Steve Parker is an artist and musician in Austin, Texas. He is the winner of the Rome Prize, [1] the Tito's Prize, [2] a Fulbright Fellowship, [3] and grants from the National Endowment for the Arts. [4]
Steve Parker uses sculpture, sound, and performance to create communal, democratic works that examine history and behavior. [5] Futurist Listening, at the CUE Art Foundation curated by Marcela Guerrero, featured sonic headwear, acoustic sculptures built from brass instruments, and graphic scores that utilized World War II tactics like jamming signals, coded messages, and warning sirens, reimagining them in sculptural form as tools for present-day protest and deception. [6] War Tuba Recital, featured sculptural work inspired by the role of sound in conflict. In this exhibition, he drew from the work of Dr. Seuss, the WWII Ghost Army, and acoustic location to make a series of interactive sculptures. [7] Grackle Call was a multi-media soundwalk that took audiences to the roosting locations of the great-tailed grackle. The work mimicked a birding experience, where audiences were provided with binoculars, iPods, and a printed program guide that guided them to performances, installations, radio stories, and soundscapes. [8] In 2016, he composed Bat/Man, a participatory composition for bat echolocation, conch shells, funnel pipes, megaphone choir, and echolocation devices for the Fusebox Festival. [9]
In 2019, he was commissioned by KMFA to create a long term installation called Sound Garden in the radio station's new building. [10]
Parker is the curator of SoundSpace at the Blanton Museum of Art.
Parker is the trombonist for Ensemble Signal, a contemporary classical ensemble based in New York City. [17] He has premiered over 200 new works for trombone, often including electronics and extended techniques. He is a professor at the University of Texas at San Antonio. [18]
Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
Ellen Fullman is an American composer, instrument builder, and performer. She was born in Memphis, Tennessee, and is currently based in the San Francisco Bay Area. She is known for her 70-foot (21-meter) Long String instrument, tuned in just intonation and played with rosin-coated fingers.
George Emanuel Lewis is an American composer, performer, and scholar of experimental music. He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971, when he joined the organization at the age of 19. He is renowned for his work as an improvising trombonist and considered a pioneer of computer music, which he began pursuing in the late 1970s; in the 1980s he created Voyager, an improvising software he has used in interactive performances. Lewis's many honors include a MacArthur Fellowship and a Guggenheim Fellowship, and his book A Power Stronger Than Itself: The AACM and American Experimental Music received the American Book Award. Lewis is the Edwin H. Case Professor of American Music, Composition & Historical Musicology at Columbia University.
Sound localization is a listener's ability to identify the location or origin of a detected sound in direction and distance.
A foghorn or fog signal is a device that uses sound to warn vehicles of navigational hazards such as rocky coastlines, or boats of the presence of other vessels, in foggy conditions. The term is most often used in relation to marine transport. When visual navigation aids such as lighthouses are obscured, foghorns provide an audible warning of rock outcrops, shoals, headlands, or other dangers to shipping.
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates."
The brown long-eared bat or common long-eared bat is a small Eurasian insectivorous bat. It has distinctive ears, long and with a distinctive fold. It is extremely similar to the much rarer grey long-eared bat which was only validated as a distinct species in the 1960s. An adult brown long-eared bat has a body length of 4.5–4.8 cm, a tail of 4.1–4.6 cm, and a forearm length of 4–4.2 cm. The ears are 3.3–3.9 cm in length, and readily distinguish the long-eared bats from most other bat species. They are relatively slow flyers compared to other bat species.
The diaphone is a noisemaking device best known for its use as a foghorn: It can produce deep, powerful tones, able to carry a long distance. Although they have fallen out of favor, diaphones were also used at some fire stations and in other situations where a loud, audible signal was required.
The Jack S. Blanton Museum of Art at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe. The Blanton's permanent collection consists of more than 21,000 works, with significant holdings of modern and contemporary art, Latin American art, Old Master paintings, and prints and drawings from Europe, the United States, and Latin America.
Acoustic location is a method of determining the position of an object or sound source by using sound waves. Location can take place in gases, liquids, and in solids.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Jorge Boehringer is an electro-acoustic musician, composer, sound designer, and installation artist from the United States. He was born in New York in 1975, grew up in Texas, and in 1998 moved Oakland, California. He currently resides in Newcastle Upon Tyne, England.
Max Eastley is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969–1972) at Middlesex University. He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs.
Glenda León is a Cuban artist born in Havana, in 1976.
Jennie C. Jones is an African-American artist living and working in Brooklyn, New York. Her work has been described, by Ken Johnson, as evoking minimalism, and paying tribute to the cross-pollination of different genres of music, especially jazz. As an artist, she connects most of her work between art and sound. Such connections are made with multiple mediums, from paintings to sculptures and paper to audio collages. In 2012, Jones was the recipient of the Joyce Alexander Wien Prize, one of the biggest awards given to an individual artist in the United States. The prize honors one African-American artist who has proven their commitment to innovation and creativity, with an award of 50,000 dollars. In December 2015 a 10-year survey of Jones's work, titled Compilation, opened at the Contemporary Arts Museum in Houston, Texas.
Janet Zweig is an American artist whose work consists primarily of art in the public realm and computer-driven language-generating sculpture.
Kambui Olujimi is a New York-based visual artist working across disciplines using installation, photography, performance, tapestry, works on paper, video, large sculptures and painting. His artwork reflects on public discourse, mythology, historical narrative, social practices, exchange, mediated cultures, resilience and autonomy.
Leilehua Lanzilotti, in full Anne Victoria Leilehua Lanzilotti, bynames Anne Leilehua Lanzilotti and Anne Lanzilotti,, is a Kanaka Maoli composer, sound artist, and scholar of contemporary classical music.
Lisa E. Harris, also known as Li, is a multimedia artist, opera singer, and composer. She is renowned for her interdisciplinary work using voice, text, installation, movement, and new media.
The Aeolus Acoustic Wind Pavilion is a musical installation artwork created by Luke Jerram. It is a large aeolian harp that was inspired by Jerram's time in Iran. The installation toured England from 2011 to 2012, appearing at Lyme Park, the Eden Project, MediaCityUK and Canary Wharf.