Steven Suskin

Last updated

Steven Suskin is an American theater critic and historian of musical theater. [1] [2] He is a member emeritus of the New York Drama Critics' Circle. [3]

Bibliography

Related Research Articles

<i>Guys and Dolls</i> 1950 musical by Frank Loesser, Jo Swerling, and Abe Burrows

Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", which are two short stories by Damon Runyon, and also borrows characters and plot elements from other Runyon stories, such as "Pick the Winner".

<i>Louisiana Purchase</i> (musical) Musical

Louisiana Purchase is a musical with music and lyrics by Irving Berlin and book by Morrie Ryskind based on a story by B. G. DeSylva. Set in New Orleans, the musical lightly satirises Louisiana Governor Huey Long and his control over Louisiana politics. An honest U.S. senator travels to Louisiana to investigate corruption in the Louisiana Purchase Company; the company's lawyer attempts to divert him via the attentions of two beautiful women, but the senator maintains his integrity and ends up marrying one of them. In 1941 it was adapted for the film Louisiana Purchase directed by Irving Cummings.

<span class="mw-page-title-main">Charles Strouse</span> American composer and lyricist

Charles Strouse is an American composer and lyricist best known for writing the music to such Broadway musicals as Bye Bye Birdie, Applause, and Annie.

Hot Spot is a musical with the book by Jack Weinstock and Willie Gilbert, lyrics by Martin Charnin, music by Mary Rodgers, and additional lyrics and music by Stephen Sondheim. It had a brief run on Broadway in 1963. The musical is a political satire.

<span class="mw-page-title-main">Abe Burrows</span> American humorist (1910–1985)

Abe Burrows was an American humorist, author, and director for radio and the stage. He won a Tony Award and was selected for two Pulitzer Prizes, only one of which was awarded.

<i>The Golden Apple</i> (musical)

The Golden Apple is a musical adaptation of parts of the Iliad and Odyssey with music by Jerome Moross and lyrics by John Treville Latouche. The musical premiered Off-Broadway in 1954 and then transferred to Broadway.

<i>Bloomer Girl</i>

Bloomer Girl is a 1944 Broadway musical with music by Harold Arlen, lyrics by E.Y. Harburg, and a book by Sig Herzig and Fred Saidy, based on an unpublished play by writer Daniel Lewis James and his wife Lilith. The plot concerns independent Evelina Applegate, a hoop skirt manufacturer's daughter who defies her father by rejecting hoopskirts and embracing comfortable bloomers advocated by her aunt "Dolly" Bloomer, who was inspired by the women's rights advocate Amelia Bloomer. The American Civil War is looming, and abolitionist Evelina refuses to marry suitor Jeff Calhoun until he frees his slave, Pompey.

Platinum is a musical with a book by Will Holt and Bruce Vilanch, music by Gary William Friedman, and lyrics by Holt. Set in a Hollywood recording studio, it centers on Lila Halliday, a star of 1940s and 1950s movie musicals who is attempting a comeback. In the process, she falls for a young rock star named Dan Danger.

<span class="mw-page-title-main">Kurt Gänzl</span>

Kurt-Friedrich Gänzl is a New Zealand writer, historian and former casting director and singer best known for his books about musical theatre.

Lovely Ladies, Kind Gentlemen is a musical with a book by John Patrick and music and lyrics by Stan Freeman and Franklin Underwood.

<i>From A to Z</i> Musical revue

From A to Z is a musical revue with a book by Woody Allen, Herbert Farjeon, and Nina Warner Hook and songs by Jerry Herman, Fred Ebb, Mary Rodgers, Everett Sloane, Jay Thompson, Dickson Hughes, Jack Holmes, Paul Klein, Norman Martin, William Dyer, and Charles Zwar.

<i>Ankles Aweigh</i>

Ankles Aweigh is a musical with a book by Guy Bolton and Eddie Davis, lyrics by Dan Shapiro, and music by Sammy Fain. The plot involves Hollywood starlet Wynne, who secretly marries a Navy pilot while filming a movie in Sicily. She disguises herself as a sailor and stows away on his ship to grab a covert honeymoon. They get mixed up with an espionage ring.

<span class="mw-page-title-main">Herbert Reynolds (lyricist)</span>

Michael Elder Rourke, who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of The Girl from Utah, produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production.

Larry Grossman is an American composer for theatre, television, film, concerts, and cabaret.

A Teaspoon Every Four Hours is a comedy play written by Jackie Mason and Mike Mortman which was produced on Broadway in 1969. The play set a Broadway record by having 97 previews before its official opening. After its official opening, A Teaspoon Every Four Hours closed after only one performance.

Larry Blank is an American composer, arranger, orchestrator and conductor. He has worked in film, theatre and television, and has been nominated for a Tony Award three times.

Yvonne is a musical comedy with a book and lyrics by Percy Greenbank and music by Jean Gilbert and Vernon Duke. It was adapted by Greenbank from an Austrian musical of the same name. Some additional songs were written by the show's conductor, Arthur Wood. The story concerns an engaged young lady, Yvonne Savigny, the daughter of old professor who loves riotous gaiety. To avoid trouble, she impersonates an absent music hall star at the Scala Music Hall. A young man has fallen in love with Yvonne and disguises himself as a servant in her father's house. After various complications, Yvonne leaves her silly fiancé for the amorous suitor and all ends happily.

Memphis Bound is a 1945 American musical based on the Gilbert and Sullivan opera H.M.S. Pinafore. The score was adapted and augmented by Don Walker and Clay Warnick, with a libretto credited to Albert Barker and Sally Benson, "with gratitude to W. S. Gilbert and Sir Arthur Sullivan." The original production starred an all-black cast including Bill "Bojangles" Robinson, Avon Long, Billy Daniels, Ada Brown, and Sheila Guyse.

Blue Eyes is a musical composed by Jerome Kern, with a book and lyrics by Guy Bolton and Graham John. Orchestrations were by Robert Russell Bennett, and the original producer was Lee Ephraim. The musical was a historical comedy and romance set against the backdrop of Jacobite Charles Edward Stuart's attempts to restore the House of Stuart to the British throne. In the plot of Blue Eyes a London actress disguises herself as a soldier to help her brother who has been imprisoned by the Duke of Cumberland in the aftermath of the Battle of Culloden. It starred Evelyn Laye, and comic relief was provided by W. H. Berry, who "disguised himself as a silly Scotsman, a flea circus owner [and a] French dancing teacher".

<i>Red, White and Maddox</i> Musical based on the life of Lester Maddox

Red, White and Maddox is a satirical musical revue written by Jay Broad and Don Tucker. The play debuted in Atlanta in October 1968 and later had a 41-performance run on Broadway from January 26 to March 1, 1969. The play was conceived by Broad, who at the time was the director of the Theatre Atlanta theatrical company. Modeled as a fictional biography of Georgia Governor Lester Maddox, the play is split into two acts. The first act chronicles Maddox's foray into politics as a firebrand segregationist, culminating in him becoming governor of the state. The second act, set in the future, details Maddox becoming president of the United States.

References

  1. Robert Simonson (October 24, 2005), "Suskin and Company Explore "Second Act Trouble" in New Musical Disaster Compendium", Playbill
  2. Raymond Knapp; Mitchell Morris; Stacy Wolf, eds. (2011), "Audiences and critics (footnotes)", The Oxford Handbook of the American Musical, Oxford University Press, p. 377, ISBN   9780199874729
  3. Current membership, New York Drama Critics' Circle, 2013–2014, retrieved 2014-10-06