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Category | Sans-serif, serif, and more |
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Designer(s) | Charles Bigelow and Kris Holmes |
Date released | 1984 |
License | Commercial [1] |
Lucida (pronunciation: /ˈluːsɪdə/ [2] ) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand). [5]
There are many variants of Lucida, including serif (Fax, Bright), sans-serif (Sans, Sans Unicode, Grande, Sans Typewriter) and scripts (Blackletter, Calligraphy, Handwriting). Many are released with other software, most notably Microsoft Office.
Bigelow and Holmes, together with the (now defunct) TeX vendor Y&Y, extended the Lucida family with a full set of TeX mathematical symbols, making it one of the few typefaces that provide full-featured text and mathematical typesetting within TeX. Lucida is still licensed commercially through the TUG store [6] as well through their own web store. [7] The fonts are occasionally updated.
The Lucida fonts have a large x-height (tall lower-case letters), open apertures and quite widely spaced letters, classic features of fonts designed for legibility in body text. [4] Capital letters were designed to be somewhat narrow and short in order to make all-caps acronyms blend in. Bigelow has said in interview that the characters were designed based on hand-drawn bitmaps to see what parts of letters needed to be clear in bitmap, before creating outlines that would render as clear bitmaps. The fonts include ligatures, but these are not needed for text, allowing use on simplistic typesetting systems. x-heights are consistent between the fonts. Hinting was used to allow onscreen display.
A family of fonts containing arrows.
A family of cursive blackletter fonts released in 1992.
Based on Lucida Serif, it features more contrasted strokes and serifs.
The font was first used as the text face for Scientific American magazine, and its letter-spacing was tightened to give it a slightly closer fit for use in two and three column formats.
A script font developed from Chancery cursive, released in 1991. [8]
A casual font, released in 1994. Similar to Lucida Handwriting, but without connecting strokes. In 2014, Bigelow & Holmes released additional weights in normal and narrow widths.
A monospaced font that is a variant of Lucida Sans Typewriter, with smaller line spacing and the addition of the WGL4 character set. In 2014, Bigelow & Holmes released bold weights and italics in normal and narrow widths.[ citation needed ] Lucida Console was the default font in Microsoft Notepad from Windows 2000 through Windows 7, its replacement being Consolas. [9] This was also the font for the blue screen of death from Windows XP to Windows 7.
A slab serif font family released in 1992. Derived from Lucida, and specifically designed for telefaxing.
A font, released in 1992, designed to resemble informal cursive handwriting with modern plastic-tipped or felt-tipped pens or markers. In 2014, Bigelow & Holmes added additional weights and widths to the family.
A family of fonts for ornament and decoration uses. It contains ampersands, interrobangs, asterisms, circled Lucida Sans numerals, etc. [10]
A family of fonts for mathematical expressions. Lucida Math Extension contains only mathematical symbols. Lucida Math Italic contains Latin characters from Lucida Serif Italic, but with smaller line spacing, and added Greek letters. Lucida Math contains mathematical symbols, and blackletter (from Lucida Blackletter) and script letters in (from Lucida Calligraphy Italic) Letterlike Symbols region.
First released in March 2012, this collection includes OpenType math fonts in regular and bold weights, and Lucida Bright, Lucida Sans Typewriter, and Lucida Sans text fonts in the usual four variants (regular, italic, bold, bold italic). The regular math font includes an entirely new math script alphabet in Roundhand style, among other new characters. The Lucida Bright text fonts include Unicode Latin character blocks including Basic Latin, Latin-1, and Latin Extended-A characters for American, Western European, Central European, Turkish, and other Latin-based orthographies.
A family of humanist sans-serif fonts complementing Lucida Serif. The italic is a "true italic" rather than a "sloped roman", inspired by chancery cursive handwriting of the Italian renaissance, which Bigelow and Holmes studied while at Reed College in the 1960s. [4]
A version of Lucida Sans with expanded character sets, released around 2000. It supports Latin, Greek, Cyrillic, Arabic, Hebrew, Thai scripts. It is most notable for having been used as the system font for OSX until version 10.10.
Also called Lucida Typewriter Sans, this is a sans-serif monospaced font family, designed for typewriters. Its styling is reminiscent of Letter Gothic and Andalé Mono; a variant, Lucida Console , replaced those two fonts on Microsoft Windows systems.
Based on Lucida Sans Regular, this version added characters in Arrows, Block Elements, Box Drawing, Combining Diacritical Marks, Control Pictures, Currency Symbols, Cyrillic, General Punctuation, Geometric Shapes, Greek and Coptic, Hebrew, IPA Extensions, Latin Extended-A, Latin Extended-B, Letterlike Symbols, Mathematical Operators, Miscellaneous Symbols, Miscellaneous Technical, Spacing Modifier Letters, Superscripts and Subscripts regions.
The original Lucida font designed in 1985, featuring a thickened serif. It was simply called Lucida when it was first released.
Lucida Console is used in various parts of Microsoft Windows. From Windows 2000 until Windows 7, Lucida Console is used as the default typeface of Notepad. [9] In Windows 2000 until Windows 7, and in Windows CE, Lucida Console is used as the typeface of the Blue Screen of Death. Lucida Grande, as well as Lucida Sans Demibold (identical outlines to Lucida Grande Bold but with tighter spacing of numerals), were used as the primary user interface font in Apple Inc.'s Mac OS X operating system until OS X Yosemite, as well as many programs including Front Row.[ citation needed ] Lucida is also used in the logo for Air Canada. A collection of Lucida variants are included in the Oracle JRE 9. [11] Lucida Calligraphy was used in the logo for Gladden Entertainment.
