Ahuitzotl was the eighth Aztec ruler, the Huey Tlatoani of the city of Tenochtitlan, son of princess Atotoztli II. His name literally means "Water Thorny" and was also applied to the otter. It is also theorized that more likely, the animal called ahuitzotl is actually the water opossum, the hand symbolizing its prehensile tail, which otters notably lack.
A chacmool is a form of pre-Columbian Mesoamerican sculpture depicting a reclining figure with its head facing 90 degrees from the front, supporting itself on its elbows and supporting a bowl or a disk upon its stomach. These figures possibly symbolised slain warriors carrying offerings to the gods; the bowl upon the chest was used to hold sacrificial offerings, including pulque, tamales, tortillas, tobacco, turkeys, feathers, and incense. In Aztec examples, the receptacle is a cuauhxicalli. Chacmools were often associated with sacrificial stones or thrones. The chacmool form of sculpture first appeared around the 9th century AD in the Valley of Mexico and the northern Yucatán Peninsula.
The Aztecs were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico - particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (altepetl), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca, Texcoco, and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although, the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long been the topic of scholarly discussion ever since German scientist Alexander von Humboldt established its common usage in the early 19th century.
In Aztec religion, Coyolxāuhqui is a daughter of the priestess Cōātlīcue. She was the leader of her brothers, the Centzon Huitznahua. She led her brothers in an attack against their mother, Cōātlīcue, when they learned she was pregnant, convinced she dishonored them all. The attack is thwarted by Coyolxāuhqui's other brother, Huitzilopochtli, the national deity of the Mexicas.
Tlaltecuhtli is a pre-Columbian Mesoamerican deity worshipped primarily by the Mexica (Aztec) people. Sometimes referred to as the "earth monster," Tlaltecuhtli's dismembered body was the basis for the world in the Aztec creation story of the fifth and final cosmos. In carvings, Tlaltecuhtli is often depicted as an anthropomorphic being with splayed arms and legs. Considered the source of all living things, he had to be kept sated by human sacrifices which would ensure the continued order of the world.
In Aztec mythology, Xipe Totec or Xipetotec was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare and the seasons. The female equivalent of Xipe Totec was the goddess Xilonen-Chicomecoatl.
The Templo Mayor was the main temple of the Mexica people in their capital city of Tenochtitlan, which is now Mexico City. Its architectural style belongs to the late Postclassic period of Mesoamerica. The temple was called Huēyi Teōcalli[we:ˈi teoːˈkali] in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The Great Temple devoted to Huitzilopochtli and Tlaloc, measuring approximately 100 by 80 m at its base, dominated the Sacred Precinct. Construction of the first temple began sometime after 1325, and it was rebuilt six times. The temple was dismantled by the Spanish in 1521, and the Mexico City cathedral was built in its place.
The Aztec religion encompasses a complex range of practices and beliefs, being generally polytheistic while also embracing a certain tendency towards monistic pantheism. To some practitioners within the empire, the Nahua concept of teotl was represented most purely as the supreme dual god Ometeotl, while the empire's official religion also included a vast and diverse pantheon of gods with various attributes and tutelary associations. The popular religion tended to embrace the mythological and polytheistic aspects, even as the Aztec Empire's elite state religion sponsored both the monism of the upper classes and the popular heterodoxies.
The Aztecs were a Pre-Columbian Mesoamerican people of central Mexico in the 14th, 15th, and 16th centuries. They called themselves Mēxihcah.
The Stone of Motecuhzoma I is a pre-Columbian stone monolith dating back to the rule of Motecuhzoma I (1440-1469), the fifth Tlatoani (ruler) of Tenochtitlan. The monolith measures approximately 12 feet in diameter and 39 inches tall, and is also known as the Stone of Motecuhzoma Ilhuicamina, the Cuauhxicalli of Motecuhzoma Ilhuicamina, the Archbishop's Stone, the Ex-Arzobispado Stone, and the Sánchez-Nava Monolith. Historical sources refer to it simply as "temalacatl," literally meaning "round stone."
The Aztec or Nahuatl script is a pre-Columbian writing system that combines ideographic writing with Nahuatl specific phonetic logograms and syllabic signs which was used in central Mexico by the Nahua people.
