Stephan Trojansky | |
---|---|
Occupation | Visual effects artist |
Stephan Trojansky is a German-American visual effects artist. [1] [2] He was nominated for an Academy Award in the category Best Visual Effects for the film Hereafter . [3] Trojansky served as president of the Scanline VFX. [4]
Framestore Limited(The) is a British animation and visual effects studio based in Chancery Lane in London. Formed in 1986, it acquired and subsequently merged with the Computer Film Company in 1997. Framestore specialises in effects for film, television, video games, and other media. It is the largest production house within Europe, employing roughly 2500 staff — 1000 in London, and 1500 across offices in Chicago, New York, Los Angeles, Montreal, Vancouver, Mumbai and Beijing.
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects.
Wētā FX, formerly known as Weta Digital, is a New Zealand-based digital visual effects and animation company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy, Avatar, and Avatar: The Way of Water. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs. The company is named after the New Zealand wētā, one of the world's largest insects, which was historically featured in the company logo.
Animal Logic is an Australian animation and visual effects digital studio based at Disney Studios in Sydney, New South Wales in Australia, Vancouver in Canada, and Rideback Ranch in Los Angeles, California. Established in 1991, Animal Logic has produced visual effects and animation for feature films such as the Academy Award-winning Happy Feet, Legend of the Guardians: The Owls of Ga'Hoole, Walking with Dinosaurs 3D,The Lego Movie andPeter Rabbit. The company was also recognized for its work as lead visual effects vendor on Baz Luhrmann's The Great Gatsby, which won Outstanding Achievement in Visual Effects at the 3rd AACTA Awards ceremony. In 2018, Peter Rabbit was presented with a range of accolades, including the AACTA Award for Best Visual Effects or Animation, and Australian Production Design Guild Awards (APDG) in Visual Effects Design and Drawing, Concept Illustration & Concept Models for Screen. Most recently, the company has produced work for the Warner Animation Group's The Lego Movie 2: The Second Part and Marvel Studios' Captain Marvel. It is a subsidiary of Netflix.
DNEG is a British visual effects, computer animation and stereo conversion studio that was founded in 1998 in London, and rebranded as DNEG in 2014 after a merger with Indian VFX company Prime Focus; it was named after the letters "D" and "Neg" from their former name.
Scanline VFX is a global visual effects and animation company founded 1989 in Munich. The studio is led by VFX Supervisor Stephan Trojansky. The company has 7 locations including Munich, Stuttgart, Los Angeles, Vancouver, Montreal, London, and Seoul.
Cinesite is an independent, multinational business which provides services to the media and entertainment industries. Its head office in London opened for business in 1994, initially offering services in visual effects for film and television, subsequently expanding to include animation.
Craig Barron is an American visual effects artist and creative director at Magnopus, a media company that produces visual development and virtual production services for motion pictures, television, museums and multimedia platforms.
Hereafter is a 2010 American drama film directed and scored by Clint Eastwood, who also produced with Kathleen Kennedy and Robert Lorenz. The screenplay was written by Peter Morgan. The film tells three parallel stories about three people affected by death in similar ways—all three have issues of communicating with the dead; Matt Damon plays American factory worker George, who is able to communicate with the dead and who has worked professionally as a clairvoyant, but no longer wants to communicate with the dead; Cécile de France plays French television journalist Marie, who survives a near-death experience during the 2004 Indian Ocean tsunami; and British schoolboy Marcus, who loses the person closest to him. Bryce Dallas Howard, Lyndsey Marshal, Jay Mohr and Thierry Neuvic have supporting roles.
Ben Grossmann is a visual effects supervisor in Los Angeles, California. He won an Oscar award for Hugo in 2012, and an Emmy award for The Triangle in 2006. He is the co-founder and CEO of Magnopus, a cross-reality experience company.
Gregory S. Butler is an Academy Award-winning American visual effects supervisor. He graduated from Suffield High School in 1989 and afterwards entered Hampshire College. Despite his initial plans to study history, a work-study job with the audiovisual equipment in the library made him interested in film production. Butler graduated in 1993 with a major in film, television and theater design. Afterwards he moved to California to work for Industrial Light and Magic for 9 months, where after intern work he managed to become an assistant in the effects department, starting with assistant credits in The Mask and Forrest Gump. Following a job at Rocket Science Games until the company's bankruptcy in 1996, Butler went to Tippett Studio and did effects work in Starship Troopers and My Favorite Martian, rising up to a technical director job, and Cinesite for Practical Magic. While reluctant at the requirement of moving to New Zealand, Butler was convinced by his writer-actor brother to jump at the opportunity of working for Weta Digital in The Lord of the Rings. Among his achievements was working on the creation of Gollum. for which he was awarded a Visual Effects Society Award.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010), and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).
Bryan Grill is a visual effects artist.
Timothy Miller is an American filmmaker. He made his feature-film directing debut with Deadpool (2016). He was nominated for the Academy Award for Best Animated Short Film as co-story writer and executive producer of the short animated film Gopher Broke (2004). Miller directed Terminator: Dark Fate (2019), and also designed the title sequences of The Girl with the Dragon Tattoo and Thor: The Dark World. He is the creator, showrunner and producer of the animated anthology series Love, Death & Robots, for which he has received several Primetime Emmy nominations and awards.
Victoria Alonso is an Argentine film producer who formerly served as president of physical and post-production, visual effects, and animation at Marvel Studios.
Michael Owens is an American assistant director and visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Hereafter.
Joe Farrell is an Australian visual effects artist. He was nominated for two Academy Awards in the category Best Visual Effects for the films Hereafter and Shang-Chi and the Legend of the Ten Rings.
Christian Manz is a British visual effects artist. He was nominated for an Academy Award in the category Best Visual Effects for the film Harry Potter and the Deathly Hallows – Part 1.
Matt Kasmir is a British visual effects supervisor. He was nominated for an Academy Award in the category Best Visual Effects for the film The Midnight Sky.