| Strictly Instrumental | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1967 | |||
| Recorded | December 12, 1966 | |||
| Genre | Folk, bluegrass | |||
| Length | 23:43 | |||
| Label | Columbia | |||
| Producer | Don Law, Frank Jones | |||
| Doc Watson chronology | ||||
| ||||
Strictly Instrumental is the title of a recording by American folk music artists Doc Watson, Lester Flatt and Earl Scruggs, released in 1967.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Writing for Allmusic, music critic Thom Owen wrote the album "Flatt & Scruggs and Watson play with a startling fluidity — these instrumentals are so rich and skillful that vocals would have been superfluous. For lovers of instrumental bluegrass, this album is a must-hear." [1]
Earl Eugene Scruggs was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument across several genres of music.
"Foggy Mountain Breakdown" is a bluegrass instrumental, in the common "breakdown" format, written by Earl Scruggs and first recorded on December 11, 1949, by the bluegrass artists Flatt & Scruggs and the Foggy Mountain Boys. It is a standard in the bluegrass repertoire. The 1949 recording features Scruggs playing a five-string banjo.
Flatt and Scruggs were an American bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre.
Josh Graves, born Burkett Howard Graves, was an American bluegrass musician. Also known by the nicknames "Buck," and "Uncle Josh," he is credited with introducing the resonator guitar into bluegrass music shortly after joining Lester Flatt, Earl Scruggs and the Foggy Mountain Boys in 1955. He was inducted into the International Bluegrass Music Hall of Honor in 1997.
Gerald Calvin "Jerry" Douglas is an American Dobro and lap steel guitar player and record producer. He is widely regarded as "perhaps the finest Dobro player in contemporary acoustic music, and certainly the most celebrated and prolific." A fourteen-time Grammy winner, he has been called “dobro’s matchless contemporary master,” by The New York Times, and is among the most innovative recording artists in music, both as a solo artist and member of numerous bands, such as Alison Krauss and Union Station and The Earls of Leicester. He has been a co-director of the Transatlantic Sessions since 1998.
The Great Dobro Sessions is a 1994 country music and bluegrass album featuring an all-star line-up of 10 American resonator guitar players, produced by dobro players Jerry Douglas and Tut Taylor.
Southbound is the second studio album by American folk music artist Doc Watson, released in 1966.
Legacy is the title of a recording by American folk music and country blues artist Doc Watson and David Holt, released in 2002.
Riding the Midnight Train is the title of a recording by American folk music artists Doc Watson and Merle Watson, released in 1986. It is the last album Merle Watson recorded before he was killed in a tractor accident.
Here Today is a bluegrass album by five American musicians David Grisman, Emory Gordy Jr., Herb Pedersen, Jim Buchanan and Vince Gill, released in 1983 on Rounder Records. This was the only album this group recorded and each continued separate careers in bluegrass, newgrass, and country music.
Bluegrass Album, Vol. 2 is a follow-up album by bluegrass supergroup, Bluegrass Album Band, released in 1982. As all the members already had their own duties in their groups, they originally intended to release only one album and disband. However, they continued with this volume plus four more and set the standards of the bluegrass music on a very high level.
Bluegrass Album, Vol. 3 — California Connection is a third album by bluegrass supergroup, Bluegrass Album Band, released in 1983. Dobroist Jerry Douglas is added to the line-up and the band includes some more country-rock to the mix, but the most part of the album consists of classics by Bill Monroe, Lester Flatt and Earl Scruggs.
Bluegrass Album, Vol. 4 is a fourth album by bluegrass supergroup, Bluegrass Album Band, released in 1984.
Bluegrass Album, Vol. 5 - —Sweet Sunny South is a fifth album by bluegrass supergroup, Bluegrass Album Band, released in 1989. Violinist Vassar Clements is on this album replacing Bobby Hicks, and bass duties are taken over by Mark Schatz (instead of Todd Philips, who otherwise plays on all Bluegrass Album Band albums.
Busy Bee Cafe is the second solo album of American country singer Marty Stuart. Unlike his debut solo album, this project contains original material by Stuart, including the title track, 'Boogie For Clarence' and 'Long Train Gone'.
Nashville Airplane is the 27th album by Lester Flatt and Earl Scruggs released in 1968 on the Columbia Limited Edition label. It was recorded shortly before their breakup in 1969. Lester Flatt resisted the change in direction to a point that led to the breakup.
Foggy Mountain Jamboree is an album by Flatt & Scruggs, released by Columbia Records in 1957.
The Fabulous Sound of Lester Flatt & Earl Scruggs is a studio album by bluegrass artists Flatt and Scruggs. It was released in 1964 by Columbia Records.
Flatt and Scruggs at Carnegie Hall! is a live album by bluegrass artists Flatt and Scruggs. It was recorded on December 8, 1962, at the first bluegrass concert ever performed at Carnegie Hall. It was released in 1963 by Columbia Records.
Strictly Instrumental may refer to:
