Stacy Jo Scott

Last updated

Stacy Jo Scott
Born1981 (age 42–43)
NationalityAmerican
EducationBFA, 2010, University of Oregon
MFA, 2012, Cranbrook Academy of Art
Known forDigital fabrication and ceramics

Stacy Jo Scott (born 1981) is an American artist, art educator, curator, and writer based in Eugene, Oregon, who works in ceramics and digital fabrication.

Contents

Early life and education

Scott earned a BFA (summa cum laude) in Ceramics from the University of Oregon in 2010, [1] [2] and an MFA in Ceramics at Cranbrook Academy of Art in 2012. [2] Scott resided in Nottingham Cooperative in Madison, Wisconsin from 2000 to 2003

Career

from "At-Home 3-D Printing & the Return of a Craft Utopia"

"The Web was just the proof of concept. Now the revolution hits the real world." With these words, Chris Anderson, editor of Wired magazine, joins Makerbot and RepRap creators and countless breathless bloggers in heralding the dawn of a technology that promises to bring to bear the same force that upturned media industries to manufacturing industries. This technology is desktop 3D printing which used 3D object files to build up an object through the deposition of layers of raw material. ...The tools of industrial design seem tantalizingly close, open to all. Given that object data is easily exchanged, edited and endlessly vast, the potential for revolution seems only logical. The manufacturing industry is destabilized and individuals regain an agency lost since the first industrial revolution. ...An especially interesting corollary can be found in the utopian project of craft-idealists like William Morris... Morris, usually described as anti-machine, deserves a re-reading for how he saw the machine in terms of idealized craft production. Morris called for machinery as a "help to the workman's hand-labor and not a supplanter of it". ...Also, "machines of the most ingenious and best-approved kinds will be used when necessary, but will be used simply to save human labor". [3]

— Stacy Jo Scott

Scott generates artworks in ceramics and other media with digital production methods. [4] She refers to her creative practice as tracking "the shifting edge between the seen and unseen." She says she creates objects "in the continuum between technology and embodiment, materiality and the virtual, order and chance, language and silence." [5] [6] Scott works both independently and collaboratively as a part of the Craft Mystery Cult Performance collaborative, [7] described as "a group tracing the relationship of object materiality and human interaction". [8]

Art education

In 2013, Scott was the Franzen Fellow for Digital Craft at Colorado State University-Fort Collins. From 2015-2017, she was a Lecturer in the Department of Art Practice at the University of California-Berkeley. [9] She also has taught at The Golden Dome School For Performing Planetary Rites. [10] [11] Scott joined the faculty of the Art Department of the University of Oregon in 2017. [2]

Curatorial practice

Speaking about "New Morphologies: Studio Ceramics and Digital Practices" at Schein-Joseph International Museum of Ceramic Art at Alfred University, [2] [12] which she curated with Del Harrow in 2013, Scott said, "What most excites me about digital fabrication are the ways in which it continues to enact our very human striving to bring form to an ideal." [13] The exhibit highlighted "work that emerges from the encounter between the physical materiality of ceramic objects and the ephemerality of digital information". [8]

Selected exhibitions

Selected publications

See also

Related Research Articles

<span class="mw-page-title-main">Studio pottery</span> Modern hand-made artistic pottery

Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. Studio pottery includes functional wares such as tableware and cookware, and non-functional wares such as sculpture, with vases and bowls covering the middle ground, often being used only for display. Studio potters can be referred to as ceramic artists, ceramists, ceramicists or as an artist who uses clay as a medium.

<span class="mw-page-title-main">American craft</span> Craft work produced by independent studio artists

American craft is craft work produced by independent studio artists working with traditional craft materials and processes. Examples include wood, glass, clay (ceramics), textiles, and metal (metalworking). Studio craft works tend to either serve or allude to a functional or utilitarian purpose, although they are just as often handled and exhibited in ways similar to visual art objects.

Richard E. DeVore, also written as Richard De Vore was an American ceramicist, professor. He was known for stoneware. He was faculty at Cranbrook Academy of Art’s Ceramics Department, from 1966 to 1978.

<span class="mw-page-title-main">CAD/CAM dentistry</span> Computer-aided design and manufacturing of dental prostheses

CAD/CAM dentistry is a field of dentistry and prosthodontics using CAD/CAM to improve the design and creation of dental restorations, especially dental prostheses, including crowns, crown lays, veneers, inlays and onlays, fixed dental prostheses (bridges), dental implant supported restorations, dentures, and orthodontic appliances. CAD/CAM technology allows the delivery of a well-fitting, aesthetic, and a durable prostheses for the patient. CAD/CAM complements earlier technologies used for these purposes by any combination of increasing the speed of design and creation; increasing the convenience or simplicity of the design, creation, and insertion processes; and making possible restorations and appliances that otherwise would have been infeasible. Other goals include reducing unit cost and making affordable restorations and appliances that otherwise would have been prohibitively expensive. However, to date, chairside CAD/CAM often involves extra time on the part of the dentist, and the fee is often at least two times higher than for conventional restorative treatments using lab services.

