Steven Blier

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Musician Steven Blier (Photo: Olivia Wolf) Steven Blier by olivia wolf.jpg
Musician Steven Blier (Photo: Olivia Wolf)

Steven Blier is an American pianist, recital accompanist, musicologist, and, since 1992, a faculty member in the Department of Vocal Arts at The Juilliard School. [1] in New York City. He is the artistic director and co-founder of the New York Festival of Song (NYFOS) [2] with former Chief Executive and General Director of Caramoor, Michael Barrett. [3] Blier was also a casting adviser at the New York City Opera [4] and a regular performer at Wolf Trap [5] and Caramoor. [6] [7] He has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company, [8] [9] the Steans Music Institute at Ravinia, [10] the Santa Fe Opera, and the San Francisco Opera Center. [11] He has written articles for Opera News and The Yale Review. [12]

Contents

The New York Festival of Song was founded in 1988 with the motto "No song is safe from us" and is one of Blier's signature accomplishments; he has produced more than 140 recitals for the nonprofit arts organization. Pulitzer Prize-winning classical music critic Justin Davidson called NYFOS "the oldest permanent floating song party in New York". [13] Blier programs NYFOS concerts "...on the democratic premise that all songs -- from Brahms to Broadway to the Beatles -- are created equal. In place of the formality of the traditional recital, the festival offers groups of good young singers in smart, offbeat programs, each organized around a theme." [14] He is known for his well-researched and literate program notes, translations of lyrics from a variety of languages, and his onstage presence and wit as emcee, raconteur and pianist. He says that "a concert should use music to get you close to something in an emotional and intellectual way.” [15] Blier emphasizes emotional intensity, both in his choice of songs and his coaching of the singers who work with him: “A song is the closest thing I know in waking life to dreaming. It’s a coded version of reality. It’s not like playing a scene from Chekhov, where you’re trying to look like you’re having a tea party or a nervous breakdown. Instead, you’re enacting a coded, ritualized version of that moment, and somehow everyone in the hall is dreaming along with you.” [16]

Blier is a major proponent of contemporary art song and has programmed many new works including those by John Musto, [17] [18] Ned Rorem, [19] Roberto Sierra, and Clarice Assad, [20] among many others. A review of a program of Polish art song entitled "Warsaw Serenade" [21] noted that a "broader existential approach seems to inform the uncommonly eloquent programs assembled and performed by the New York Festival of Song. Art songs here are celebrated for the sensual pleasures they bring but also for the improbably numerous ways in which they open out onto larger worlds of history, poetry, and biography, distant geographic landscapes and the veiled interior regions within...[I]t was Blier whose printed essay and spoken commentary, marbled with playful lines of wit, erudition and anecdote, gave the program its distinctive personal touch." [22]

Personal life

Blier was born November 25, 1951, in New York City. His parents were Josephine Berg Blier and Julius Blier. [23] He received a bachelor's degree with Honors in English Literature at Yale University, where he studied piano with Alexander Farkas. [24] He continued his studies in New York with Matin Isepp, Paul Jacobs, and Janine Reiss.

He is married to James S. Russell, an architecture writer and critic, [25] former professor at the Bernard and Anne Spitzer School of Architecture at City College of New York [26] and frequent contributor to The New York Times, Architectural Record, and The Economist. Russell is the author of the book, The Agile City: Building Well-being and Wealth in an Era of Climate Change [27]

Blier lives with facioscapulohumeral muscular dystrophy and supports fundraisers for the FSHD Society. [28] [29]

Recordings

Reaction

The New York Times Op Ed columnist Joe Nocera wrote: "I had never heard anything like a NYFOS concert — still haven’t, really. There are no microphones; Blier believes deeply that unmiked music creates a more intimate experience. At a NYFOS concert, the lyrics matter as much as the music." [37]

Washington Post critic Ronald Broun wrote: "A few words of high praise are utterly inadequate to describe what Steven Blier accomplished Saturday night at the Barns of Wolf Trap. Start with this: Blier knows everything about the mechanics and art of singing, songs and songwriting (he draws no distinction between classical and pop), and piano accompaniment. He is a passionate, indefatigable researcher and scholar who haunts libraries, finds wonderful songs that time has obliterated and gives them new life." [38]

