Steve Barta (December 25, 1953) is an American Brazilian jazz pianist, author, educator, composer, arranger, producer. Grammy nominated Pianist is a composer, recording artist, producer, author and educator. He has performed his original works as a solo artist, and with jazz ensembles and symphony orchestras. As a member of Herbie Mann and Jasil Brazz featuring Steve Barta, Steve recorded his widely acclaimed Blue River with this New York based ensemble – an original collection of his Brazilian compositions. His discography includes 15 recordings that reflect his many influences, particularly Brazilian, jazz and classical.
Mr. Barta has released fifteen recordings to date. Some of his musical collaborations include Al Jarreau, Hubert Laws, Herbie Mann, Dori Caymmi, B.B. King, Dee Dee Bridgewater, Paulinho da Costa, Ricardo Silveira, Kim Stone, Ricky Sebastian, Lee Trees and many more. He holds a coveted Grammy Award nomination for his Jumpin’ Jazz Kids – an original storyline and collection of jazz compositions written for jazz ensemble and orchestra, along with his co-writer Mark Oblinger.
Steve’s latest orchestral work is his arrangement of Claude Bolling’s famous, Suite for Flute & Jazz Piano. Now titled, Symphonic Arrangement: Suite for Flute & Jazz Piano, Bolling himself gave his personal approval to Steve’s work, “A thousand bravos! A true and modern arrangement. Brilliant!”. This recording also features flutist Hubert Laws and pianist Jeff Biegel.
Mr. Barta is a music educator with over 35 years of experience teaching intermediate to advanced students, educators, and professional musicians. He is the author of The Source (Hal Leonard Publishing, Zenon Japan) and has published several books of his arrangements. A bit of Barta trivia, includes the fact that Hal Leonard Publishing also engaged Steve to arrange several Beatles compositions for solo piano in their well-known, Beatle’s Songbook.
He will soon be releasing his latest single with flutist Hubert Laws and guitarist Lee Trees titled, Ascended.
Mr. Barta is a Steinway Artist, as well as instructor of jazz piano at the Colorado College.
All his recorded works and books are available anywhere online.
Official website: www.SteveBartaMusic.com
Claude Bolling was a French jazz pianist, composer, arranger, and occasional actor.
Herbert Jay Solomon, known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet, but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a Billboard No. 1 dance hit for three weeks in 1975.
Armando Anthony "Chick" Corea was an American jazz pianist, composer, bandleader and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba" and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock and Keith Jarrett, Corea is considered to have been one of the foremost pianists of the post-John Coltrane era.
Jovino Santos Neto is a Seattle-based Brazilian-American jazz pianist, flutist, composer, arranger, educator and record producer.
Douglas Clare Fischer was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University, he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence, he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, 2+2 (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
William Edward Childs is an American composer, jazz pianist, arranger and conductor from Los Angeles, California, United States.
David Peter Valentin was an American Latin jazz flautist of Puerto Rican descent.
Hubert Laws is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. He has three Grammy nominations.
John Rule Beasley, better known as John Beasley, is a jazz pianist, bandleader, and producer of music for film and television.
Ted Nash is an American jazz saxophonist, flutist and composer. Born into a musical family, his uncle was saxophonist Ted Nash and his father is trombonist Dick Nash, both prominent jazz soloists and first call Hollywood studio musicians. Nash is a member of the Jazz at Lincoln Center Orchestra directed by Wynton Marsalis. He is one of the founders of the Jazz Composers Collective.
Isak Roux is a South African born German composer born in 1959. He is known for his arrangements of South African music, especially his work with the musical groups Ladysmith Black Mambazo and Kwela Tebza.
Bolero Project is an ArtistShare recording project led by Latin singer Leonardo Granados and jazz pianist Edward Simon.
Suite for Flute and Jazz Piano is a "crossover" composition by the jazz pianist and composer Claude Bolling. The composition, originally written in 1973, is a suite of seven movements, written for a classical flute, and a jazz piano trio.
Jasil Brazz is a 1987 album by jazz flautist Herbie Mann. It features two of the members of Trio da Paz as well and Brazilian trumpeter Claudio Roditi and Mark Soskin on synthesizers.
This is a Herbie Mann discography. Mann spent his early years recording for a number of jazz oriented record labels, and signed with Atlantic Records in 1961. He recorded with them through the 1960s and 1970s, including their subsidiary Cotillion Records, where he ran his own imprint, Embryo Records, in the 1970s, for his records as well as other musicians. Mann also ran two independent record labels, Herbie Mann Music in the 1980s, and during the 1990s, Kokopelli Records. Minor reissues are not noted.
Today! is an album by jazz flautist Herbie Mann released on the Atlantic label featuring performances recorded in 1966.
Jazz flute is the use of the flute in jazz music. While flutes were sometimes played in ragtime and early jazz ensembles, the flute became established as a jazz instrument in the 1950s. It is now widely used in ensembles and by soloists. The modern Boehm system transverse concert flute is commonly used in jazz playing; other members of the same family are used, such as the alto flute in G. Ethnic and other flutes, such as bamboo flutes, have also been used in jazz.
Flute Soufflé is an album by jazz flautists Herbie Mann and Bobby Jaspar featuring tracks recorded in 1957 for the Prestige label.
Vadim Neselovskyi is a Ukrainian pianist and composer based in New York City. He currently serves as a professor of jazz piano at the Berklee College of Music in Boston, Massachusetts. Neselovskyi joined 6-Time Grammy Winner Gary Burton’s Generations Quintet of future all-stars including Julian Lage, Luques Curtis, and James Williams in 2004 and has been working as Gary Burton’s pianist and arranger for more than a decade, touring the US, Europe, and Japan. His recent appearances with Burton include Newport Jazz Festival, Chicago Jazz Festival and Detroit Jazz Festival. His work can be heard on three Gary Burton’s recordings: Next Generation (Concord) as a pianist, composer and arranger, If You Love Me as an arranger and on Common Ground as a composer. The "Next Generation" CD has reached Nr.1 on Jazzweek chart in US on April 27, 2005.