Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from "verdant" (green) and "Ana".
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.
Univers is a large sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.
Courier is a monospaced slab serif typeface. Courier was created by IBM in the mid-1950s, and was designed by Howard "Bud" Kettler (1919–1999). The Courier name and typeface concept are in the public domain. Courier has been adapted for use as a computer font, and versions of it are installed on most desktop computers.
Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".
Bank Gothic is a rectilinear geometric sans-serif typeface designed by Morris Fuller Benton for American Type Founders and released in 1930. The design has become popular from the late twentieth century to suggest a science-fiction, military, corporate, or sports aesthetic. It is also famously used as the typeface for Columbia Pictures since 1993
Interstate is a digital typeface designed by Tobias Frere-Jones in the period 1993–1999, and licensed by Font Bureau. The typeface is based on Style Type E of the FHWA series of fonts, a signage alphabet drawn for the United States Federal Highway Administration by Dr. Theodore W. Forbes in 1949.
Liberation is the collective name of four TrueType font families: Liberation Sans, Liberation Sans Narrow, Liberation Serif, and Liberation Mono. These fonts are metrically compatible with the most popular fonts on the Microsoft Windows operating system and the Microsoft Office software package, for which Liberation is intended as a free substitute. The fonts are default in LibreOffice.
Droid is a font family first released in 2007 and created by Ascender Corporation for use by the Open Handset Alliance platform Android and licensed under the Apache License. The fonts are intended for use on the small screens of mobile handsets and were designed by Steve Matteson of Ascender Corporation. The name was derived from the Open Handset Alliance platform named Android.
The Bauhaus typeface design is based on Herbert Bayer's 1925 experimental Universal typeface and the Bauhaus aesthetic overall.
Fira Sans is a humanist sans-serif typeface designed by Erik Spiekermann, Ralph du Carrois, Anja Meiners, Botio Nikoltchev of Carrois Type Design and Patryk Adamczyk of Mozilla Corporation. Originally commissioned by Telefónica and Mozilla Corporation as part of the joint effort during the development of Firefox OS. It is a slightly wider and calmer adaptation of Spiekermann's typeface Meta, which was used at Mozilla's brand typeface at the time but optimized for legibility on (small) screens. With the name Fira, Mozilla wanted to communicate the concepts of fire, light and joy but in a language agnostic way to signal the project's global nature. Fira was released in 2013 initially under the Apache License and later reissued under the SIL Open Font License.
Source Han Sans is a sans-serif gothic typeface family created by Adobe and Google. It is also released by Google under the Noto fonts project as Noto Sans CJK. The family includes seven weights, and supports Traditional Chinese, Simplified Chinese, Japanese and Korean. It also includes Latin, Greek and Cyrillic characters from the Source Sans family.
EB Garamond is a free and open source implementation of Claude Garamond’s typeface, Garamond, and the matching Italic, Greek and Cyrillic characters designed by Robert Granjon. Its name is a shortening of Egenolff–Berner Garamond which refers to the fact that the letter forms are taken from the Egenolff–Berner specimen printed in 1592.
IBM Plex is an open source typeface superfamily conceptually designed and developed by Mike Abbink at IBM in collaboration with Bold Monday to reflect the design principles of IBM and to be used for all brand material across the company internationally. Plex replaces Helvetica as the IBM corporate typeface after more than fifty years, freeing the company from extensive license payments in the process.
Lato is a humanist sans-serif typeface designed by Łukasz Dziedzic. It was released in 2010. The name "Lato" is Polish for "summer". The lato was published under the open-source Open Font License.
Montserrat is a geometric sans-serif typeface designed by Argentine graphic designer Julieta Ulanovsky and released in 2011. It was inspired by posters, signs and painted windows from the first half of the twentieth century, seen in the historic Montserrat neighbourhood of Buenos Aires.
