Stickney Memorial Art School | |
---|---|
Location | |
Pasadena, California, U.S. | |
Information | |
Other names | Stickney Art Institute, Stickney Memorial School of Art Stickney Memorial School of Fine Arts |
School type | Art school |
Established | c.1912 |
Closed | 1934 |
Stickney Memorial Art School, also known as Stickney Art Institute and Stickney Memorial School of Fine Arts, was an art school in operation between c.1912 until 1934 in Pasadena, California. [1] [2] The school was an early precursor to the Norton Simon Museum, founded in 1969.
Upon opening in c. 1912, the school was led by Jean Mannheim and Channel Pickering Townsley. [3] [2] In the early years of the school, Townsley served as director and Mannheim served as the sole instructor and the school offered summer classes with a costumed model posed in the open air and offered outdoor landscape painting in winter. [2] It also offered charcoal drawing, pen-and-ink drawing, and still life drawing, drawing students from all over the country. [4]
It was originally located at Stickney Hall, on the corner of Fair Oaks Avenue and Lincoln Avenue in Pasadena (now the 134 and 210 freeways), built and donated by Susan Homer Stickney in memory of her sister. [3] [5] In 1934 the original location was razed and the new location was at Carmelita Gardens and changed names to Pasadena Art Institute. [1]
In the 1930s, artist Lorser Feitelson taught at Stickney Memorial Art School, and it was at the school he met pupil Helen Lundeberg, they would later marry and work as artistic collaborators. [6] [7] Together in 1934, Feitelson and Lundeberg founded Subjective Classicism (or New Classicism), which later became known as Post Surrealism. Another one of Feitelson's students was painter Gerrie Gutmann. [8]
The Pasadena Art Institute changed its name to the Pasadena Art Museum in 1954, [1] and eventually became the Norton Simon Museum.
Post-surrealism is a movement that arose in Southern California in 1934 when Helen Lundeberg and Lorser Feitelson wrote a manifesto explaining their desire to use art to convey the relationship between the perceptual and the conceptual.
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Alson Skinner Clark was an American Impressionist painter best remembered for his landscapes. He was also a photographer, plein aire painter, art educator and muralist.
Dorr Hodgson Bothwell was an American artist, designer, educator, and world-traveler. A varied artist, Bothwell was considered a part of the Bay Area Surrealist artist scene and has paintings, drawings, collages, and prints in notable museums throughout the world. She was particularly known for her innovative use of serigraphy as a fine art form. Born in San Francisco, California, and later raised in San Diego, California, Bothwell knew from the age of 4 that she wanted to be an artist. As a teenager, she studied dance at the Ratliff School for Dancing. Her art career began at the California School of Fine Arts in 1921 under the tutelage of Gottardo Piazzoni and Rudolph Schaeffer. Bothwell was married to sculptor Donal Hord in 1932 but divorced shortly after likely due to her independence in traveling and difference of opinion on "domestic duties".
Elise Alyse Cavanna was an American film actress, stage comedian, dancer, and fine artist. She went by the following names: Elise Seeds, Alyse Seeds, Elise Armitage, Elise Cavanna, and Elise Welton.
Helen Lundeberg (1908–1999) was a Southern Californian painter. Along with her husband Lorser Feitelson, she is credited with establishing the Post-Surrealist movement. Her artistic style changed over the course of her career, and has been described variously as Post-Surrealism, Hard-edge painting and Subjective Classicism.
Lorser Feitelson (1898–1978) was an artist known as one of the founding fathers of Southern California-based hard-edge painting. Born in Savannah, Georgia, Feitelson was raised in New York City, where his family relocated shortly after his birth. His rise to prominence occurred after he moved to California in 1927.
Harry Carmean was an American painter known for his figurative paintings based on the work of the old masters. The ideas of the Renaissance, Baroque, Mannerist and Impressionist art can all be seen in his work to varying degrees. He is known for practicing a form of drawing known as "draughstmanship" in which specific art ideas are consistently applied throughout a drawing. He was an instructor at Art Center College of Design from 1952 through 1996 and has taught thousands of students.
Joan Wheeler Ankrum was an American film actress and founder of the Ankrum Gallery on La Cienega Boulevard in Los Angeles.
Meg Linton is an American curator of contemporary art and a writer. Her curatorial efforts have ranged from historical investigations such as "Doin’ It in Public: Feminism and Art at the Woman’s Building", "The Los Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, John McLaughlin", and "In the Land of Retinal Delights: The Juxtapoz Factor" to showcasing the work of single artists who are stylistically different such as "Alison Saar: STILL.. .", "Robert Williams: Through Prehensile Eye," and "Joan Tanner: On Tenderhook" to group exhibitions such as "Mexicali Biennial 2010," "Do It Now: Live Green!" and "Tapping the Third Realm."
Miriam Slater is an American artist who paints both objects and paintings. She studied painting at California State University, Fullerton. After graduating in 1975 she began exhibiting in Los Angeles in shows such as “Imagination” curated by Llyn Foulkes at LAICA. She developed a celebrity clientele including Jack Nicholson, Brooke Astor, Quincy Jones and Jeff Bridges. From 1980 to 1990 she studied figure drawing with Harry Carmean at Art Center College of Design in Pasadena and exhibited at the Tobey Moss Gallery in Los Angeles with Lorser Feitelson and Helen Lundeberg.
Suzanne Muchnic is an art writer who was a staff art reporter and art critic at the Los Angeles Times for 31 years. She has also written books on artists, collectors, and museums.
Grace Richardson Clements (1905–1969) was an American painter, mosaicist, and art critic. She was active as an artist in the 1920s, 1930s and early 1940s.
Elizabeth McCord was an American modernist painter whose colorful biomorphic and architectural abstractions influenced the hard-edge movement of the 1950s and were uniquely poised at the intersection of Southern California’s thriving mid-century art, design, and architecture scenes. Her work frequently appeared in shows at the Los Angeles County Museum of Art, the Long Beach Museum of Art, the Los Angeles Art Association, and the Art Center College of Design alongside works by Lorser Feitelson, Helen Lundeberg, Josef Albers, June Wayne, and Knud Merrild, among others.
Louis Stern Fine Arts is an art gallery located at 9002 Melrose Avenue in West Hollywood, California, in the heart of the city’s Avenue of Art and Design.
June Harwood was an American painter based in California who made a name for herself in the 1960s as an inventive artist of the hard-edge movement.
Gerrie J. Gutmann, also known as Gerrie Current, Gerrie von Pribosic, Gerrie Bollas (1921–1969) was an American post-surrealist painter from California. The imagery in her paintings was fantasy and often overlapped with autobiographical themes, expressing her struggles for an identity as a woman, an artist, and a mother.
Jean Mannheim was a German-born American artist and educator, known for his California Impressionist paintings. He was active in Decatur, Illinois, and Pasadena, California.
Channel "Chan" Pickering Townsley or C.P. Townsley (1867–1921) was an American painter, art administrator, and educator. The subject and genre of his California Impressionist paintings were landscapes, portraits and still lives. He served as a director of Otis Art Institute (1914–1921) and Stickney Memorial Art School (c.1912–1918).
Harold Lehman (1913–2006) was an American artist known for his murals for the Works Progress Administration (WPA).
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