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References

  1. ↑ "Juilliard Staff". The Juilliard School of Music. Retrieved May 17, 2019.
  2. ↑ "The New York Festival of Song - About". NYFOS website. May 17, 2019.
  3. ↑ "A Gala Evening Celebrating Michael Barrett". Caramoor. May 14, 2012. Retrieved August 14, 2019.
  4. ↑ "Another Musical Post Is Vacated at City Opera". The New York Times. August 4, 2011. Retrieved May 18, 2019.
  5. ↑ "Steven Blier: 25th Anniversary Also featuring Joseph Li & Wolf Trap Opera Soloists". Wolftrap website. June 1, 2019. Retrieved May 18, 2019.
  6. ↑ "Steven Blier's Decade of Song at Caramoor with Schwab Vocal Rising Stars". Caramoor website. March 2, 2018. Retrieved May 18, 2019.
  7. ↑ Lutz, Phillip (March 5, 2010). "At Caramoor, a Focus on Songs of the Belle Époque". The New York Times. Retrieved August 14, 2019.
  8. ↑ "Steven Blier: 25th Anniversary Concert" . Retrieved August 18, 2019.
  9. ↑ Estren, Mark J. (August 3, 2009). "Music Review: Steven Blier and the Wolf Trap Opera Singers". The Washington post. Retrieved August 18, 2019.
  10. ↑ "Ravinia's Steans Music Institute Program for Singers" . Retrieved August 18, 2019.
  11. ↑ Serinus, Jason Victor (March 30, 2014). "Blier's Gift to Our Adlers". San Francisco Classical News. Retrieved August 18, 2019.
  12. ↑ Midgette, Anne (May 24, 2003). "For a Champion of Song, It's About Communicating". The New York Times. Retrieved August 14, 2019.
  13. ↑ Davidson, Justin (November 16, 2006). "Music Review". Newsday. Retrieved August 18, 2019.
  14. ↑ Midgette, Anne (May 24, 2003). "For a Champion of Song, It's All About Communicating". The New York Times. Retrieved August 14, 2019.
  15. ↑ Schroeder, Katharine (August 8, 2017). "Renowned pianist Steven Blier brings New York Festival of Song to Orient". Southold Local. Retrieved August 15, 2019.
  16. ↑ Davidson, Justin (November 21, 2010). "Sing It So I Believe It!". New York Magazine. Retrieved August 18, 2019.
  17. ↑ Kimbal, Carol (2006). Song: A Guide to Art Song Style and Literature. Milwaukee, WI: Hal Leonard Corporation. p. 337. ISBN   9781423412809.
  18. ↑ "NYFOS Next Series Presents THE MUSIC OF JOHN MUSTO Tonight". Broadway World. March 4, 2014. Retrieved August 16, 2019.
  19. ↑ Vastek, Sophia (November 6, 2013). "New York Festival of Song celebrates the timeless art of Ned Rorem at 90". New York Classical Review. Retrieved August 16, 2019.
  20. ↑ McKay, Tristan (March 5, 2019). ""Hyphenated-Americans" at NYFOS Features Multicultural Vocal Music". I Care If You Listen. Retrieved August 16, 2019.
  21. ↑ Miron, Susan (February 17, 2014). "NYFOS Offers "Warsaw Serenade"". The Boston Musical Intelligencer. Retrieved August 20, 2019.
  22. ↑ Eichler, Jeremy (February 18, 2014). "Peering outward, through the notes of a song". The Boston Globe. Retrieved August 16, 2019.
  23. ↑ "Obituary, Josephine Blier". The New York Times. May 18, 2019.
  24. ↑ Copeland, Misty (December 2, 2014). "MA 30 Profiles in Courage: Steven Blier". Musical America. Retrieved August 15, 2019.
  25. ↑ "JAMES RUSSELL, FAIA: Journalism Fellow , 1997– 2002". Design Trust for Public Space. Retrieved August 15, 2019.
  26. ↑ Shattuck, Kathryn (May 4, 2012). "Vows: Steven Blier and James S. Russell". The New York Times. Retrieved May 17, 2019.
  27. ↑ "The Agile City". Island Press. Retrieved May 17, 2019.
  28. ↑ "Fourth Annual Songs in the Key of Steven Blier". FSH Society. July 8, 2017. Retrieved May 24, 2019.
  29. ↑ Kinoshita, June (September 15, 2017). "Radio Show – Steven Blier, musician extraordinaire". FSHD Society. Retrieved August 18, 2019.
  30. ↑ "Record Briefs". The New York Times. September 22, 1991. Retrieved May 18, 2019.
  31. ↑ "Recording Academy Grammy Awards". Grammy Awards. 1990. Retrieved August 11, 2019.
  32. ↑ "Annual Grammy Nominations". UPI. January 11, 1990. Retrieved August 14, 2019.
  33. ↑ S.G.S. (April 2011). "MUSTO: Bastianello. BOLCOM: Lucrezia". Classical CD Review. Retrieved August 14, 2019.
  34. ↑ Ward, Marvin J. (November 10, 2007). "Spanish Love Songs". CVNC: An Online Arts Journal. Retrieved August 14, 2019.
  35. ↑ Loudon, Christopher (May 1, 2011). "Darius De Haas/Steven Blier: Quiet Please". Jazz Times. Retrieved August 14, 2019.
  36. ↑ Stearns, David Patrick. "Canción amorosa". Gramophone: The World's Best Classical Music Reviews. Retrieved August 14, 2019.
  37. ↑ "The Man at the Piano". The New York Times. May 10, 2013. Retrieved May 24, 2019.
  38. ↑ Broun, Ronald (2002). "Steven Blier's Song Smorgasbord". The Washington Post. Retrieved August 15, 2019.
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