Ray Larabie

Last updated
Ray Larabie
Born1970 (age 5354)
Occupation Typographer
Years active1996present
Known forDesigning novelty computer fonts

Raymond Larabie (born 1970) is a Canadian designer of TrueType and OpenType computer fonts. He owns Typodermic Fonts, which distributes both commercially licensed and shareware/freeware fonts.

Contents

Biography and career

Snasm
Typeface specimen Snasm.svg
Sample

Larabie was born in Ottawa, Ontario, Canada. He graduated from Sheridan College with a degree in classical animation. He moved to Nagoya, Japan in 2008; he maintains Canadian citizenship.

Beginning in 1996, Larabie distributed his designs over the internet as freeware, operating as his own independent type foundry LarabieFonts. [1] He released much of his Larabie Fonts library into the public domain in 2020 after he determined the designs were no longer of any commercial value. [2] Larabie was employed at Rockstar Canada and had contributed his designs to multiple video game titles, including the hit series' Grand Theft Auto and Max Payne , before he quit the company in 2002 to focus full-time on type design.[ citation needed ]

Larabie primarily specializes in novelty typefaces that are intended for use in desktop publishing and graphic design. The logo for Grand Theft Auto, for instance, uses Larabie's Pricedown font, which is based on the logo for the international game show The Price Is Right , as well as for the Disney animated series Fillmore! . In addition to game shows, Larabie has also used 1960s and 1970s graphic logos, computer emulation, and other inspirations to design his fonts; most of his designs are display faces not meant for body text. He is particularly known for his “ubiquitous futuristic and sci-fi fonts”; Larabie specialized in that style early in his career because he felt that, other than a few examples such as Bank Gothic, Microgramma and Eurostile, the market for that style was underserved. [3]

Two of his typeface families, Marion and Superclarendon, are released with macOS. [4] [5] Larabie's "Canada 150" is an extended version of his previous font Mesmerize (in turn based on 1920s calligraphic German sans-serifs such as Semplicità and Kabel) with Cyrillic and First Nations alphabets included; it was commissioned by the Government of Canada to be the official typeface for the country's sesquicentennial. The government paid him nothing for the custom work, [6] which he subsequently placed into the public domain.

Larabie has drawn controversy for releasing fonts freely; other professional designers took particular umbrage at Canada 150, stating that the government should have paid for a professionally drawn type since, it was posited, a government has the money to do so. Larabie responded to the criticism by saying "You can’t just throw a couple hundred grand at a problem and that’s the solution for every problem." [7]

Typefaces

Samples

See also

Related Research Articles

<span class="mw-page-title-main">Sans-serif</span> Typeface classification for letterforms without serifs

In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.

<span class="mw-page-title-main">Typeface</span> Set of characters that share common design features

A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.

<span class="mw-page-title-main">Helvetica</span> Neo-grotesque sans-serif typeface

Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.

<span class="mw-page-title-main">Futura (typeface)</span> Geometric sans-serif typeface

Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.

<span class="mw-page-title-main">Univers</span> Sans-serif typeface family

Univers is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.

<span class="mw-page-title-main">Gill Sans</span> Humanist sans-serif typeface family developed by Monotype

Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.

<span class="mw-page-title-main">Typography of Apple Inc.</span> Overview of typography of Apple Inc.

Apple Inc. uses a large variety of typefaces in its marketing, operating systems, and industrial design with each product cycle. These change throughout the years with Apple's change of style in their products. This is evident in the design and marketing of the company. The current logo is a white apple with a bite out of it, which was first utilized in 2013.

<span class="mw-page-title-main">Geneva (typeface)</span> Sans-serif typeface

Geneva is a neo-grotesque or "industrial" sans-serif typeface designed by Susan Kare for Apple Computer. It is one of the oldest fonts shipped with Macintosh operating systems. The original version was a bitmap font, but later versions were converted to TrueType when that technology became available on the Macintosh platform. Because this Macintosh font is not commonly available on other platforms, many users find Verdana, Microsoft Sans Serif or Arial to be an acceptable substitute.

<span class="mw-page-title-main">Copperplate Gothic</span> Wedge Serif typeface

Copperplate Gothic is a typeface designed by Frederic W. Goudy and first produced by American Type Founders (ATF) beginning in 1901.

<span class="mw-page-title-main">Kabel (typeface)</span> Geometric sans-serif typeface

Kabel is a geometric sans-serif typeface that was designed by the German designer Rudolf Koch and released by the Klingspor foundry from 1927 onward.

<span class="mw-page-title-main">Rotis</span> Font superfamily; humanist sans-serif typeface

Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:

<span class="mw-page-title-main">Swash (typography)</span> Typographical flourish found on some letterforms, particularly in italics

A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's La Operina, which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France.

<span class="mw-page-title-main">Gotham (typeface)</span> Geometric sans-serif typeface

Gotham is a geometric sans-serif typeface family designed by American type designer Tobias Frere-Jones with Jesse Ragan and released through the Hoefler & Frere-Jones foundry from 2000. Gotham's letterforms were inspired by examples of architectural signs of the mid-twentieth century. Gotham has a relatively broad design with a reasonably high x-height and wide apertures.

<span class="mw-page-title-main">News Gothic</span> Grotesque sans-serif typeface

News Gothic is a sans-serif typeface designed by Morris Fuller Benton, and was released in 1908 by his employer American Type Founders (ATF). The typeface is similar in proportion and structure to Franklin Gothic, also designed by Benton, but lighter.

<span class="mw-page-title-main">Bank Gothic</span> Geometric sans serif typeface

Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic.

<span class="mw-page-title-main">Interstate (typeface)</span> Sans-serif typeface

Interstate is a digital typeface designed by Tobias Frere-Jones in the period 1993–1999, and licensed by Font Bureau. The typeface is based on Style Type E of the FHWA series of fonts, a signage alphabet drawn for the United States Federal Highway Administration by Dr. Theodore W. Forbes in 1949.

<span class="mw-page-title-main">Handel Gothic</span> Geometric sans-serif typeface

Handel Gothic is a geometric sans-serif typeface designed in 1965 by Donald J. Handel (1936–2002), who worked for the graphic designer Saul Bass.

Stereofidelic is a sans-serif typeface designed as a freeware display type by Ray Larabie in the late 1990s.

References

  1. Cabarga, Leslie. Logo, Font, & Lettering Bible: A Comprehensive Guide to the Design, Construction, and Usage of Alphabets and Symbols. Cincinnati, OH: HOW Design, 2004. 237.
  2. 142 Early Typodermic Fonts Released Into the Public Domain. Retrieved December 25, 2020.
  3. Tselentis, Jason (August 28, 2017). "Typodermic's Raymond Larabie Talks Type, Technology & Science Fiction". How. Archived from the original on April 18, 2018. Retrieved October 29, 2017.
  4. "Fonts included with Mavericks". Apple. Retrieved 8 July 2015.
  5. Larabie, Ray. "Marion". MyFonts. Monotype. Retrieved 8 July 2015.
  6. "Canada's new national font was designed to include aboriginal languages".
  7. Daubs, Katie (12 January 2016). "Designers fume over free font for Canada's 150th birthday | The Star". The Toronto Star.
  8. Benincasa, Antonino (March 4, 2014). "Corporate Identity XX Olympic Winter Games Torino 2006". behance.net. Retrieved December 28, 2020.
  9. "Canada 1500". Typodermic Fonts. Retrieved 18 September 2020.