The Coatlicue statue is one of the most famous surviving Aztec sculptures. It is a 2.52 metre (8.3 ft) tall andesite statue by an unidentified Mexica artist. Although there are many debates about what or who the statue represents, it is usually identified as the Aztec deity Coatlicue ("Snakes-Her-Skirt"). It is currently located in the National Museum of Anthropology in Mexico City. Originally displayed in the Mexica city of Tenochtitlan, the momentous statue was buried after the 1521 Spanish conquest of the city and excavated roughly 270 years later in 1790.
The Coyolxāuhqui Stone is a carved, circular Aztec stone, depicting the mythical being Coyolxāuhqui ("Bells-Her-Cheeks"), in a state of dismemberment and decapitation by her brother, the patron deity of the Aztecs, Huitzilopochtli. It was rediscovered in 1978 at the site of the Templo Mayor of Tenochtitlan, now in Mexico City. This relief is one of the best known Aztec monuments and one of the few great Aztec monuments that have been found fully in situ.
The Dedication Stone of the CGZ age is a carved Aztec plaque made of polished greenstone. The plaque was found in 1845 in the location of present-day Mexico City. This plaque was made in commemoration of the completion of the sixth stage the Temple of Huitizilopochtli at Tenochtitlan in 1487. The dedication of the refurbished Great Temple was the final ceremony in becoming the emperor. Tizoc ruled from 1481 until 1486, after his death his brother Ahuitzotl succeeded him and ruled from 1486 until 1502. Expanding the Great Temple of Tenochtitlan, dedicated to the gods Huitzilopochtli and Tlaloc, was the duty of each tlatoani. Tizoc began the expansion of the Great Temple and his brother Ahuitzotl finished the project. According to the Codex Mendoza this was an important time for the Aztec society, they became an imperial civilization, with Ahuitzotl conquering 45 new towns. The ceremony of the re-dedication of the Temple involved so many sacrifices that the ceremony lasted for four days. Where this panel was located originally is unknown. Other panels similar to this one were usually placed into the architecture like stairways and pyramid platforms. Very similar stones have been found at the Great Temple of Tenochtitlan also known as the Templo Mayor and it is believed that this plaque might have been a part of those.
In Mesoamerican culture, Tonatiuh is an Aztec sun deity of the daytime sky who rules the cardinal direction of east. According to Aztec Mythology, Tonatiuh was known as "The Fifth Sun" and was given a calendar name of naui olin, which means "4 Movement". Represented as a fierce and warlike god, he is first seen in Early Postclassic art of the Pre-Columbian civilization known as the Toltec. Tonatiuh's symbolic association with the eagle alludes to the Aztec belief of his journey as the present sun, travelling across the sky each day, where he descended in the west and ascended in the east. It was thought that his journey was sustained by the daily sacrifice of humans. His Nahuatl name can also be translated to "He Who Goes Forth Shining" or "He Who Makes The Day." Tonatiuh was thought to be the central deity on the Aztec calendar stone but is no longer identified as such. In Toltec culture, Tonatiuh is often associated with Quetzalcoatl in his manifestation as the morning star aspect of the planet Venus.
The Teocalli of the Sacred War is the name given by archaeologist Alfonso Caso to a monolithic pre-Columbian miniature of an Aztec temple, thought by some to have served as a throne for Motecuhzoma II.
A macuahuitl is a weapon, a wooden club with several embedded obsidian blades. The name is derived from the Nahuatl language and means "hand-wood". Its sides are embedded with prismatic blades traditionally made from obsidian. Obsidian is capable of producing an edge sharper than high quality steel razor blades. The macuahuitl was a standard close combat weapon.
The Atlantean figures are four anthropomorphic statues belonging to the Toltec culture in pre-Columbian Mesoamerica. These figures are "massive statues of Toltec warriors". They take their post-Columbian name from the European tradition of similar Atlas or Atalante figures in classical architecture.
A temalacatl was a gladiatorial platform believed to have been used by the different civilizations of Mesoamerica, consisting of a large stone disc with a handle in the center where the prisoner was tied for further gladiatorial combat.
