. Ann's for a pair of concerts: a retrospective released by Island Records as "Blazing Away" and "definitive" performances as Anna in the Brecht/Weill masterwork, The Seven Deadly Sins (NY Times).
The Seven Deadly Sins lead to the sextet, Hudson Shad, and the award-winning production of Susan Feldman's In the Time of the Comedian Harmonists (1992), which went on to enjoy a long life as Band in Berlin, co-directed by Pat Birch, Associate Director and Choreographer Jonathan Cerullo, including a brief stint on Broadway in 1999.
On the occasion of its 10th anniversary, Rolling Stone dubbed St. Ann's "the guiding light in New York's avant-rock scene."
In 1991, Willner and St. Ann's presented the first of its thematic multi-artist performances, Greetings from Tim Buckley, which inspired the late Jeff Buckley. This was followed by several Halloween programs, including Nevermore: Readings from Edgar Allan Poe and the Harry Smith Project in 1999, which featured Nick Cave, Van Dyke Parks, Rufus Wainright, Thurston Moore, and others.
St. Ann's enjoyed further success with thematic concerts led by music director Peter Holsapple, including Bryter Layter: Music of Nick Drake (1997), Listen Listen: Music of Sandy Denny (1998) and Songs of the Century (1999) with Beth Orton and Jimmie Dale Gilmore.
Other events that took place in the old building were St. Ann's commissions of Bill Frisell Plays For Buster Keaton (1992–1993), scores for six of the master's silent films; August Wilson & the Blues (1996), which brought together the Pulitzer Prize-winning playwright with the musician Olu Dara, and David Greenberger's The Duplex Planet Radio Hour, produced for WNYC-FM in 1994. St. Ann's finally closed the door on St. Ann's Church in 2000 with Roy Nathason's jazz suite, Fire at Keaton's Bar and Grill, featuring Elvis Costello and Deborah Harry, and cartoonist Art Spiegelman's Three Panel Opera: Drawn to Death.
After moving to an old spice milling factory at 38 Water Street in Dumbo shortly after the September 11 attacks in 2001, Arts at St. Ann's became St. Ann's Warehouse. Highlighted by performances that mix theater and rock and roll, the programming featured multiple collaborations with The Wooster Group: To You, The Birdie (2002), Brace Up! (2003), House/Lights (2005), The Emperor Jones (2006) and Hamlet (2007), Ridge Theater's Jennie Richee (2003), Decasia (2004); Joe Strummer's final New York appearances (2002), David Bowie (2002), Aimee Mann (2004), as well as intimate concerts with Laurie Anderson and Lou Reed (2002), Oscar Wilde's Salome: The Reading (2002) with Al Pacino, directed by Estelle Parsons, and the 20th anniversary production of Amy Trompetter's puppet opera, The Barber of Seville (May 2003), conducted by Kristjan Järvi with the Absolute Ensemble.
In 2004, St. Ann's and Artistic Director, Susan Feldman, were honored by the Village Voice Obie Committee with the Ross Wetzsteon Memorial Award for the development of new work, recognizing St. Ann's Warehouse as "a sleek venue where its super-informed audience charges the atmosphere with hip vitality." Productions included Mabou Mines' DollHouse, directed by Lee Breuer; Dan Hurlin's lyrical puppet masterwork, Hiroshima Maiden, Cynthia Hopkins' alt-country opera Accidental Nostalgia, and Turning with live video by Charles Atlas and music by Antony of Antony and the Johnsons.
In 2005 St. Ann's welcomed London's Royal Court Theatre with its productions of Sarah Kane's 4.48 Psychosis, directed by the James MacDonald, and Poland's TR Warszawa production of Risk Everything directed by Grzegorz Jarzyna. That year, St. Ann's produced a series of live, onstage "sound plays" with Sirius Satellite Radio, South Bank Centre, and UCLA Live!, called Theater of the New Ear, a collaboration between composer Carter Burwell and filmmakers Charlie Kaufman and the Coen Brothers' Sawbones, Hope Leaves the Theater. "Sawbones" featured Steve Buscemi, John Goodman, Marcia Gay Harden, Philip Seymour Hoffman, John Slattery, Brooke Smith, and "Hope" featured Hope Davis, Peter Dinklage, and Meryl Streep. A second Charlie Kaufman play, "Anomalisa", which played at UCLA Live! only starred Jennifer Jason Leigh], Tom Noonan, and David Thewlis.
