Category | Sans-serif |
---|---|
Classification | Humanist |
Designer(s) | Steve Matteson |
Foundry | Ascender Corporation |
Date created | 2010 [1] |
Date released | 2011 [2] |
License | SIL Open Font License, Apache License 2.0 (before March 2021) |
Design based on | Droid Sans |
Website | fonts |
Open Sans is an open source humanist sans-serif typeface that was designed by Steve Matteson under commission from Google. It was released in 2011 and is based on his earlier design called Droid Sans, which was specifically created for Android mobile devices but with slight modifications to its width.
The typeface is characterized by its wide apertures on many letters and a large x-height, making it highly legible on screens and at small sizes. Being part of the humanist genre of sans-serif typefaces, it also features a true italic style. As of July 2018, Open Sans is the second most widely used font on Google Fonts, serving over four billion views per day across more than 20 million websites. [3]
In March 2021, the Open Sans font family was updated to include a variable font version, which now also supports Hebrew characters. [4]
Open Sans is popular in flat design-style web design. [5]
Open Sans is used in some of Google's web pages as well as its print and web advertisements. It is the official font of the UK's Labour, Co-operative, and Liberal Democrat parties.
Used in WordPress 3.8 which was released on December 12, 2013. [6]
According to Google, it was developed with an "upright stress, open forms and a neutral, yet friendly appearance" and is "optimized for legibility across print, web, and mobile interfaces." [3] Its design is similar to that of Matteson's Droid Sans, created as the first user interface font for Android phones, but with wider characters and the inclusion of italic variants. [7] Explaining the different name, Matteson has said "Droid was intentionally narrow for mobile screens but it didn't have 'narrow' in the name. Open Sans isn't really 'extended' so that wasn't really an option either. A new family name is the direction they chose." [8]
The character repertoire contains 897 glyphs, covering the Latin, Greek and Cyrillic alphabets with a wide range of diacritics.
In January 2014, Israeli type designer Yanek Iontef released an extension font covering the Hebrew alphabet with support for niqqud (but not cantillation marks) for early access. [9] The extension font went on to become popular and to be used by prominent institutions such as Tel Aviv University in its 2016 rebranding, and by the Haaretz website. [10] Hebrew support was added in March 2021.
Open Sans has six weights (Light 300, Normal 400, Medium 500, Semi-Bold 600, Bold 700 and Extra Bold 800), each of them with an italic version, totaling 12 versions, although the Medium and Medium Italic styles are not yet accepted into Adobe Fonts. It has a number of stylistic alternates, such as a capital 'i' with a serif (for situations where this could be confused with a number '1' or lower-case 'L') and a selectable choice between a single and double-storey 'g'. Numbers can be set as tabular or proportional lining figures or as proportional text figures. [11]
Open Sans Condensed has three styles: light, bold and light italic. [12] As of 2021, the "Regular", "Semibold", and "Extra Bold" versions have been released to GitHub, but not yet accepted into Google Fonts or Adobe Fonts.
Matteson designed Open Serif, a companion slab serif typeface family. While Open Serif is not open-source, the font is sold by Matteson Typographics, owned by Steve Matteson and released on August 26, 2016. [13]
On March 23, 2021, Matteson released a rounded version of Open Sans called Open Sans Soft. Like Open Serif, it is not an open-source font and is sold by Matteson Typographics. In contrast to the original open-source Open Sans, the capital 'i' with a serif is the default glyph for that letter, with the glyph without a serif as a stylistic alternate for it. [14]
A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.
Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".
Arial is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are included with all versions of Microsoft Windows after Windows 3.1, as well as in other Microsoft programs, Apple's macOS, and many PostScript 3 printers.
Courier is a monospaced slab serif typeface. Courier was created by IBM in the mid-1950s, and was designed by Howard "Bud" Kettler (1919–1999). The Courier name and typeface concept are in the public domain. Courier has been adapted for use as a computer font, and versions of it are installed on most desktop computers.
