Stippling

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Capodimonte porcelain jar painted in the stipple style of Giovanni Caselli with three figures of Pulcinella from the commedia dell'arte, 1745-50 Jar MET DP168331 (cropped).jpg
Capodimonte porcelain jar painted in the stipple style of Giovanni Caselli with three figures of Pulcinella from the commedia dell'arte, 1745-50
graphics complex of a seashell with stipple shading modeled in Mathematica 13.1 Stipple Shading applied to seashell graphics complex in Mathematica.svg
graphics complex of a seashell with stipple shading modeled in Mathematica 13.1

Stippling is the creation of a pattern simulating varying degrees of solidity or shading by using small dots. Such a pattern may occur in nature and these effects are frequently emulated by artists.

Contents

Art

The Young Shepherd, engraving using stipple technique by Giulio Campagnola, around 1510 Giulio Campagnola shepherd.jpg
The Young Shepherd, engraving using stipple technique by Giulio Campagnola, around 1510

In printmaking, stipple engraving is a technique using flicks of the burin to build up the image in short lines or dots, often combined with conventional linear engraving. In engraved glass a similar stipple technique has often been popular.

In a drawing or painting, the dots are made of pigment of a single colour, applied with a pen or brush; the denser the dots, the darker the apparent shade—or lighter, if the pigment is lighter than the surface. This is similar to—but distinct from—pointillism, which uses dots of different colours to simulate blended colours. [1]

Botany

Artistic composition of musical elements using stippling technique Music MiguelEndara.gif
Artistic composition of musical elements using stippling technique

In description of flora species, a stippling is a kind of pattern, especially in the case of flowering plants, produced in nature that occur on flower petals and sepals. These are similar to the dot patterns in artworks that produce an often intricate pattern. An example can be seen on the base of the petal insides of Calochortus luteus , a lily endemic to California. [2]

Other uses

In forensic science, stippling refers to a pattern of gunshot residue burned into the skin that results from close proximity to a discharged firearm. [3]

In gunsmithing, stippling is used to engrave patterns on the firearms grip to provide a more solid grip by creating more friction. [4] This modification is done only on pistols with polymer frames since they have one piece frames and solid grips, while steel framed pistols usually have a hollow grip with textured grip scales to provide friction. If the user is willing to take the possibility of failing the procedure and getting permanent, unwanted results they can stipple their own pistols since the procedure only requires either a soldering iron or a small, handheld rotary tool with burr bits.

See also

Related Research Articles

<span class="mw-page-title-main">Engraving</span> Incising designs by cutting into a surface

Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking.

<span class="mw-page-title-main">Pointillism</span> Technique of painting with small, distinct dots

Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.

<span class="mw-page-title-main">CZ 75</span> Auto-loading pistol

The CZ 75 is a semi-automatic pistol made by Czech firearm manufacturer ČZUB. First introduced in 1975, it is one of the original "wonder nines" and features a staggered-column magazine, all-steel construction, and a hammer forged barrel. It is widely distributed throughout the world and is the most common handgun in the Czech Republic.

<span class="mw-page-title-main">Gunsmith</span> Person who repairs, modifies, designs, or builds firearms

A gunsmith is a person who repairs, modifies, designs, or builds guns. The occupation differs from an armorer, who usually replaces only worn parts in standard firearms. Gunsmiths do modifications and changes to a firearm that may require a very high level of craftsmanship, requiring the skills of a top-level machinist, a very skilled woodworker, and even an engineer. Gunsmiths perform factory-level repairs and renovations to restore a well-used or deteriorated firearms to new condition. They may make alterations to adapt sporting guns to better fit the individual shooter that may require extensive modifications to the firearm's stocks and metal parts. Repairs and redesigns may require fabrication and fitting of unavailable parts and assemblies constructed by smiths themselves. Gunsmiths may also renew metal finishes or apply decorative carvings or engravings to guns. Many gun shops offer gunsmithing service on the premises.

A gunstock or often simply stock, the back portion of which is also known as a shoulder stock, a buttstock or simply a butt, is a part of a long gun that provides structural support, to which the barrel, action, and firing mechanism are attached. The stock also provides a means for the shooter to firmly brace the gun and easily aim with stability by being held against the user's shoulder when shooting the gun, and helps to counter muzzle rise by transmitting recoil straight into the shooter's body.

<span class="mw-page-title-main">Transfer printing</span>

Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using the technique is known as transferware or transfer ware.