In April 2012, Lucida Sans was selected by GfK Blue Moon as the font for a package design as part of a proposed law in Australia banning logos on cigarette packaging. The proposed law requires cigarettes to be sold in dark olive-brown packages that depict graphic images of the effects of smoking and the cigarette's brand printed in Lucida Sans. According to Tom Delaney, a senior designer with New York design consultant Muts & Joy, "Lucida Sans is one of the least graceful sans-serif typefaces designed. It’s clumsy in its line construction." [12] On August 15, 2012, the Australian government approved the ban on cigarette logos, effectively replacing them with the unattractive packaging. [13]
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legitibility with open counters, balanced proportions, moderate stroke contrast and flared serifs.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech.
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography.
Blackletter, also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for Danish, Norwegian, and Swedish until the 1870s, Finnish until the turn of the 20th century, Latvian until the 1930s, and for the German language until the 1940s, when Hitler officially discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography.
Lucida Sans Unicode is an OpenType typeface from the design studio of Bigelow & Holmes, designed to support the most commonly used characters defined in version 1.0 of the Unicode standard. It is a sans-serif variant of the Lucida font family and supports Latin, Greek, Cyrillic and Hebrew scripts, as well as all the characters used in the International Phonetic Alphabet.
Computer Modern is the original family of typefaces used by the typesetting program TeX. It was created by Donald Knuth with his Metafont program, and was most recently updated in 1992. Computer Modern, or variants of it, remains very widely used in scientific publishing, especially in disciplines that make frequent use of mathematical notation.
Antiqua is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur-style typefaces where the individual strokes are broken apart. The two typefaces were used alongside each other in the Germanophone world, with the Antiqua–Fraktur dispute often dividing along ideological or political lines. After the mid-20th century, Fraktur fell out of favor and Antiqua-based typefaces became the official standard in Germany.
Johnston is a sans-serif typeface designed by and named after Edward Johnston. The typeface was commissioned in 1913 by Frank Pick, commercial manager of the Underground Electric Railways Company of London, as part of his plan to strengthen the company's corporate identity. Johnston was originally created for printing, but it rapidly became used for the enamel station signs of the Underground system as well.
The r rotunda ⟨ ꝛ ⟩, "rounded r", is a historical calligraphic variant of the minuscule (lowercase) letter Latin r used in full script-like typefaces, especially blackletters.
Lucida Grande is a humanist sans-serif typeface. It is a member of the Lucida family of typefaces designed by Charles Bigelow and Kris Holmes. It is best known for its implementation throughout the macOS user interface from 1999 to 2014, as well as in other Apple software like Safari for Windows. As of OS X Yosemite, the system font was changed from Lucida Grande to Helvetica Neue. In OS X El Capitan the system font changed again, this time to San Francisco.
Kris Holmes is an American typeface designer, calligrapher, type design educator and animator. She, with Charles Bigelow, is the co-creator of the Lucida and Wingdings font families, among many other typeface designs. She is President and Co-Founder of Bigelow & Holmes Inc., a typeface design studio.
Oblique type is a form of type that slants slightly to the right, used for the same purposes as italic type. Unlike italic type, however, it does not use different glyph shapes; it uses the same glyphs as roman type, except slanted. Oblique and italic type are technical terms to distinguish between the two ways of creating slanted font styles; oblique designs may be labelled italic by companies selling fonts or by computer programs. Oblique designs may also be called slanted or sloped roman styles. Oblique fonts, as supplied by a font designer, may be simply slanted, but this is often not the case: many have slight corrections made to them to give curves more consistent widths, so they retain the proportions of counters and the thick-and-thin quality of strokes from the regular design.
Segoe is a typeface, or family of fonts, that is best known for its use by Microsoft. The company uses Segoe in its online and printed marketing materials, including recent logos for a number of products. Additionally, the Segoe UI font sub-family is used by numerous Microsoft applications, and may be installed by applications. It was adopted as Microsoft's default operating system font, and is also used on Outlook.com, Microsoft's web-based email service. On August 23, 2012, Microsoft unveiled its new corporate logo typeset in Segoe, replacing the logo it had used for the previous 25 years.
In metal typesetting, a font or fount is a particular size, weight and style of a typeface, defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni includes fonts "Roman", "bold" and "italic"; each of these exists in a variety of sizes.
The Public Type or PT Fonts are a family of free and open-source fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono. They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the different variations of Cyrillic script used by the minority languages of Russia, as well as the Latin alphabet.
Arabic typography is the typography of letters, graphemes, characters or text in Arabic script, for example for writing Arabic, Persian, or Urdu. 16th century Arabic typography was a by-product of Latin typography with Syriac and Latin proportions and aesthetics. It lacked expertise in the three core aspects of Arabic writing: calligraphy, style and system. Calligraphy requires aesthetically skilled writing in a chosen canonical style such as naskh, nastaʿlīq or ruqʿah. System denotes the script grammar covering such rules as horizontality and stretching.