The Museum of Contemporary Craft (1937-2016) in Portland, Oregon was the oldest continuously-running craft institution on the west coast of the United States until its closure in 2016. The museum's mission was "to enliven and expand the understanding of craft and the museum experience." It was known as one of the few centers in the United States to focus on the relationships between art and craft, programming robust shows exploring a wide variety of artists, materials and techniques.

Digital modeling and fabrication is a design and production process that combines 3D modeling or computing-aided design (CAD) with additive and subtractive manufacturing. Additive manufacturing is also known as 3D printing, while subtractive manufacturing may also be referred to as machining, and many other technologies can be exploited to physically produce the designed objects.

<span class="mw-page-title-main">Maija Grotell</span> American ceramic artist (1899–1973)

Maija (Majlis) Grotell was an influential Finnish-American ceramic artist and educator. She is often described as the "Mother of American Ceramics."

<span class="mw-page-title-main">Annabeth Rosen</span> American artist

Annabeth Rosen is an American sculptor best known for abstract ceramic works, as well as drawings. She is considered part of a second generation of Bay Area ceramic artists after the California Clay Movement, who have challenged ceramic traditions involving expression, form and function and helped spur the medium's acceptance in mainstream contemporary sculpture. Rosen's sculptures range from monumental to tabletop-sized, and emerge out of an accumulative bricolage process combining dozens or hundreds of fabricated parts and clay fragments and discards. Reviewers characterize her art as deliberately raw, both muscular and unapologetic feminine, and highly abstract yet widely referential in its suggestions of humanoid, botanical, aquatic, artificial, even science-fictional qualities. Critic Kay Whitney wrote that her work is "visceral in its impact, violent even, but also sensual and evocative" and "floats between the poles of the comic and the mordant."

Frances Maude Senska was an art professor and artist specializing in ceramics who taught at Montana State University – Bozeman from 1946 to 1973. She was known as the "grandmother of ceramics in Montana". During her career, she trained a number of now internationally known ceramic artists.

Heather Mae Erickson is an artist, a craftsperson, and a designer. Erickson earned her BFA at The University of the Arts, majoring in crafts specializing in ceramics with a concentration in art education. Continuing her studies at Cranbrook Academy of Art, she earned an MFA in ceramic art.

Betsy Wolfston is an American ceramicist whose works include large public installations and smaller high-relief tiles. She is based in Eugene, Oregon.

Iris Eichenberg is a German post-war, contemporary artist, metalsmith, and educator. She is head of the Metalsmithing Department at the Cranbook Academy of Art.

<span class="mw-page-title-main">Don Reitz</span> American ceramic artist (1929–2014)

Donald Lester Reitz was an American ceramic artist, recognized for inspiring a reemergence of salt glaze pottery in United States. He was a teacher of ceramic art at the University of Wisconsin–Madison from 1962 until 1988. During this period, he adapted the pottery firing technique developed in the Middle Ages, which involved pouring salt into the pottery kiln during the firing stage. The method was taught in European ceramic art schools, but largely unknown in United States studio pottery.

<span class="mw-page-title-main">John Glick</span> American ceramicist (1938–2017)

John Parker Glick was an American ceramicist. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. His experience working with ceramics led him to publish several articles about the craft. In addition to producing pottery, Glick began making "landscape oriented" wall panels during the latter part of his career. Known as "the people's potter," he is primarily remembered for his contributions to art and the field of ceramics.

Jenny E. Sabin is an American architect, designer and artist who draws upon biology and mathematics to design material structures. Sabin is the Arthur L. and Isabel B. Wiesenberger Professor of Architecture in the Department of Architecture at Cornell University. She focuses on design and emerging technologies, with particular emphasis on the areas of computational design, data visualization and digital fabrication.

The term preceramic polymer refers to one of various polymeric compounds, which through pyrolysis under appropriate conditions are converted to ceramic compounds, having high thermal and chemical stability. Ceramics resulting from the pyrolysis of preceramic polymers are known as polymer derived ceramics, or PDCs. Polymer derived ceramics are most often silicon based and include silicon carbide, silicon oxycarbide, silicon nitride and silicon oxynitride. Such PDCs are most commonly amorphous, lacking long-range crystalline order.