St. Ann's celebrated its 25th anniversary with a new presentation of Roy Nathanson's Fire at Keaton's Bar & Grill, featuring Deborah Harry, Lou Reed, Laurie Anderson, Antony, Chocolate Genius, Nellie McKay, Theo Bleckmann, Dan Zanes, and others.
In 2006/2007, St. Ann's produced two World Premieres: Lou Reed's Berlin, directed by Julian Schnabel, which traveled to the Sydney Festival, Australia and subsequently toured 14 European cities in summer 2007; and Part 2 of Cynthia Hopkins' Accidental Trilogy, Must Don't Whip 'Um. St. Ann's received four Drama Desk Award nominations for its productions of Les Freres Corbusier's Hell House and Daniel Kramer's Woyzeck in 2006. The season ended with Hal Willner's Rogues Gallery Live, a gala benefit concert, featuring Bryan Ferry, Gavin Friday, Lou Reed, Laurie Anderson, Janine Nichols, Jennie Muldaur, Kembra, Baby Gramps, Antony, and others.
In 2009, a plan was announced to convert and move to a Tobacco Warehouse at 45 Water Street, but those plans were delayed by legal disputes. Beginning with the Fall 2012 season, St. Ann's moved to a 19,000 square foot industrial space at 29 Jay Street. In Fall 2013, they were able to break ground on the Tobacco Warehouse site, which opened in Fall 2015. [5] [6]
Recent years have seen St. Ann's Warehouse activate two found warehouse spaces as popular, versatile theaters in DUMBO, where the organization has established itself as an international center for such innovative companies as the National Theatre of Scotland, Kneehigh and Druid Theaters, Poland's TR Warszawa, as well as American masters, The Wooster Group and Mabou Mines. It has become an artistic home to such theater makers as Enda Walsh ("The Walworth Farce", "Penelope", "Misterman" with Cillian Murphy); John Tiffany and Steven Hoggett (the acclaimed "Black Watch" and "Let the Right One In"), director Emma Rice ("Brief Encounter", "Tristan & Yseult") and Grzegorz Jarzyna, whose outdoor "Macbeth" was staged in a former Tobacco Warehouse on the waterfront. In 2014, St. Ann's began the development of that same Tobacco Warehouse as a permanent home for the next fifty years. The new St. Ann's Warehouse opened its doors in Fall 2015. The Marvel Architects-designed structure won a 2016 American Institute of Architects New York Chapter Design Award. [7]
Taylor Mac presented A 24-Decade History of Popular Music in which judy presents a 24-hour performance that covers popular music in the United States from 1776–2016. This presentation received a Special Citation from the Obie Awards presented by the American Theatre Wing. [8] This production was also a finalist for the Pulitzer Prize for Drama.
Year | Title | Playwright | Director | Cast | Ref. |
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2024 | The Hunt | David Farr | David Farr and Rupert Goold | Tobias Menzies | [9] |
2020 | Hamlet | William Shakespeare | Yaël Farber | Ruth Negga | [10] |
2018 | The Jungle | Joe Robertson and Joe Murphy | Stephen Daldry and Justin Martin | [11] | |
2017 | The Tempest | William Shakespeare | Phyllida Lloyd | Harriet Walter | [12] |
2016 | Nice Fish | Mark Rylance and Louis Jenkins | Claire van Kampen | Mark Rylance and Jim Lichtscheidl | [13] |
2016 | A Streetcar Named Desire | Tennessee Williams | Benedict Andrews | Gillian Anderson, Ben Foster and Vanessa Kirby | [14] |
2015 | Henry IV | William Shakespeare | Phyllida Lloyd | Harriet Walter | [15] |
Throughout its existence, St. Ann's has presented a wide variety of concerts, including rock, jazz, world and roots music especially, and using its rising reputation to introduce new and overlooked artists to growing audiences. Among the most memorable performances include: Les Mysteres Des Voix Bulgares (1988), Aaron Neville's first solo shows (1988–1989), Marta Sebestyen with Muzikas (1989), Richard Thompson, Dr. John, Garth Hudson, Vic Chesnutt, Peter Blegvad, Victoria Williams, Jimmy Scott, Robin Holcomb, Jimmie Dale Gilmore, Del McCoury, and the World Saxophone Quartet with Fontella Bass.
