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| Category | Grotesque sans-serif, display |
|---|---|
| Designer(s) | Typodermic Fonts (Ray Larabie) |
| Foundry | LarabieFonts |
| Date created | August 19, 2001 |
| License | Freeware |
| Design based on | Lettering on the Sixties lounge record |
| Trademark | Larabie |
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| Sample | |
Stereofidelic is a sans-serif typeface designed as a freeware display type by Ray Larabie in the late 1990s. [1] [2] [3]
The Stereofidelic font is based on the lettering on a 1960s lounge record, which in turn is an altered version of grotesque sans-serif typefaces, with each letter rotated a small, random number of degrees and/or raised or lowered a small percentage from the baseline to give the appearance of randomness. The typeface is all-caps, with no lowercase letters. The designated uppercase and lowercase I are both dashed arrows, with the capital pointing upward and the lowercase pointing downward. The exclamation points are solid arrows. [4]
Stereofidelic was one of the early Larabie Fonts, most of which were given away for free (with some licensing restrictions) and were designed as novelty typefaces for use in graphic design.
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from "verdant" (green) and "Ana".
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.
Univers is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.
Tahoma is a humanist sans-serif typeface that Matthew Carter designed for Microsoft Corporation. Microsoft first distributed it, along with Carter's Verdana, as a font with Office 97.
Johnston is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London, as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing, but it rapidly became used for the enamel station signs of the Underground system as well.
Raymond Larabie is a Canadian designer of TrueType and OpenType computer fonts. He owns Typodermic Fonts, which distributes both commercially licensed and shareware/freeware fonts.
Trebuchet MS is a humanist sans-serif typeface that Vincent Connare designed for Microsoft Corporation in 1996. Trebuchet MS was the font used for the window titles in the Windows XP default theme, succeeding MS Sans Serif and Tahoma. Released free of charge by Microsoft as part of their core fonts for the Web package, it remained one of the most popular body text fonts on webpages as of 2009.
In typography, a counter is the area of a letter that is entirely or partially enclosed by a letter form or a symbol. The stroke that creates such a space is known as a "bowl". Latin letters containing closed counters include A, B, D, O, P, Q, R, a, b, d, e, g, o, p, and q. Latin letters containing open counters include c, f, h, s etc. The digits 0, 4, 6, 8, and 9 also possess a counter. An aperture is the opening between an open counter and the outside of the letter.
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
Highway Gothic is a sans-serif typeface developed by the United States Federal Highway Administration (FHWA) and used for road signage in the Americas, including the U.S., Canada, Latin America and some Caribbean countries, as well as in Asian countries influenced by American signage practices, including the Philippines, China, Taiwan, Malaysia, Indonesia and Thailand.
Linux Libertine is a digital typeface created by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It is developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License.
Syntax comprises a family of fonts designed by Swiss typeface designer Hans Eduard Meier. Originally just a sans-serif font, it was extended with additional serif designs.
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.
Typeface anatomy describes the graphic elements that make up letters in a typeface.
Noto is a font family comprising over 100 individual fonts, which are together designed to cover all the scripts encoded in the Unicode standard. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1, although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover over 77,000 characters, which is around half of the 149,186 characters defined in Unicode 15.0.
Metro is a sans-serif typeface family created by William Addison Dwiggins and released by the American Mergenthaler Linotype Company from 1929 onwards.