TrueType is an outline font standard developed by Apple in the late 1980s as a competitor to Adobe's Type 1 fonts used in PostScript. It has become the most common format for fonts on the classic Mac OS, macOS, and Microsoft Windows operating systems.
Verdana is a humanist sans-serif typeface designed by Matthew Carter for Microsoft Corporation, with hand-hinting done by Thomas Rickner, then at Monotype. Demand for such a typeface was recognized by Virginia Howlett of Microsoft's typography group and commissioned by Steve Ballmer. The name "Verdana" is derived from "verdant" (green) and "Ana".
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text.
OpenType is a format for scalable computer fonts. Derived from TrueType, it retains TrueType's basic structure but adds many intricate data structures for describing typographic behavior. OpenType is a registered trademark of Microsoft Corporation.
Matthew Carter is a British type designer. A 2005 New Yorker profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used typefaces.
Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.
QuickDraw GX was a replacement for the QuickDraw (QD) 2D graphics engine and Printing Manager inside the classic Mac OS. Its underlying drawing platform was an object oriented, resolution-independent, retained mode system, making it much easier for programmers to perform common tasks. Additionally, GX added various curve-drawing commands that had been lacking from QD, as well as introducing TrueType as its basic font system.
Apple Inc. uses a large variety of typefaces in its marketing, operating systems, and industrial design with each product cycle. These change throughout the years with Apple's change of style in their products. This is evident in the design and marketing of the company. The current logo is a white apple with a bite out of it, which was first utilized in 2013.
Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths.
Zapfino is a calligraphic typeface designed for Linotype by typeface designer Hermann Zapf in 1998. It is based on an alphabet Zapf originally penned in 1944. As a font, it makes extensive use of ligatures and character variations.
Multiple master fonts are an extension to Adobe Systems' Type 1 PostScript fonts, now superseded by the advent of OpenType and, in particular, the introduction of OpenType Font Variations in OpenType 1.8, also called variable fonts.
Apple's Macintosh computer supports a wide variety of fonts. This support was one of the features that initially distinguished it from other systems.
HarfBuzz is a software library for supporting text shaping, which is the process of converting Unicode text to glyph indices and positions. The newer version, New HarfBuzz (2012–), targets various font technologies while the first version, Old HarfBuzz (2006–2012), targeted only OpenType fonts.
Thomas Rickner is an American type designer who, while Lead Typographer at Apple Inc., supervised the production of the first TrueType fonts released in 1991 as part of Apple’s System 7 operating system for the Macintosh. Rickner provided TrueType production and font hinting of Matthew Carter’s Georgia, Verdana, and Tahoma typeface families, commissioned by Microsoft and widely distributed in the Windows operating system and Apple’s Mac OS X. Rickner’s original type designs include Amanda, Buffalo Gal and Hamilton.
Yale is an old style serif typeface designed by Matthew Carter and first released in 2004. It was commissioned by Yale University for use in all of its signage, promotional and internal material.
A variable font (VF) is a font file that is able to store a continuous range of design variants. An entire typeface can be stored in such a file, with an infinite number of fonts available to be sampled.
David G. Opstad is a retired American computer scientist specializing during his career in computer typography and information processing, leading to several breakthroughs. Opstad was a contributor to Unicode 1.0, together with Joe Becker, Lee Collins, Huan-mei Liao, and Nelson Ng.