<span class="mw-page-title-main">Textile printing</span> Method for applying patterns to cloth using printing techniques

Textile printing is the process of applying color to fabric in definite patterns or designs. In properly printed fabrics the colour is bonded with the fibre, so as to resist washing and friction. Textile printing is related to dyeing but in dyeing properly the whole fabric is uniformly covered with one colour, whereas in printing one or more colours are applied to it in certain parts only, and in sharply defined patterns.

<span class="mw-page-title-main">Giulio Campagnola</span>

Giulio Campagnola was an Italian engraver and painter, whose few, rare, prints translated the rich Venetian Renaissance style of oil paintings of Giorgione and the early Titian into the medium of engraving; to further his exercises in gradations of tone, he also invented the stipple technique, where multitudes of tiny dots or dashes allow smooth graduations of tone in the essentially linear technique of engraving; variations on this discovery were to be of huge importance in future printmaking. He was the adoptive father of the artist Domenico Campagnola.

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<span class="mw-page-title-main">Ruger SR-Series</span> Semi-automatic pistol

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<span class="mw-page-title-main">Engraved glass</span> Type of decorated glass

Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin. It is a subgroup of glass art, which refers to all artistic glass, much of it made by "hot" techniques such as moulding and blowing melting glass, and with other "cold" techniques such as glass etching which uses acidic, caustic, or abrasive substances to achieve artistic effects, and cut glass, which is cut with an abrasive wheel, but more deeply than in engraved glass, where the engraving normally only cuts deeply enough into the surface to leave a mark. Usually the engraved surface is left "frosted" so a difference is visible, while in cut glass the cut surface is polished to restore transparency. Some pieces may combine two or more techniques.

<span class="mw-page-title-main">Chromoxylography</span>

Chromoxylography was a colour woodblock printing process, popular from the mid-19th to the early-20th century, commonly used to produce illustrations in children's books, serial pulp magazines, and cover art for yellow-back and penny dreadfuls. The art of relief engraving and chromoxylography was perfected by engravers and printers in the 19th century, most notably in Victorian London by engraver and printer Edmund Evans who was particularly good with the process, producing a wide range of hues and tones through color mixing. Chromoxylography was a complicated technique, requiring intricate engraving and printing for the best results. Less expensive products, such as covers for pulp magazines, had to be produced with few colours, often only two or three, whereas more intricate and expensive books and reproductions of paintings used as many as a dozen or more colors. For each colour used, a separate woodblock had to be carved of the image being reproduced.

<span class="mw-page-title-main">Safety (firearms)</span> Feature on firearms to prevent accidental discharge

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<span class="mw-page-title-main">FN FNX</span> Semi-automatic pistol

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<span class="mw-page-title-main">Stipple engraving</span>

Stipple engraving is a technique used to create tone in an intaglio print by distributing a pattern of dots of various sizes and densities across the image. The pattern is created on the printing plate either in engraving by gouging out the dots with a burin, or through an etching process. Stippling was used as an adjunct to conventional line engraving and etching for over two centuries, before being developed as a distinct technique in the mid-18th century.

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<i>Maria Sèthe at the Harmonium</i> Painting by Théo van Rysselberghe

Maria Sèthe at the Harmonium is an oil on canvas painting by the Belgian neo-impressionist painter Théo van Rysselberghe. The painting depicts a woman with blonde, worn-up hair and a purple dress staring dreamily into space, while smiling. The sitter was Maria Sèthe, who belonged to an affluent musical family with an interest in the arts. In the painting, she is depicted sitting at a harmonium, but she's not playing it.

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<span class="mw-page-title-main">Walther Model 8</span> Semi-automatic pistol

The Walther Model 8 was a 6.35mm single-action pocket pistol manufactured by Carl Walther CmbH between 1920 and 1940. It was fed by an 8-round magazine and chambered in .25 ACP. The Model 8 is a blowback pistol with a concealed hammer and has several design features that were innovative for Walther, including fewer parts and an easier disassembly.

References

  1. Ian Simpson (1987). The Encyclopedia of Drawing Techniques. London: Headline. pp. 62–64. ISBN   978-0-7472-0051-2.
  2. C. Michael Hogan. 2009. Gold Nuggets: Calochortus luteus, GlobalTwitcher.com, ed. N. Stromberg Archived 2011-10-04 at the Wayback Machine
  3. "Glossary of Forensic Terms". Alabama Department of Forensic Sciences. U.S. state government. Retrieved 18 August 2018.
  4. Eric Hung. "How to Stipple a Glock (And Not Ruin It)". Pew Pew Tactical. Pew Pew Tactical. Retrieved 22 August 2022.