Strange Shadows in an Empty Room

Last updated
Strange Shadows in an Empty Room
Strange Shadows in an Empty Room.jpg
Directed by Alberto De Martino
Screenplay by
Story by
  • Vincenzo Mannino
  • Gianfranco Clerici [1]
Produced by Edmondo Amati [1]
Starring
Cinematography Aristide Massaccesi [1]
Edited byVincenzo Tomassi [1]
Music by Armando Trovajoli [1]
Production
companies
  • Security Investment Trust
  • Fida Cinematografica [1]
Distributed byFida
Release date
  • March 9, 1976 (1976-03-09)(Italy)
Running time
99 minutes [1]
Countries
  • Italy
  • Panama [1]

Strange Shadows in an Empty Room (Italian : Una magnum special per Tony Saitta) is a 1976 film starring Stuart Whitman as a tough Dirty Harry type who sets out to discover his sister's killer. [1]

Contents

Plot

A tough cop learns that his sister was poisoned, and puts the alleged murderer in jail. Later he begins to doubt the suspect was the guilty party, and sets out to discover the real killer.

Cast

Production

Strange Shadows in an Empty Room was shot in Ottawa, Ontario and Montreal, Quebec in Canada. [1] Director Alberto de Martino stated that Stuart Whitman agreed to do the film to have work outside of Hollywood. [2] For the car chase in the film, de Martino did not use storyboards, stating he can't draw and was more influenced by his love of jazz music, starting in the background and improvising as he went along. [2]

Style

Roberto Curti describes the film as "essentially a whodunnit of sorts, with the inclusion of the odd [Dario] Argento-like detail". He also notes that film has "very little to do with Italian poliziotteschi of the period". [3]

Release

Strange Shadows in an Empty Room was released in Italy on March 9, 1976, where it was distributed by Fida. [1] The film has been released with different titles in other English-speaking countries such as Blazing Magnum in the United Kingdom. [1] Director De Martino stated that the film was based on an old story he had, titled D come Delitto (M for Murder) which he re-arranged slightly. [3] After finishing it, a producer for the film sent a telegram to De Martino, which he claims it stated that "It's got nothing to envy in any American film." [3]

Reception

In a retrospective review, AllMovie stated that the film has "plenty of slick visuals and action but makes little sense: The script is a chaotic jumble of half-baked mystery" and that it is "never convincing or believable for a second and is further hurt by a lack of sympathetic characters". The review concluded that Strange Shadows in an Empty Room can only be recommended to hardcore Eurotrash buffs." [4]

Related Research Articles

George Eastman (actor) Italian B-movie actor and screenwriter

George Eastman is an Italian actor and screenwriter well known for his frequent collaborations with notorious director Joe D'Amato. He is most famous for his role as the insane, cannibalistic serial killer Klaus Wortmann in the gory 1980 horror film Antropophagus. He also played a similar role in its 1981 follow-up, Absurd. Both films were directed by D'Amato and written by Eastman.

Sergio Martino is an Italian film director and producer, notable for his contributions to the giallo genre.

Umberto Lenzi Italian director and writer (1931–2017)

Umberto Lenzi was an Italian film director, screenwriter, and novelist.

<i>The Pumaman</i> 1980 film

The Pumaman is a 1980 Italian superhero film co-written and directed by Alberto De Martino, starring Walter George Alton as the title character and Donald Pleasence as the villain. It was featured in a 1998 episode of Mystery Science Theater 3000.

Fernando Di Leo Italian film director

Fernando Di Leo was an Italian film director and script writer. He made 17 films as a director and about 50 scripts from 1964 to 1985.

<i>The Tough Ones</i> (1976 film) 1976 Italian film

The Tough Ones is a 1976 Italian poliziottesco film directed by Umberto Lenzi.

