Still Crazy | |
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Soundtrack album by Various artists | |
Released | 1998 |
Label | London Records 90 Ltd. |
Still Crazy is the soundtrack album from the 1998 music-comedy film, Still Crazy . The fictional band from the film perform some of their songs on the album.
Chris Difford of Squeeze fame won an Ivor Novello award for his lyrics.
The band "Strange Fruit" on this record consists of:
Squeeze are an English rock band that came to prominence in the United Kingdom during the new wave period of the late 1970s, and continued recording in the 1980s, 1990s and 2010s. In the UK, their singles "Cool for Cats", "Up the Junction", and "Labelled with Love" were top-ten chart hits. Though not as commercially successful in the United States, Squeeze had American hits with "Tempted", "Black Coffee in Bed", and "Hourglass", and were considered a part of the Second British Invasion.
The Concert for George was held at the Royal Albert Hall in London on 29 November 2002 as a memorial to George Harrison on the first anniversary of his death. The event was organised by Harrison's widow, Olivia, and his son, Dhani, and arranged under the musical direction of Eric Clapton. The profits from the event went to the Material World Charitable Foundation, an organisation founded by Harrison.
Play is a 1991 album by the British new wave group Squeeze. It is the band's ninth album, and their only released by Reprise Records. It is the first LP in the Squeeze discography to feature only four official members instead of five. Tony Berg produced the album. In the liner notes to the 1996 Squeeze compilation Excess Moderation, Glenn Tilbrook stated that he considers Play the beginning of Squeeze's "renaissance period." The album spent one week at number 41 in the UK Albums Chart in September 1991.
Still Crazy is a 1998 British comedy film directed by Brian Gibson. The plot concerns a fictional 1970s rock band named Strange Fruit, who, after being split up for two decades, are persuaded to get back together to perform at a reunion in the same concert venue where they played their last gig. The film focuses on the personal lives of the band members and those closest to them, and their individual experiences with approaching middle-age and the success that eluded them.
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Stephen Large is an English, London-based keyboard player, composer, arranger, and long-term member of UK band Squeeze.
Crocodile Shoes is an album by Jimmy Nail consisting of "original songs from the BBC Television serial" of the same name. It was released in 1994 by East West Records and peaked at number two on the UK Albums Chart. It was the Christmas number two album that year.
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10x10 is a posthumous solo album by Ronnie Montrose. Ronnie had been touring with bassist Ricky Phillips and Eric Singer (Kiss) in the early 2000s. Over three days in 2003 at Doug Messenger's studio in North Hollywood, the sessions produced 10 strong tracks of rhythm guitar, bass and drums with the intention to get a singer to for the vocals. Eventually Ronnie decided on the 10x10 concept, 10 tracks and 10 different singers. Early on, he was able to secure contributions from close friends and collaborators like Sammy Hagar, Edgar Winter and Davey Pattison. In the intervening years Ronnie battled prostate cancer and, at one point, hadn't touched a guitar for 2 years. Conflicts in scheduling led to the record remaining unfinished for years up until Montrose's passing in 2012. Along with completion of the vocals, the songs also needed lead guitar as well. Rickey Phillips, with the blessing of Ronnie's wife Leighsa and assistance of Eric Singer, picked up the reigns and completed the album. "After he passed, I had to carry on with what Ronnie wanted, because he was such a purist. The songs were cut to 2-inch tape and then transferred to digital, but I really needed it to be a cohesive record. I've done enough records to know how easily the levels of 10 different singers can sound disjointed if you don't stay on top of the production." As per Singer, "I have to give a lot of credit to Ricky Phillips. Ricky really wanted to see this thing through. It was more for Ronnie than just for himself, or for ourselves. We really believed what we had originally captured had a certain vibe and a certain magic to the people in that room when it was created. We felt like, 'Hey, this thing needs to get done. We need to see this thing through, for every good reason.'"
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