Stephanie Rothenberg | |
---|---|
Born | Newark, New Jersey, U.S. [1] |
Nationality | American |
Education | School of the Art Institute of Chicago |
Known for | Internet Art Performance Art New Media Art |
Notable work | Best Practices in Banana Time Invisible Threads Garden of Virtual Kinship |
Awards | Harpo Foundation, Creative Capital Emerging Practices (2009) |
Stephanie Rothenberg is an American artist who lives and works in Buffalo, New York and Brooklyn, New York. [1] Rothenberg's interdisciplinary practice combines elements of performance and installations with networked media in the creation of public interactions. [2]
Stephanie Rothenberg graduated with a master's degree from the Department of Film, Video, and New Media at the School of the Art Institute of Chicago in 2003. Rothenberg is an Associate Professor of the Department of Art at the University at Buffalo, SUNY where she teaches within Design and Emerging Practices. [3]
In 2009, Stephanie Rothenberg co-founded Studio REV- with Rachel McIntire and Marisa Morán Jahn. [4] [5]
Rothenberg has collaborated with Jeff Crouse, [6] Byron Rich, Bobby Gryzynger, Brian Clark, and Megan Michalak among others. [7] [8]
Anthony Schmalz Conrad was an American video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer. Active in a variety of media since the early 1960s, he was a pioneer of both drone music and structural film. As a musician, he was an important figure in the New York minimalist scene of the early 1960s, during which time he performed as part of the Theatre of Eternal Music. He became recognized as a filmmaker for his 1966 film The Flicker. He performed and collaborated with a wide range of artists over the course of his career.
The State University of New York at Buffalo is a public research university with campuses in Buffalo and Amherst, New York, United States. The university was founded in 1846 as a private medical college and merged with the State University of New York system in 1962. As of 2022, it is one of two flagship institutions of the SUNY system, along with Stony Brook University. As of fall 2020, the university enrolled 32,347 students in 13 schools and colleges, making it the largest public university in the state of New York.
Karl Sims is a computer graphics artist and researcher, who is best known for using particle systems and artificial life in computer animation.
Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
Locative media or location-based media (LBM) is a virtual medium of communication functionally bound to a location. The physical implementation of locative media, however, is not bound to the same location to which the content refers.
Lynn Hershman Leeson is an American multimedia artist and filmmaker. Her work with technology and in media-based practices is credited with helping to legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking.
Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.
The conservation and restoration of new media art is the study and practice of techniques for sustaining new media art created using from materials such as digital, biological, performative, and other variable media.
Mary Flanagan is an American artist, author, educator, and designer in the field of game studies. She is the founding director of the research laboratory and design studio Tiltfactor Lab at Dartmouth College. She is the author of scholarly books from MIT Press, including Playing Oppression: The Legacy of Conquest and Empire in Board Games,Values at Play in Digital Games, and Critical Play: Radical Game Design. She is the CEO of the board game company Resonym. Her artwork has exhibited at museums such as the Whitney Museum and The Guggenheim.
Amy Franceschini is a contemporary American artist and designer. Her practice spans a broad range of media including drawing, sculpture, design, net art, public art and gardening. She was a 2010 Guggenheim Fellow. Franceschini in 2009 was also a recipient of the Creative Capital Award in the discipline of Emerging Fields.
Jeff Crouse is an American artist and hacker/creative technologist who works with live data feeds from the internet to make art works.
Dennis Del Favero is an Australian artist and academic. He has been awarded numerous Artist-in-Residencies and Fellowships, including an Artist-in-Residence at Neue Galerie Graz and Visiting Professorial Fellowship at ZKM Center for Art and Media, Karlsruhe. He is an Australian Research Council Laureate Fellow, Scientia Professor of Digital Innovation and executive director of the iCinema Centre for Interactive Cinema Research at the University of New South Wales; Visiting professor at IUAV, Venice; Member of the editorial board of Studio Corpi's Quodlibet, Rome; and former executive director of the Australian Research Council | Humanities and Creative Arts (2015–2016).
The Kluger Agency (TKA) is a music management firm and advertising agency with a focus on product placement within the music industry. The agency represents over sixty brands, partnering them with artists in the music industry.
Catherine Richards is a Canadian new media artist. Richards is known for her work with early virtual reality technologies. She was the first artist to use VR technology in a work of art in Canada, which was incorporated in her 1991 artwork Spectral Bodies.
Matthew Kenyon is an American new media artist and director of the art practice, S.W.A.M.P.. Kenyon focuses on critical themes addressing global corporate operations, mass media, military-industrial complexes, and the liminal area between reality and artificial life.
Zach Blas is an artist and writer based in London. His work engages technology and politics and has been exhibited internationally at venues including IMA Brisbane; Museo Universitario Arte Contemporáneo, Mexico City; Whitechapel Gallery, London; and ZKM Center for Art and Media Karlsruhe. Currently, Blas is a lecturer in the department of Visual Cultures at Goldsmiths.
Marisa Morán Jahn, also known as Marisa Jahn is an American multimedia artist, writer, and educator based in New York City. She is a co-founder and president of Studio REV-, a nonprofit arts organization that creates public art and creative media to impact the lives of low-wage workers, immigrants, youth, and women. She teaches at Massachusetts Institute of Technology (MIT) as a lecturer, Teachers College of Columbia University, and The New School. Jahn has edited three books about art and politics.
Stephanie Dinkins is a transdisciplinary American artist based in Brooklyn, New York. She creates art about artificial intelligence (AI) as it intersects race, gender, and history.
In 2009, with Stephanie Rothenberg and Rachel McIntire, Jahn founded REV- (www.rev-it.org), a non-profit organization that fosters socially-engaged art, design, and pedagogy.