Aaron Neville, David Byrne and Richard Thompson, Emmylou Harris, Rosanne Cash, and Jackson Browne performed benefit concerts. Rare performances by Terry Allen, Michael Ventura and Butch Hancock, John Cale and Bob Neuwirth, Jeff Buckley and Mary Margaret O'Hara also took place, as well as St. Ann's production of David Byrne's orchestral music for "The Forest" at Town Hall in 1992.
St. Ann's has also featured blues artists. In 1989, The Mississippi Delta Blues Festival featured some rare New York performances. The Piano Blues Who's Who (1990) explored the rhythmic distinctions between New Orleans and Chicago blues traditions. A celebration of the Music of the Mississippi Hill Country, featuring Lucinda Williams and Othar Turner, among others, was the debut performance at St. Ann's Warehouse in 2001.
St. Ann's has also long been a patron of puppetry. For years, Bread and Puppet Theater appeared annually. Mabou Mines' director Lee Breuer staged the first Peter and Wendy at St. Ann's in 1992. Janie Geiser and Dan Hurlin were the prime movers behind The Lab, St. Ann's experimental haven for artists working in puppet theater. The Lab will be celebrating its 20th anniversary in 2017. Now under the direction of Matt Acheson, The Lab concludes each spring with Labapalooza!, a mini-festival of new works developed by Lab participants.
Between its years at the Church and in the warehouses in DUMBO, St. Ann's programming has continued at the intersection where theater meets Rock and Roll. Whereas Music led the programming in the Church, Theater has taken the lead in the warehouses. However, while the balance may have shifted and the canvas expanded, the rock and roll heart of the programming remains at the center of St. Ann's sensibility and its artists.
Lewis Allan Reed was an American musician and songwriter. He was the guitarist, singer, and principal songwriter for the rock band The Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground came to be regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career.
The Brooklyn Academy of Music (BAM) is a multi-arts center in Brooklyn, New York City. It hosts progressive and avant-garde performances, with theater, dance, music, opera, film programming across multiple nearby venues.
Houston Grand Opera (HGO) is an American opera company located in Houston, Texas. Founded in 1955 by German-born impresario Walter Herbert and three local Houstonians, the company is resident at the Wortham Theater Center. This theatre is also home to the Houston Ballet. In its history, the company has received a Tony Award, two Grammy Awards, and three Emmy Awards, the only opera company in the world to win these three honours. Houston Grand Opera is supported by an active auxiliary organization, the Houston Grand Opera Guild, established in October 1955.
Hal Willner was an American music producer working in recording, films, television, and live events. He was best known for assembling tribute albums and events featuring a wide variety of artists and musical styles. Willner died during the COVID-19 pandemic from complications brought on by the virus.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
Berlin is the third solo studio album by American rock musician Lou Reed, released in October 1973 by RCA Records. A concept album, Berlin tells the story of a couple's struggle with drug addiction and abuse. Initially, critical reception was mixed but appraisals of the album have warmed over the years: in 1973 Rolling Stone declared the album "a disaster", but by 2012 the album was ranked No. 344 on its list of the 500 greatest albums of all time.
Anohni Hegarty, styled as ANOHNI, is a British-born American singer, songwriter, and visual artist. She has presented solo work and as the lead singer of the band Anohni and the Johnsons, formerly known as Antony and the Johnsons.
Songs to No One 1991–1992 is an album of material from studio sessions, home tapes, and club performances recorded during the collaboration between Jeff Buckley and Gary Lucas.
Garland Jeffreys is an American singer and songwriter in rock and roll, reggae, blues, and soul music.
