Stephen Broomer (born 1984) is a Canadian experimental filmmaker, film scholar and video essayist. [1]
Son of jazz musician Stuart Broomer and influenced by Stan Brakhage when he began to make films, [2] [3] the Toronto-based filmmaker received his PhD in 2015 from Ryerson University & York University's joint program in Communications and Culture. [4]
He is the founder of the home video label Black Zero offering restorations of rare and forgotten Canadian experimental films by Arthur Lipsett, Richard Kerr and John Hofsess [5] [6] [7] [8] [9] [10] [11] and a contributing writer for the Portland-based publication Split Tooth Media, mainly on the October Horror series of written essays. [12] [13]
He is also the author of an upcoming critical biography on Lipsett (whom he called "a visionary force and holy fool") titled Secret Museums. [14]
His series of video essays entitled Art & Trash, focusing on underground, avant-garde and cult cinema, have been mentioned in Sight & Sound's annual polls of best video essays multiple times. [15] [16] [17]
Sources: [15] [16] [18] [19] [20] [21] [22] [23] [24] [25] [26] [27] [28] [29] [30] [31] [17] [32] [33] [34] [35]
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to the parallel no wave music movement in its raw and rapid style.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
Mindwarp is a 1992 post-apocalyptic science fiction horror film, starring Bruce Campbell, Angus Scrimm, Marta Martin, Elizabeth Kent, and Wendy Sandow. The film is notable as one of three produced by Fangoria's short-lived Fangoria Films label.
The Langoliers is a horror miniseries consisting of two parts of 1½ hours each. It was directed and written by Tom Holland and based on the novella by Stephen King from the four-part anthology book Four Past Midnight. The series was produced by Mitchell Galin and David R. Kappes, for Laurel Entertainment, Inc. The miniseries originally aired May 14–15, 1995 on the ABC network.
Wicked, Wicked is a 1973 horror-thriller film written and directed by Richard L. Bare and starring David Bailey, Tiffany Bolling and Randolph Roberts. It was presented in "Duo-Vision", a gimmick more commonly known as split-screen.
Scott Bartlett was one of the premiere abstract/experimental cinematic artists of the late 1960s and the 1970s. His acclaimed works, such as Off/On and Moon 1969, were greatly admired by many movie directors, including Stanley Kubrick, Francis Ford Coppola and George Lucas. His notable abstract movies and visual avant-garde motion pictures includes Serpent, Medina, Metanomen, Lovemaking, and the poignant interior documentary 1970. His 1967-1972 experiment OffOn, shot on 16mm, was groundbreaking for its use of new video imagery technologies.
Aggressive is a New York based design studio founded by Grammy award-winning filmmakers Alex Topaller and Daniel Shapiro. They have been described by Movie Creation Mag as "having a fascination with the wonderful, in the likes of the surrealist Rafał Olbiński" and "tenacious about pushing themselves and some overclocked hardware in order to create striking videos" by Video Static.
Stephen Partridge is an English video artist who studied under David Hall and his career as an artist, academic and researcher, helped to establish video as an art form in the UK.
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock.
Akosua Adoma Owusu is a Ghanaian-American filmmaker and producer. Her films explore the colliding identities of black immigrants in America through multiple forms ranging from cinematic essays to experimental narratives to reconstructed Black popular media. Interpreting the notion of "double consciousness," coined by sociologist and civil rights activist W. E. B. Du Bois, Owusu aims to create a third cinematic space or consciousness. In her work, feminism, queerness, and African identities interact in African, white American, and black American cultural spaces.
Standish Dyer Lawder was an American artist, art historian and inventor, who contributed to the structural film movement in the late 1960s and early 1970s.
A video essay is an essay presented in the format of a video recording or short film rather than a conventional piece of writing; the form often overlaps with other forms of video entertainment on online platforms such as YouTube. A video essay allows an author to directly quote from film, video games, music, or other digital media, which is impossible with traditional writing. While many video essays are intended for entertainment, they can also have an academic or political purpose. This type of content is often described as educational entertainment.
Kogonada is a South Korean-born American filmmaker.
Kent Tate is a Canadian artist and filmmaker living in British Columbia. Tate is known for his single-channel video installation works.
World Film Carnival Singapore (WFCS) is an IMDb monthly live screening International Film Festival. It is an annual award screening event that takes place in Singapore. It was started in the year 2019 by Shailik Bhaumik.
Madeleine Hunt-Ehrlich is a visual artist and filmmaker based in Brooklyn, New York. Hunt-Ehrlich's work often explores the Black women's experience, Afro-Surrealism, and Pan-Africanism. She is an assistant professor in the Media Studies department at the Queens College, City University of New York.
Christine Lucy Latimer is a Canadian experimental filmmaker known for her hybrid works using obsolete media and technologies.
Louise Bourque is a Acadian French Canadian experimental filmmaker.
Suffer Little Children is a 1983 British shot-on-video horror film created by a cast of intergenerational students of South London's Meg Shanks Drama School supervised by director Alan Briggs.