John Keats was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the Encyclopædia Britannica of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first time reading Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", "Ode on a Grecian Urn", "Sleep and Poetry" and the sonnet "On First Looking into Chapman's Homer".
James Henry Leigh Hunt, best known as Leigh Hunt, was an English critic, essayist and poet.
This article contains information about the literary events and publications of 1818.
This article contains information about the literary events and publications of 1816.
Jane Draycott FRSL is a British poet and translator.
The Cenci. A Tragedy, in Five Acts (1820) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Roman family, the House of Cenci. Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to August 5, 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A second edition appeared in 1821, his only published work to go into a second edition during his lifetime.
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats' death. It is a pastoral elegy, in the English tradition of John Milton's Lycidas. Shelley had studied and translated classical elegies. The title of the poem is modelled on ancient works, such as Achilleis, an epic poem by the 1st-century AD Roman poet Statius, and refers to the untimely death of the Greek Adonis, a god of fertility. Some critics suggest that Shelley used Virgil's tenth Eclogue, in praise of Cornelius Gallus, as a model.
Peter Neville Frederick Porter OAM was a British-based Australian poet.
Nationality words link to articles with information on the nation's poetry or literature.
"A Defence of Poetry" is an unfinished essay by Percy Bysshe Shelley written in February and March of 1821 that the poet put aside and never completed. The text was published posthumously in 1840 in Essays, Letters from Abroad, Translations and Fragments. Its final sentence expresses Shelley's famous proposition that "poets are the unacknowledged legislators of the world."
Richard Marggraf Turley is a British literary critic, poet and novelist. He specialises in Romanticism and the poetry of John Keats, surveillance studies and ecocriticism. He is professor of English Literature at Aberystwyth University, and between 2013 and 2018 was that institution's Professor of Engagement with the Public Imagination.
The Keats-Shelley Prize was inaugurated in 1998 by the Keats-Shelley Memorial Association. Its purpose is to encourage people of all ages to respond personally to the emotions aroused in them by the work of the Romantics, through rising to the challenge of writing their own poem or essay. Distinguished judges of the Prize have included Andrew Motion, Claire Tomalin, Tom Paulin, Grevel Lindop, Miranda Seymour, the late Lord Gilmour, James Fenton, Stephen Fry, Jonathan Keates, A.N.Wilson, Ann Wroe, Janet Todd, Jack Mapanje, Dame Penelope Lively, Colin Thubron and Salley Vickers.
Percy Bysshe Shelley was a British writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem."
The Rose Mary Crawshay Prize is a literary prize for female scholars, inaugurated in 1888 by the British Academy.
Noah Comet is a professor of English literature at the United States Naval Academy. He specializes in Nineteenth Century British Literature. He is known for his book called Romantic Hellenism and Women Writers from Macmillan and several scholarly articles, among them essays in The Wordsworth Circle and the Keats-Shelley Journal on poets Letitia Landon and Felicia Hemans, and articles on John Keats and Lord Byron, including a 2016 essay on Byron's influence on early explorations of Yellowstone. He has also written essays on nature and ecotourism for The New York Times, The Denver Post, and The Baltimore Sun.
Romanticism was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century. Scholars regard the publishing of William Wordsworth's and Samuel Coleridge's Lyrical Ballads in 1798 as probably the beginning of the movement, and the crowning of Queen Victoria in 1837 as its end. Romanticism arrived in other parts of the English-speaking world later; in the United States, it arrived around 1820.
Shelley Fisher Fishkin is the Joseph S. Atha Professor of the Humanities and a professor of English at Stanford University.
Nina Yakovlevna Dyakonova was a Russian researcher of 19th century English and European literature, full professor, Doctor of Philology, member of the Board of Directors of the International Byron Society, and member of the editorial board of the Russian academic book series Literaturniye pamyatniki. She was an authority in the history of English literature and links between European literatures with each other and with Russian literature, especially of the 19th century, following her professor Mikhail P. Alexeyev.
The letters of Lord Byron, of which about 3,000 are known, range in date from 1798, when Byron was 10 years old, to 9 April 1824, a few days before he died. They have long received extraordinary critical praise for their wit, spontaneity and sincerity. Many rate Byron as the greatest letter-writer in English literature, and consider his letters comparable or superior to his poems as literary achievements. They have also been called "one of the three great informal autobiographies in English", alongside the diaries of Samuel Pepys and James Boswell. Their literary value is reflected in the huge prices collectors will pay for them; in 2009 a sequence of 15 letters to his friend Francis Hodgson was sold at auction for almost £280,000.
Leo Boix is an Argentine-British poet, translator and journalist based in the UK. He is the author of an English collection, Ballad of a Happy Immigrant and two Spanish collections, Un lugarpropio (2015) and Mar de noche (2017). Boix has won the Bart Wolffe Poetry Prize Award and the Keats-Shelley Prize for Poetry.
