Standard (Witness album)

Last updated
Standard
Witness standard.jpg
Studio album by
ReleasedMay 18, 1993
Genre Gospel music
Label A&M Records
Witness chronology
Mean What You Say
(1991)
Standard
(1993)
He Can Do the Impossible
(1994)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]

Standard, released in 1993 on A&M Records, is a gospel music album by American urban contemporary gospel group Witness. At the time of the album's release, original members Tina Brooks and Yolanda Harris had departed the group and were replaced by Lou Ann Stewart and Lisa's sister Laeh Page. The album contains the title track, "Standard". The song, "Get in the Way", won the GMWA Excellence Award for Best Contemporary Song.[ citation needed ] The group won the Stellar Award for Best Contemporary Group Performance.[ citation needed ]

A&M Records American historical record label

A&M Records was an American record label founded as an independent company by Herb Alpert and Jerry Moss in 1962. Due to the success of the discography A&M released, the label garnered interest and was acquired by PolyGram in 1989 and began distributing releases from Polydor Ltd. from the UK. Throughout its operations, A&M housed well-known acts such as Gin Blossoms, Dishwalla, Joe Cocker, Procol Harum, Captain & Tennille, Sting, Sergio Mendes, Ozark Mountain Daredevils, Supertramp, Bryan Adams, Burt Bacharach, Liza Minnelli, The Carpenters, Paul Williams, Quincy Jones, Janet Jackson, Cat Stevens, Peter Frampton, Elkie Brooks, Carole King, Styx, Extreme, Amy Grant, Joan Baez, the Human League, The Police, CeCe Peniston, Blues Traveler, Soundgarden, Duffy and Sheryl Crow.

Gospel music is a genre of Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition. Hymns and sacred songs were often repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella. The first published use of the term "gospel song" probably appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.

Urban/contemporary gospel is a modern form of Christian music that expresses either personal or a communal belief regarding Christian life, as well as to give a Christian alternative to mainstream secular music. Musically, it follows the trends in secular urban contemporary music.

Contents

Track listing

  1. "Standard" - 5:37
  2. "Believe" - 4:52
  3. "Since He Came" - 4:22
  4. "Beginning" - 4:35
  5. "Safety" - 6:09
  6. "Get in the Way" - 4:29
  7. "Don't Take It Away" - 3:58
  8. "Magnify" - 4:18
  9. "Remember" - 6:07
  10. "The Latter" - 4:28

Personnel

Charts

Chart (1993)Peak
position
US Top Gospel Albums (Billboard) [2] 11

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References

  1. "Witness – Standard". AllMusic.
  2. "Witness Chart History (Top Gospel Albums)". Billboard.