Lucida is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid'.
Myriad is a humanist sans-serif typeface designed by Robert Slimbach and Carol Twombly for Adobe Systems. Myriad was intended as a neutral, general-purpose typeface that could fulfill a range of uses and have a form easily expandable by computer-aided design to a large range of weights and widths.
Lucida Grande is a humanist sans-serif typeface. It is a member of the Lucida family of typefaces designed by Charles Bigelow and Kris Holmes. It is best known for its implementation throughout the macOS user interface from 1999 to 2014, as well as in other Apple software like Safari for Windows. As of OS X Yosemite, the system font was changed from Lucida Grande to Helvetica Neue. In OS X El Capitan the system font changed again, this time to San Francisco.
Trebuchet MS is a humanist sans-serif typeface that Vincent Connare designed for Microsoft Corporation in 1996. Trebuchet MS was the font used for the window titles in the Windows XP default theme, succeeding MS Sans Serif and Tahoma. Released free of charge by Microsoft as part of their core fonts for the Web package, it remained one of the most popular body text fonts on webpages as of 2009.
Andalé Mono is a monospaced sans-serif typeface designed by Steve Matteson for terminal emulation and software development environments, originally for the Taligent project by Apple Inc. and IBM. Andalé Mono has a sibling called Andalé Sans.
Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece for each glyph. A typeface consists of various fonts that share an overall design.
GNU FreeFont is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
Joanna is a serif typeface designed by Eric Gill (1882–1940) from 1930 to 1931 that was named for one of his daughters. Gill chose Joanna for setting An Essay on Typography, a book by Gill on his thoughts on typography, typesetting and page design. He described it as "a book face free from all fancy business".
Ascender Corporation was a digital typeface foundry and software development company in the Chicago suburb of Elk Grove Village, Illinois. It was founded in 2004 by a team of software developers, typographers, and people previously involved in developing fonts used widely in computers, inkjet printers, phones, and other digital technology devices. On December 8, 2010, Ascender Corp. was acquired by Monotype Imaging.
Droid is a font family first released in 2007 and created by Ascender Corporation for use by the Open Handset Alliance platform Android and licensed under the Apache License. The fonts are intended for use on the small screens of mobile handsets and were designed by Steve Matteson of Ascender Corporation. The name was derived from the Open Handset Alliance platform named Android.
Steven R. Matteson is an American typeface designer whose work is included in several computer operating systems and embedded in game consoles, cell phones and other electronic devices. He is the designer of the Microsoft font family Segoe included since Windows XP; of the Droid font collection used in the Android mobile device platform, and designed the brand and user-interface fonts used in both the original Microsoft Xbox and the Xbox 360.
The Public Type or PT Fonts are a family of free/libre fonts released from 2009 onwards, comprising PT Sans, PT Serif and PT Mono. They were commissioned from the design agency ParaType by Rospechat, a department of the Russian Ministry of Communications, to celebrate the 300th anniversary of Peter the Great's orthography reform and to create a font family that supported all the different variations of Cyrillic script used by the minority languages of Russia, as well as the Latin alphabet.
Noto is a font family comprising over 100 individual computer fonts, which are together designed to cover all the scripts encoded in the Unicode standard. As of October 2016, Noto fonts cover all 93 scripts defined in Unicode version 6.1, although fewer than 30,000 of the nearly 75,000 CJK unified ideographs in version 6.0 are covered. In total, Noto fonts cover over 77,000 characters, which is around half of the 149,186 characters defined in Unicode 15.0.
IBM Plex is an open source typeface superfamily conceptually designed and developed by Mike Abbink at IBM in collaboration with Bold Monday to reflect the design principles of IBM and to be used for all brand material across the company internationally. Plex replaces Helvetica as the IBM corporate typeface after more than fifty years, freeing the company from extensive license payments in the process.