<span class="mw-page-title-main">Nancy Selvin</span> American sculptor

Nancy Selvin is an American sculptor, recognized for ceramic works and tableaux that explore the vessel form and balance an interplay of materials, minimal forms, and expressive processes. She emerged in the late 1960s among a "second generation" of Bay Area ceramic artists who followed the California Clay Movement and continued to challenge ceramic traditions involving expression, form and function, and an art-world that placed the medium outside its established hierarchy. Her work has been exhibited at the Los Angeles County Museum of Art (LACMA), Denver Art Museum, Daum Museum of Contemporary Art and Kohler Arts Center, and belongs to the public art collections of LACMA, the Smithsonian Institution, Oakland Museum of California, and Crocker Art Museum, among others. Critic David Roth has written, "Selvin's position in the top rank of ceramic artists has come through a process of rigorous self-examination … what differentiates [her] is that she eschews realism and functionality, indicating a level of intellectual engagement not always found among ceramicists." Writer and curator Jo Lauria described Selvin's tableaux as "elegiac and stylistically unified" works that serve as "forceful essays on the relationship between realism and abstraction, object and subject, decoration and use." Selvin lives and works in the Berkeley, California area.

<span class="mw-page-title-main">Ka Kwong Hui</span>

Ka Kwong Hui, also known as Hui Ka-Kwong (1922–2003) is a Chinese-born American potter, ceramist and educator. He is known for his fine art pottery work, a fusion of Chinese and American styles, and his work within the pop art movement.

Anders Herwald Ruhwald is a Danish-American sculptor. He works primarily in clay, a medium he has been drawn to since he was 15. Ruhwald's work blends references from functional objects to classical sculpture and can take the form of singular objects as well as immersive installations

References

  1. ↑ "Author Archives: Stacy Jo Scott". Modern Craft. The Journal of Modern Craft. 2010. Retrieved March 23, 2018.
  2. 1 2 3 4 "Stacy Jo Scott, CV" . Retrieved March 23, 2018.
  3. ↑ Scott, Stacy Jo (May 18, 2015). "Digital Fabrication Portfolio". Issuu. pp. 55–62. Retrieved March 25, 2018.
  4. ↑ Mathieu, Paul. "Stacy jo Scott". Ceramics Research. Retrieved March 23, 2018.
  5. ↑ "CV, Stacy Jo Scott, Info".
  6. ↑ "Open Engagement 2013 no. 02 : A Utopia of Dispute Might Be Better / Regarding Ethics & Failure". badatsports.com. Retrieved March 25, 2018.
  7. ↑ "Protectors of the Handmade: Craft Mystery Cult convenes in Chicago". badatsports.com. Retrieved March 25, 2018.
  8. 1 2 "Alfred University : News, Schein-Joseph Ceramic Museum features 'New Morphologies'". Alfred University. January 31, 2013. Retrieved March 23, 2018.
  9. ↑ "Stacy Jo Scott, Fall 2017 : Practice of Art". art.berkeley.edu. Retrieved March 25, 2018.
  10. ↑ "About the Summer Program". golden-dome.org. Retrieved March 23, 2018.
  11. ↑ Uszerowicz, Monica (November 11, 2014). "Visual Musings on the Golden Dome - Ravelin Magazine". Ravelin Magazine. Retrieved March 25, 2018.
  12. ↑ "New Morphologies: Studio Ceramics and Digital Processes". Alfred Ceramics Museum, Alfred University. 2013. Retrieved March 23, 2018.
  13. ↑ Hanus, Julie K. (September 14, 2014). "Brave New World". American Craft Council. Retrieved March 23, 2018.
  14. ↑ "Rise out of the Scattered Deep". stacyjoscott.xhbtr.com. Retrieved March 23, 2018.
  15. ↑ Vaughan, Anna (February 2016). "Interview with Stacy Jo Scott". Abrams Claghorn Gallery. Retrieved March 23, 2018.
  16. ↑ "Setting the Table". Paul Kotula Projects. 2013. Retrieved March 23, 2018.
  17. ↑ "Setting the Table". stacyjoscott.xhbtr.com. 2013. Retrieved March 23, 2018.
  18. ↑ "Iris Eichenberg with Stacy Jo Scott "Setting the Table" Opening Reception on April 5 - Cranbrook Academy of Art". Cranbrook Academy of Art. July 16, 2014. Retrieved March 23, 2018.
  19. ↑ "The Hapticon of the Craft Mystery Cult". www.sonjakdahl.com. Retrieved March 23, 2018. Collaboration of Craft Mystery Cult (Sonja Dahl, Jovencio de la Paz, Stacy Jo Scott) - five collaboratively written poems for oration (devotionals to the craft lineages of fiber, ceramic, metal, glass, and wood), hand-bound books, live music, performance, projection
  20. ↑ "Craft Mystery Cult". stacyjoscott.xhbtr.com. Retrieved March 23, 2018.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.