Luigi Cozzi Italian film director and screenwriter

Luigi Cozzi is an Italian film director and screenwriter. At a young age, Cozzi became a fan of science fiction and began his career as an overseas correspondent for Western film magazines. After directing his first film The Tunnel Under the World, Cozzi befriended director Dario Argento and began working with him in film and television as well as directing his own features including Hercules as well as continuing work with Argento. In the 2010s, he returned to directing with the film Blood on Méliès' Moon.

Mario Caiano was an Italian film director, screenwriter, producer, art director and second unit director.

Alberto De Martino was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in wellcrafted knock-offs of Hollywood hit films. These films were specifically created films in Western, horror and mythology genres which were developed for the international market. The Telegraph stated that his best known of these film was probably The Antichrist. The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.

Marino Girolami was an Italian film director and actor.

<i>Roma come Chicago</i> 1968 film

Roma come Chicago is a 1968 Italian crime film directed by Alberto De Martino. It stars John Cassavetes.

Massimo Dallamano, sometimes credited as Max Dillman, Max Dillmann or Jack Dalmas, was an Italian director and director of photography.

Umberto Lenzi filmography

Umberto Lenzi was an Italian film director whose filmography encompassed a ranges of genres across a prolific career. Born in Massa Marittima, Tuscany, Lenzi studied law before enrolling at the Centro Sperimentale di Cinematografia in Rome. As part of his studies, he wrote and directed the short film Ragazzi di Trastevere, based on Pier Paolo Pasolini's novel Ragazzi di vita. During this time, he worked as a film critic for the Centro's journal Bianco e Nero, and was an avid follower of both European and American films, favouring the work of directors John Ford, Raoul Walsh, and Michael Curtiz.

<i>The Suspicious Death of a Minor</i> 1975 film

The Suspicious Death of a Minor, aka Too Young to Die, is an 1975 Italian giallo film directed by Sergio Martino.

<i>Counselor at Crime</i> 1973 film

Counselor at Crime is an Italian-Spanish crime film directed by Alberto De Martino.

<i>The Blancheville Monster</i> 1963 film

The Blancheville Monster, released in the UK and Italy as Horror, is a 1963 horror film directed by Alberto de Martino. The film's script by Gianni Grimaldi and Bruno Corbucci is promoted as being based on the works of Edgar Allan Poe, but actually only borrows elements from the short stories "The Fall of the House of Usher", "A Tale of the Ragged Mountains" and "Some Words with a Mummy". Long after its release, director Alberto de Martino described his film as "a little film of no importance".

<i>The Murder Clinic</i> 1966 film

The Murder Clinic is a 1966 horror giallo film directed by Lionello De Felice and Elio Scardamaglia. It was produced by Elio Scardamaglia, Francesco Scardamaglia and Luciano Martino;. The screenplay was written by Martino and Ernesto Gastaldi from their own story. It stars William Berger, Françoise Prévost, Harriet White Medin, Mary Young and Barbara Wilson.

<i>Something Creeping in The Dark</i> 1971 Italian film

Something Creeping in The Dark is a 1971 Italian horror film directed by Mario Colucci and starring Farley Granger and Lucia Bosè.

<i>Crime Boss</i> (film) 1972 film

Crime Boss is a 1972 Italian crime film directed by Alberto De Martino.

Fabio Diotallevi is an Italian film producer and production manager.

References

Footnotes

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 Curti 2013, p. 196.
  2. 1 2 Ercolani 2019, p. 104.
  3. 1 2 3 Curti 2013, p. 197.
  4. Guarisco, Donald. "Blazing Magnum (1976)". AllMovie . Retrieved October 11, 2016.

Sources

  • Curti, Roberto (2013). Italian Crime Filmography, 1968-1980. McFarland. ISBN   978-0786469765.
  • Ercolani, Eugenio (2019). Darkening the Italian Screen: Interviews with Genre and Exploitation Directors Who Debuted in the 1950s and 1960s. McFarland. ISBN   978-1476667386.