Richard Bernard Murdoch was an English actor and entertainer.
O.K. Connery, released in America as Operation Kid Brother, is a 1967 Italian Eurospy comedy film shot in Technicolor and Techniscope and directed by Alberto De Martino. The Spy-Fi plot involves the brother of the British spy James Bond, played by Neil Connery, who is obliged to take the lead in foiling a world-domination plot. The film's cast included several actors from the Eon-produced James Bond film series: From Russia with Love's Daniela Bianchi, Thunderball's Adolfo Celi, Dr. No's Anthony Dawson, Bernard Lee (M), and Lois Maxwell (Moneypenny), as well as the producer's wife Agata Flori, Gina Lollobrigida's cousin Guido Lollobrigida, and Yasuko Yama.
Carry On Sergeant is a 1958 British comedy film about National Service starring William Hartnell, Bob Monkhouse and Eric Barker; it is the first in the series of Carry On films, with 31 entries released from 1958 to 1992. The film was based on a play The Bull Boys by R. F. Delderfield and was adapted into a script by Norman Hudis with John Antrobus contributing additional material and replacing the conscripted ballet dancers of the novel into a married couple. It was directed by Gerald Thomas and produced by Peter Rogers, a partnership which would last until 1978. Actors in this film, who went on to be part of the regular team in the series, were Kenneth Williams, Charles Hawtrey, Hattie Jacques, Kenneth Connor and Terry Scott. The film was followed by Carry On Nurse 1959.
Carry On Teacher is a 1959 British comedy film, the third in the series of 31 Carry On films (1958–1992). It was released at the Plaza Cinema in London on 3 September 1959. It features Ted Ray in his only Carry On role, alongside series regulars; Kenneth Connor, Charles Hawtrey, Kenneth Williams and Hattie Jacques. Leslie Phillips and Joan Sims make their second appearances in the series here, having made their debuts in the previous entry, Carry On Nurse. A young Richard O'Sullivan and Larry Dann – making the first of his four Carry on appearances – turn up as pupils. In 2023, Dann dedicated a chapter of his autobiography "Oh, What A Lovely Memoir" to share his memories of this production. The film was followed by Carry On Constable 1960.
Groupie Girl is a 1970 British drama film directed by Derek Ford and starring Esme Johns, Donald Sumpter and the band Opal Butterfly. The film was written by Ford and former groupie Suzanne Mercer. The film was released in America in December 1970 by American International Pictures as I am a Groupie and in France in 1973, with additional sex scenes, as Les demi-sels de la perversion. It was later re-released in France in 1974 as Les affamées du mâle this time with hardcore inserts credited to "Derek Fred".
Adventures of a Private Eye is a 1977 British sex comedy film directed by Stanley Long and starring Christopher Neil, Suzy Kendall, Harry H. Corbett and Liz Fraser. It followed Adventures of a Taxi Driver (1976), and was followed by Adventures of a Plumber's Mate (1977).
The Ringer is a 1952 British mystery film directed by Guy Hamilton and starring Herbert Lom, Donald Wolfit, Mai Zetterling, Greta Gynt, William Hartnell, and Denholm Elliott. It was Hamilton's directorial debut and the third English-language sound version of Edgar Wallace's 1929 play, which in of itself was based on his 1925 novel The Gaunt Stranger. The previous adaptations had come in 1928 (silent), 1931, 1932 (Germany-Austria), and 1938.
Fun and Games is a 1971 British sexploitation film directed by Ray Austin and starring Alexandra Hay, Sandor Elès, Harry Baird and Neil Hallett. An oversexed teenage girl causes havoc among the inmates of a British prison governed by her father.
The Terror is a 1938 British crime film directed by Richard Bird and starring Wilfrid Lawson, Linden Travers and Bernard Lee. It was based on the 1927 play The Terror by Edgar Wallace. The play had previously been adapted as the American film The Terror(1928).
William Kendall was a British film, stage and television actor. He appeared in the West End in several musicals starring Jack Buchanan including Mr. Whittington, Castle in the Air and This'll Make You Whistle. He starred in the 1953 play Four Winds by Alex Atkinson.
Model for Murder is a 1959 British second feature crime film directed by Terry Bishop and starring Keith Andes, Hazel Court and Jean Aubrey.
The Price of Silence is a 1960 British crime film directed by Montgomery Tully, and starring Gordon Jackson and June Thorburn, with Mary Clare, Maya Koumani and Terence Alexander in supporting roles. An ex-convict is blackmailed and suspected of murder.
Top Floor Girl is a 1959 British drama film directed by Max Varnel and starring Kay Callard, Neil Hallett and Robert Raikes. The screenplay was by Brian Clemens and Eldon Howard.
Keep It Clean is a 1956 British black-and-white comedy film directed by David Paltenghi and starring Ronald Shiner and Joan Sims.
Three Steps to the Gallows is a 1953 British second feature crime film directed by John Gilling and starring Scott Brady, Mary Castle and Gabrielle Brune. It was released in the USA by Lippert Pictures as White Fire.
Kill Her Gently is a 1957 British second feature thriller film directed by Charles Saunders and starring Griffith Jones, Maureen Connell and Marc Lawrence.
No Time to Die is a 1958 British war film directed by Terence Young and starring Victor Mature, Leo Genn, Anthony Newley and Bonar Colleano. It is about an American sergeant in the British Army during the Second World War.
13 Fighting Men is a 1960 American drama film directed by Harry W. Gerstad and written by Robert Hamner and Jack W. Thomas. The film stars Grant Williams, Brad Dexter, Carole Mathews, Robert Dix, Richard Garland and Richard Crane.
Can You Keep It Up For A Week? is a 1974 British sex comedy film directed by Jim Atkinson and starring Jeremy Bulloch, Sue Longhurst, Neil Hallett, Richard O'Sullivan and Valerie Leon.
Ritual in Transfigured Time is a 1946 American experimental silent short film directed by Maya Deren. Like Deren's previous work, A Study in Choreography for Camera (1945), she explores the use of dance on film through the lens of commentary of societal norms, metamorphosis, and anthropomorphism. The film is notable for its disjointed storytelling and use of slow motion, freeze framing, and unique blend of stage dance and film.
