Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
Tadley Ewing Peake Dameron was an American jazz composer, arranger, and pianist.
Benny Golson was an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the Sextet's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Wynton Charles Kelly was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
Workin' with the Miles Davis Quintet is an album by the Miles Davis Quintet which was released c. January 1960 through Prestige Records. It was recorded in two sessions on May 11 and October 26, 1956 that produced four albums — this one, Relaxin' with the Miles Davis Quintet, Steamin' with the Miles Davis Quintet and Cookin' with the Miles Davis Quintet.
Curtis DuBois Fuller was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings.
Miles: The New Miles Davis Quintet is a studio album by the jazz musician Miles Davis which was released in April 1956 through Prestige Records. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.
"Milestones" is a jazz composition written by Miles Davis. It appears on the album of the same name in 1958. It has since become a jazz standard. "Milestones" is the first example of Miles composing in a modal style and experimentation in this piece led to the writing of "So What" from the 1959 album Kind of Blue. The song's modes consist of G Dorian for 16 bars, A Aeolian for another 16 bars, and then back to G Dorian for the last eight bars, then the progression repeats.
"So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis.
Julius Watkins was an American jazz musician who played French horn. Described by AllMusic as "virtually the father of the jazz French horn", Watkins won the Down Beat critics poll in 1960 and 1961 for Miscellaneous Instrument.
Sahib Shihab was an American jazz and hard bop saxophonist and flautist. He variously worked with Luther Henderson, Thelonious Monk, Fletcher Henderson, Tadd Dameron, Dizzy Gillespie, Kenny Clarke, John Coltrane and Quincy Jones among others.
High Step is a jazz double album credited to bassist Paul Chambers and saxophonist John Coltrane, issued in 1975 on Blue Note Records, catalogue BN-LA451. It is a compilation taken from the 1956 Chambers' Music on the Jazz West label and Whims of Chambers, along with two unissued recordings from a session in Boston, Massachusetts, "Trane's Strain" from that session previously appearing on an anthology. Originally, all of these sessions were led by Chambers, but like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings where Coltrane had been merely a sideman, and reissued them with Coltrane's name more prominently displayed.
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
The Legendary Prestige Quintet Sessions is a four compact disc box set of recordings by the Miles Davis Quintet released in 2006 by the Concord Music Group. It collates on three discs the entire set of recordings that made up the Prestige Records albums released from 1956 through 1961 — Miles, Cookin', Relaxin', Workin', and Steamin'. The track "'Round Midnight" was released on the album Miles Davis and the Modern Jazz Giants. The fourth disc contains live material from a television broadcast and in jazz club settings. It peaked at #15 on the Billboard jazz album chart, and was reissued on December 2, 2016, in a smaller compact disc brick packaging.
Stablemates is an album by American trumpeter Blue Mitchell recorded in 1977 and originally released on the Japanese label Discomate before being released on CD on the Candid label in 2006. The album's name comes from its first track, a tune written by Benny Golson that first appeared on Miles: The New Miles Davis Quintet. The album was also released on the budget Jazz America Marketing label as Last Dance.
Chambers' Music is the debut album by jazz bassist Paul Chambers. It was released in September 1956 on the Jazz West label. It features Chambers with his Miles Davis bandmates, tenor saxophonist John Coltrane and drummer Philly Joe Jones, along with pianist Kenny Drew, and baritone saxophonist Pepper Adams and trombonist Curtis Fuller on three tracks.
People Time: The Complete Recordings is a set of seven CDs of music by saxophonist Stan Getz and pianist Kenny Barron which was recorded in March 1991 at Jazzhus Montmartre in Copenhagen, Denmark. It was released in 2009.
"Countdown" is a hardbop jazz standard composed by American jazz saxophonist John Coltrane that was first featured on his fifth studio album, Giant Steps, in 1960. The song is a contrafact of Miles Davis's "Tune Up", which is reharmonized to the Coltrane changes. The original recording has been described as having "resolute intensity. .. [that] does more to modernize jazz in 141 seconds than many artists do in their entire careers".
