The Klim Type Foundry is a digital type foundry operated by Kris Sowersby, a New Zealand typeface designer. Klim was founded in 2005 and is currently based in Wellington. [1] Klim produces retail typefaces, custom typefaces and custom lettering and logotypes. [2] [3] Sowersby has garnered many international awards for his typefaces.
Sowersby, born in 1981, [4] graduated from the Wanganui School of Design in 2003. 'Feijoa', his first retail typeface, was released in 2007, followed by 'National'. National first gained him international recognition, winning a Type Directors Club award in 2008. [5] His typefaces 'Hardys' and 'Serrano' won the same recognition in 2009. [6] Sowersby has collaborated with other notable designers, including Christian Schwartz and Erik Spiekermann in the design of 'FF Meta Serif'. [7]
Sowerby's lettering also appears in the logos for the Harvard Business Review [8] and the Bank of New Zealand. [9]
In 2015 Sowersby created a custom typeface for Tourism New Zealand with Rangi Kipa, Philip Kelly and Karl Wixon. [10] [11] Sowersby devised letterforms which were carved on blocks of kauri by Kipa, which were then inked, printed and digitised to create the typeface. [12]
In 2014 Sowersby was commissioned to produce a new custom typeface, 'Financier', for the redesign of the business and economics daily newspaper, the Financial Times. [13] The Financial Times' head of design stated that the paper wanted "an elegant, authoritative serif with the versatility to handle news and features stories (in the arts, science and sport, as well as finance)" and a connection to its 'British heritage'. [13] Sowersby has noted that he looked to typefaces by Eric Gill in his research for the new typeface. [14]
'Financier' was awarded a gold pin in New Zealand's Best Awards in 2015. [15]
In 2012 Sowersby was commissioned, with design company Designworks, to create custom lettering for New Zealand carrier Air New Zealand. [16]
Since the brand's 2016 refocusing on "smart science" across all media, it has gradually transitioned to a bespoke type palette. Their first commissioned typeface was Grosvenor, a custom version of Klim Type Foundry's Tiempos with longer extenders, for article text in National Geographic magazine. In 2018, this was accompanied by Geograph, a geometric sans serif, replacing Hoefler & Co.'s Verlag across all branded media. These two new types were accompanied by two new headline faces and a new magazine nameplate from Tal Leming starting in the May 2018 issue. [17] [18] [19]
In 2007, Sowersby, under direction of DNA Design, designed ‘Hokotohu’, with its serifs based on Rākau momori, for the Hokotehi Moriori Trust.
In 2014, the PayPal product team commissioned Klim to create a typeface that "should be fluid, delightful, easy, calm and humanistic." It should also be "mobile-first, numeral-centric" and "space-efficient". After three different approaches, the foundry settled for 'Dutch', made with inspiration from Jan van Krimpen's Romulus Sans Serif. This later became PayPal Sans, which has two subfamilies: PayPal Sans Big, and PayPal Sans Small. [20]
Palatino is the name of an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company.
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. It was designed as a contribution on the New Frankfurt-project. It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period. It was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926.
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.
Adrian Johann Frutiger was a Swiss typeface designer who influenced the direction of type design in the second half of the 20th century. His career spanned the hot metal, phototypesetting and digital typesetting eras. Until his death, he lived in Bremgarten bei Bern.
Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths.
Didone is a genre of serif typeface that emerged in the late 18th century and was the standard style of general-purpose printing during the 19th century. It is characterized by:
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. "Akzidenz" indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time.
Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have contributed to its design. Many copies, adaptations and revivals have been released, becoming almost an entire genre of type design.
Perpetua is a serif typeface that was designed by the English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design that did not follow any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text and has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings.
DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications.
Clearface is a serif typeface designed by Morris Fuller Benton with the collaboration of his father Linn Boyd Benton, produced at American Type Founders in 1907.
Plantin is an old-style serif typeface. It was created in 1913 by the British Monotype Corporation for their hot metal typesetting system and is named after the sixteenth-century printer Christophe Plantin. It is loosely based on a Gros Cicero roman type cut in the 16th century by Robert Granjon held in the collection of the Plantin–Moretus Museum, Antwerp.
A reverse-contrast or reverse-stress letterform is a design in which the stress is reversed from the norm: a typeface or custom lettering where the horizontal lines are the thickest. This is the reverse of the vertical lines being the same width or thicker than horizontals, which is normal in Latin-alphabet writing and especially printing. The result is a dramatic effect, in which the letters seem to have been printed the wrong way round. The style invented in the early nineteenth century as attention-grabbing novelty display designs. Modern font designer Peter Biľak, who has created a design in the genre, has described them as "a dirty trick to create freakish letterforms that stood out."
A display typeface is a typeface that is intended for use in display type at large sizes for titles, headings, pull quotes, and other eye-catching elements, rather than for extended passages of body text.
Solus is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation and released in 1929.
Egyptian is a typeface created by the Caslon foundry of Salisbury Square, London around or probably slightly before 1816, that is the first general-purpose sans-serif typeface in the Latin alphabet known to have been created.
In typography, a fat face letterform is a serif typeface or piece of lettering in the Didone or modern style with an extremely bold design. Fat face typefaces appeared in London around 1805–1810 and became widely popular; John Lewis describes the fat face as "the first real display typeface."
In letterpress printing, wood type is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type.