Songs for Drella is a 1990 studio album by Lou Reed and John Cale, both formerly of the Velvet Underground; it is a song cycle about Andy Warhol, their mentor, who had died following routine surgery in 1987. Drella was a nickname for Warhol coined by Warhol superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd but never liked by Warhol himself. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective, third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs, in general, address events in their chronological order.
Esser Leopold "Lee" Breuer was an Obie Award-winning and Pulitzer-, Grammy-, Emmy- and Tony-nominated American playwright, theater director, academic, educator, filmmaker, poet, and lyricist. Breuer taught and directed on six continents.
Brooklyn Bridge Park is an 85-acre (34 ha) park on the Brooklyn side of the East River in New York City. Designed by landscape architecture firm Michael Van Valkenburgh Associates, the park is located on a 1.3-mile (2.1 km) plot of land from Atlantic Avenue in the south, under the Brooklyn Heights Promenade and past the Brooklyn Bridge, to Jay Street north of the Manhattan Bridge. From north to south, the park includes the preexisting Empire–Fulton Ferry and Main Street Parks; the historic Fulton Ferry Landing; and Piers 1–6, which contain various playgrounds and residential developments. The park also includes Empire Stores and the Tobacco Warehouse, two 19th-century structures, and is a part of the Brooklyn Waterfront Greenway, a series of parks and bike paths around Brooklyn.
The Under the Radar Festival is an internationally-sourced experimental theater festival based in New York City, founded in 2005 by Mark Russell. Russell was the former Artistic Director of P.S. 122 for over twenty years, Guest Artistic Director for the Portland Institute for Contemporary Art's Time-Based Art Festival from 2006-2008, and is currently on the faculty of Columbia University. The first Under the Radar Festival took place at St. Ann's Warehouse in 2005. From 2006 to 2022, Under the Radar had its headquarters at the Public Theater.
Roy Jay Nathanson is an American saxophonist, composer, bandleader, and teacher. He became the leader and principal composer of the Jazz Passengers, a six piece group that he founded with Curtis Fowlkes in 1987. They have toured Europe many times and played at major festivals in Finland, Germany, Italy, France and Switzerland, as well as the J.V.C. Festival in New York, the Du Maurier Festival in Canada and toured throughout the United States and Canada. The band has recorded eight albums since their debut release.
Berlin: Live at St. Ann's Warehouse is a concert film and live album by Lou Reed released in 2008. The concert film was directed by Julian Schnabel, live at St. Ann's Warehouse in Brooklyn during five nights in December 2006. Background shots of the characters Jim and Caroline were done by Lola Schnabel.
The Velvet Underground was an American rock band formed in New York City in 1964. It originally comprised singer and guitarist Lou Reed, Welsh multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. In 1965, MacLise was replaced by Moe Tucker, who played on most of the band's recordings. Though their integration of rock and the avant-garde resulted in little commercial success, they are now widely regarded as one of the most influential bands in rock, underground, experimental, and alternative music. Their provocative subject matter, musical experiments, and nihilistic attitude was also instrumental in the development of punk rock, new wave and several other genres.
Bryce David Dessner is an American composer and guitarist based in Paris, and a member of the rock band the National. Dessner's twin brother, Aaron is also a member of the group. Together, they write the music in collaboration with lead singer and lyricist Matt Berninger.
Dan Froot is an American performance artist, writer, dancer, composer and saxophonist.
Luke Leonard is an American theatre director, designer, actor, playwright, and filmmaker whose work has been described as "outstanding" by The New York Times and "sophisticated and thought-provoking" by Limelight Magazine. He is the Founding Artistic Director of Monk Parrots, a New York City-based not-for-profit that produces new theatre, music theatre, and opera.
Michael Counts is an American stage director and designer of theater, opera and immersive performance events and a creator and producer of large-scale public art installations and digital platforms. He has been described in The New York Times as a "mad genius" and "a master of immersive theater" and in Variety as having the "grandest ambitions" of leading pioneers of immersive theater in New York City. Counts' former New York theatre company, GAle GAtes, was documented and published in a 2022 Routledge monograph titled "The Immersive Theatre of GAle GAtes.