Sterling Hyltin | |
---|---|
Born | [1] Amarillo, Texas, U.S. | July 8, 1985
Education | School of American Ballet |
Occupation | Ballet dancer |
Years active | 2002-2022 |
Spouse | Ryan Bailes (m. 2019) |
Career | |
Current group | New York City Ballet |
Dances | Ballet |
Sterling Hyltin is an American ballet dancer. She was a principal dancer at the New York City Ballet. [2]
Hyltin was born in Amarillo, Texas. She wanted to be an ice skater, and would train before school started. However, Hyltin's mother also enrolled her to ballet classes. When she was 12, she auditioned for School of American Ballet, but was rejected. She was ultimately accepted by SAB's summer program in 2000, and stayed in New York as a full-time student. [3] [2]
Hyltin became an apprentice with New York City Ballet in 2002, and became a member of the corps de ballet the following year. She was named soloist in 2006 and principal dancer the following year. Her repertoire included classical roles such as Aurora in The Sleeping Beauty and the Sylph in La Sylphide , George Balanchine's works such as "Rubies" from Jewels , Western Symphony and Theme and Variations , and Jerome Robbins works including Afternoon of a Faun and The Four Seasons . She also originated a number of roles including Jean-Pierre Frohlich's Varied Trio (in four) and Justin Peck's Pulcinella Variations . [2]
Hyltin was featured in documentary Ballet 422, which follows the creation of Peck’s Paz de la Jolla . [4]
Hyltin received the Janice Levin Dancer Award in 2005-06, which was given to promising corps dancers of NYCB. [5]
Hyltin was a teaching fellow at School of American Ballet between 2014 and 2016. She became a permanent faculty in 2016. [6]
She defended Peter Martins, then Ballet Master in Chief of the New York City Ballet, when he was accused of physical and sexual abuse. [7]
Hyltin retired in December 2022 after performing the Sugarplum Fairy in the George Balanchine version of The Nutcracker. [8]
|
Created roles
|
In 2019, Hyltin married Ryan Bailes, a research analyst at an investment management firm. [9]
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.
Peter Martins is a Danish former ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet.
Joaquín De Luz is a Spanish ballet dancer. He was formerly with the American Ballet Theatre (ABT), and a principal dancer with the New York City Ballet (NYCB). He is currently director of Spanish National Dance Company.
Megan Fairchild is an American ballet dancer. She is currently a principal dancer with the New York City Ballet.
Tiler Kalyn Peck is an American ballet dancer who is a principal dancer with the New York City Ballet. As well as ballet, she has performed in musical theatre shows and has made cameo appearances in films including Donnie Darko and television series including Tiny Pretty Things.
Sara Ann Mearns is an American ballet dancer. She is a principal dancer at New York City Ballet.
Teresa Reichlen is an American ballet dancer. She joined the New York City Ballet in 2001, was promoted to principal dancer in 2009, and retired in 2022.
Ashley Bouder is an American ballet dancer who is currently a principal dancer at the New York City Ballet. She also founded and currently runs her own project, The Ashley Bouder Project.
Abi Stafford is an American ballet dancer. She joined the New York City Ballet in 2000 and was promoted to principal dancer in 2007. She retired in 2021.
Jonathan Stafford is an American ballet dancer and artistic director. He danced with the New York City Ballet (NYCB) as a principal dancer until his retirement in 2014, then he served as a ballet master. He became the artistic director of NYCB in 2019.
Craig Hall is an American ballet dancer. He danced with the New York City Ballet as a soloist until 2016 then became a repertory director, and was one of the company interim leaders between late 2017 and early 2019.
Taylor G. Stanley is an American ballet dancer who is currently a principal dancer with the New York City Ballet.
Peter Walker is an American ballet dancer and choreographer. He joined the New York City Ballet (NYCB) in 2012 and was promoted to principal dancer in 2022. He choreographed Ten in Seven (2016) and Dance Odyssey (2018) for NYCB, as well as the 2020 film I'm Thinking of Ending Things.
Unity Sickles Phelan is an American ballet dancer. She joined the New York City Ballet in 2013 and was promoted to principal dancer in 2021. Outside of the company, she had also danced in films John Wick: Chapter 3 – Parabellum and I'm Thinking of Ending Things.
Divertimento No. 15 is a ballet choreographed by George Balanchine to Mozart's eponymous music. The ballet was made for the New York City Ballet. Balanchine first choreographed the score in 1952, for a ballet titled Caracole. In 1956, he planned to revive Caracole for a celebration of Mozart's bicentenary but made a new ballet to the same music instead. Divertimento No. 15 premiered on May 31, 1956, at the American Shakespeare Theatre, Stratford, Connecticut.
Everywhere We Go is a ballet choreographed by Justin Peck and scored by Sufjan Stevens. The ballet is plotless, danced by a cast of 25 and features nine sections. This is the second collaboration between Peck and Stevens, following Year of the Rabbit (2012). Everywhere We Go was created for the New York City Ballet (NYCB), and premiered on May 8, 2014, at the David H. Koch Theater, during NYCB's spring gala. The success of the ballet led to Peck's appointment as resident choreographer of NYCB, as the second person to hold the position.
Mira Nadon is an American ballet dancer. She joined the New York City Ballet in 2018, and in 2023, she was promoted to principal dancer, as the first Asian American woman to hold this position.
Roman Mejia is an American ballet dancer. He joined the New York City Ballet in 2017, and was promoted to principal dancer in 2023.