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Drum and bass is a genre of electronic music characterized by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the early 1990s.
Marlon Williams, better known by his stage name Marley Marl, is an American DJ, record producer, rapper and record label founder, primarily operating in hip hop music. Marlon grew up in Queensbridge housing projects located in Queens, New York. He performed in local talent shows during the early days of rap music, further fueling his interest.
Breakbeat is a broad type of electronic music that tends to utilize drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Miami bass is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds and Overtown".
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system for live events and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
Australian hip hop traces its origins to the early 1980s and is largely inspired by hip hop and other urban musical genres from the United States. As the form matured, Australian hip hop has become a commercially viable style of music that is no longer restricted to the creative underground, with artists such as The Kid LAROI, Manu Crooks, ONEFOUR, Iggy Azalea, Hilltop Hoods, Bliss n Eso and Youngn Lipz, having achieved notable fame. Australian hip-hop is still primarily released through independent record labels, which are often owned and operated by the artists themselves. Despite its genesis as an offshoot of American hip hop, Australian hip hop has developed a distinct personality that reflects its evolution as an Australian musical style.
NRJ is a private French radio station created by Jean-Paul Baudecroux and Max Guazzini in June 1981, and was widely popularized thanks to its godmother singer Dalida, who prevented it from closing in 1984. Today radio belongs to the NRJ Group and is the founding station of NRJ International.
KAOS is a hybrid college-community radio station licensed to The Evergreen State College in Olympia, Washington. It broadcasts at a power of 1,250 watts and also streams via the Internet. The station offers radio broadcasting training to students of The Evergreen State College as well as members of the local community.
KRBE, is a commercial FM radio station in Houston, Texas. It is owned by Cumulus Media and broadcasts an Adult Top 40 radio format. The studios are located in Suite 700 of the Chase Building at 9801 Westheimer Road in the Westchase District in western Houston.
Baltimore club, also called Bmore club, Bmore house or simply Bmore, is a fusion of breakbeat and house genres. It is often referred to as a blend of hip hop and chopped, staccato house music. It was created in Baltimore, Maryland, United States in the early 1990s by 2 Live Crew's Luther Campbell, Frank Ski, Miss Tony, Scottie B. and DJ Spen.
David Alistair Pearce is an English dance DJ, record producer, EDM producer and broadcaster, who has performed across the United Kingdom and the world. He previously presented Dance Anthems on BBC Radio 1 for ten years. He is renowned for playing a key role both as a performer and behind the scenes in the development of English dance and club culture.
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
Storm the Studio is the debut album by English electronic music group Meat Beat Manifesto, released on 20 February 1989 by Sweatbox Records in the United Kingdom and later that year by Wax Trax! in the United States. Recorded in three recording studios, the album contains four compositions, each split into separate parts, that mostly originated as twelve-inch singles the band released in 1988. The record's inventive musical style features elements of industrial music, electro, dub, noise rock and hip hop music, and incorporates breakbeats, noise and sporadic rap vocals. The group also incorporated heavy usage of sampling in a fashion they compared to pop art. Television was a further influence on the record, and numerous items of television dialogue appear throughout Storm the Studio as samples.
Live from the Ivy was a radio program that aired on Triple M Melbourne during the early 1990s. The program was hosted live from the Ivy Club in Melbourne and aired on Saturday nights between 10pm - 1am.
"Rebel Without a Pause" is a song by hip hop group Public Enemy and the first single from their 1988 album, It Takes a Nation of Millions to Hold Us Back. The title is a reference to the 1955 film Rebel Without a Cause.
In music, sampling is the reuse of a portion of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware (samplers) or software such as digital audio workstations.
Hip hop music or hip-hop music, also known as rap music, is a genre of popular music developed in the United States by inner-city African Americans. Puerto Ricans and Jamaicans also played a central role in the development of hip hop culture in the Bronx borough of New York City in the 1970s. It consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, break dancing, and graffiti writing. Other elements include sampling beats or bass lines from records, and rhythmic beatboxing. While often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of hip hop culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
DJing is the act of playing existing recorded music for a live audience.
References
- ↑ "Hamilton, N", Smash Hits magazine, "The rhythm of the Night – Sydney Versus Melbourne Dance Off!", 8 August 1990
- ↑ "Gilbert, T", Inpress weekly music newspaper, Published by "StreetPress Australia", "They Call it Aciiied – Dance and hip hop on radio", 16 September 1990