St Augustine | |
---|---|
Artist | Pinturicchio |
Medium | oil on silk |
Dimensions | 115 cm× 83 cm(45 in× 33 in) |
Location | Galleria nazionale dell'Umbria, Perugia |
St Augustine is a 1510 oil on silk painting of Augustine of Hippo by Pinturicchio, painted as a gonfalon or processional banner for the Sant'Agostino company of flagellants in Perugia. When that order was suppressed, the work was moved to the Galleria Nazionale dell'Umbria, its present owner. [1]
The work is typical of the artist's style after his stay at the court of Pope Alexander VI in Rome, where he got a taste for Hispano-Moorish style and symbols, as seen on the furnishings imported by this Spanish pope. The motifs on the gold ground are typical of textile art and turn it into a trompe-l'œil wall hanging, whilst the saint is shown dressed in rich episcopal vestments with jewelled edges, mitre and rings. He holds a bishop's crook and an open book bearing an Italian translation of a quotation from his writings - "Figlioli siate intente amare iddio che avete inante lo exemplio mio" (Little children, be intent on loving God as you have seen in my example). He is flanked by two members of the company with emblems of the company.
Augustine of Hippo, also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Africa. His writings influenced the development of Western philosophy and Western Christianity, and he is viewed as one of the most important Church Fathers of the Latin Church in the Patristic Period. His many important works include The City of God, On Christian Doctrine, and Confessions.
Augustine of Canterbury was a Christian monk who became the first archbishop of Canterbury in the year 597. He is considered the "Apostle to the English”.
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Michael Pacher was a painter and sculptor from Tyrol active during the second half of the fifteenth century. He was one of the earliest artists to introduce the principles of Renaissance painting into Germany. Pacher was a comprehensive artist with a broad range of sculpting, painting, and architecture skills producing works of complex wood and stone. He painted structures for altarpieces on a scale unparalleled in North European art.
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