Stomp Off Records | |
---|---|
Founded | 1980 |
Founder | Bob Erdos |
Genre | Jazz, ragtime |
Country of origin | U.S. |
Location | York, Pennsylvania |
Official website | www |
Stomp Off is an American jazz record company and label founded in 1980 by Bob Erdos in York, Pennsylvania. [1] [2] The label's first release was Feelin' Devilish by Waldo's Gutbucket Serenaders. [3]
It was described in 1986 as concentrating on "jazz in the styles of the 1920s or earlier, as played by contemporary musicians." [2] Up to then, the recordings were released on LP only. [2] The roster soon covered musicians from the US, Europe, and Japan. [3]
Erdos died on March 25, 2017. [4] By that time, the label had released more than 430 albums, 80 of which were available by digital download. [4]
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term 'jug band' is loosely used in referring to ensembles that also incorporate homemade instruments, but that are more accurately called skiffle bands, spasm bands, or juke bands because they do not include a jug player.
Johnny Dodds was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age."
Ray Bauduc was an American jazz drummer best known for his work with the Bob Crosby Orchestra and their band-within-a-band, the Bobcats, between 1935 and 1942. He is also known for his shared composition of "Big Noise from Winnetka," a jazz standard.
Dan Barrett is an American arranger, cornetist, and trombonist.
Melvin Edward Alton "Turk" Murphy was an American trombonist and bandleader, who played traditional and Dixieland jazz.
Keith Nichols was an English jazz multi-instrumentalist and arranger, a player of the piano, trombone, reeds, and accordion.
Lionel Charles Ferbos was an American jazz trumpeter. He was from New Orleans, Louisiana.
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The Washboard Rhythm Kings, also known as the Washboard Rhythm Boys (1932), Georgia Washboard Stompers (1934-1935), Alabama Washboard Stompers (1930-1932), Washboard Rhythm Band (1932-1933), and Chicago Hot Five were a loose aggregation of jazz performers who recorded as a group for various labels between about 1930 and 1935. Bruce Johnson played washboard.
Chris Tyle is dixieland jazz musician who performs on cornet, trumpet, clarinet and drums.
The soundtrack to the film Pretty Baby used many local New Orleans musicians playing in the jazz, ragtime, and blues style of the city in the early 20th century. An LP album of the soundtrack, also entitled Pretty Baby, was issued in 1978 on ABC Records. The film is named after the song "Pretty Baby" by Tony Jackson.
Peter Ecklund was an American jazz cornetist.
James Albert Cullum Jr., better known as Jim Cullum Jr., was an American jazz cornetist known for his contributions to Dixieland jazz. His father was Jim Cullum Sr., a clarinetist who led the Happy Jazz Band from 1962 to 1973. Jim Cullum Jr. led the Jim Cullum Jazz Band as its successor. His band mates included Evan Christopher, Allan Vaché, and John Sheridan.
William Henry Krell (1868–1933) composed one of the early mature rag or ragtime composition in 1897 called Mississippi Rag, published in New York by S. Brainard's Sons and copyrighted on January 27, 1897. The sheet music stated that it was the first rag-time two step ever written and was first played by Krell's Orchestra in Chicago although the structure is in the form of a patrol march. Many historians believe that "Mississippi Rag" was more so of a cake walk composition than a ragtime. The cover shows a group of all ages dancing to a banjo player before onlookers sitting on a pile of stacked cotton bales on a dock on the Mississippi River. Krell also composed the rag Shake Yo' Dusters! or Piccaninny Rag in 1898. "Mississippi Rag" was one of the compositions that help popularize the genre known as ragtime.
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band fostered awareness of this new style of music.
Terry Waldo is an American pianist, composer, and historian of early jazz, blues, and stride music, and is best known for his contribution to ragtime and his role in reviving interest in this form, starting in the 1970s. Says Wynton Marsalis in his introduction to Waldo's book: "He teaches Ragtime, he talks about Ragtime, he plays it, he embodies it, he lives it, and he keeps Ragtime alive." The book, This is Ragtime, published in 1976, grew out of the series of the same title that Waldo produced for NPR in 1974. Waldo is also a theatrical music director, producer, vocalist, and teacher. He is noted for his wit and humor in performance, as "a monologist in the dry, Middle Western tradition." Eubie Blake describes his first impression of Waldo's performance thus: "I died laughing...that's one of the hardest things to do—make people laugh. Terry's ability to do this, combined with his musicianship, actually reminds me of Fats Waller."
Tuba Skinny is a traditional jazz street band based in New Orleans, Louisiana. The band's instrumentation includes cornet, clarinet, trombone, tuba, tenor banjo, guitar, frottoir, and vocals. The ensemble draws its inspiration from the early jazz, ragtime, and blues music of the 1920s and 1930s. The group began as an itinerant busking band and has performed around the world, including at music festivals in Mexico, Sweden, Australia, Italy, France, Switzerland, and Spain.
James Brown Humphrey, also known as "Professor Jim" Humphrey (1859–1937) was an American classical musician, dance band leader, and music instructor in New Orleans, Louisiana, and central figure in the formation of jazz as a contemporary musical art form. Humphrey predates the jazz genre as an active performer and is not himself considered a jazz musician. However, his involvement in the formal training of large numbers of musicians along the southern plantation belt of the Mississippi River delta during the immediate years following the reconstruction era resulted in many virtuoso performers who would go on to originate jazz as a distinct musical genre. Consequently, he is regarded by some in the jazz aficionado community to be "the grandfather of jazz".
Tom Roberts is an American pianist, composer, and arranger, a specialist in the stride piano style, and a expert on early jazz piano and jazz recordings. Tom is a master of all early jazz piano styles including ragtime, boogie woogie, swing, New Orleans jazz, and Harlen Stride piano.