String Quintet No. 2 (Mozart)

Last updated

The String Quintet No. 2 in C minor, K. 406/516b, was written by Wolfgang Amadeus Mozart in 1787. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola (two violins, two violas and cello). [1] Unlike his other string quintets, however, the work was not originally written for strings. Having completed the two string quintets K. 515 and K. 516, Mozart created a third by arranging his Serenade No. 12 for Winds in C minor K. 388/384a, written in 1782 or 1783 as a string quintet. Although by then Mozart was entering each new work into his catalogue of compositions, he did not enter this quintet, perhaps because it was an arrangement rather than a new work. [2]

Contents

Since the wind serenade used pairs of oboes and clarinets, it was a straightforward matter to map these to the pairs of violins and violas. The arrangement is so successful that Richard Wigmore asserts, in his sleeve notes to the recording by the Nash Ensemble that "without prior knowledge few would guess that the work was not conceived for string quintet, even if the textures (except in the minuet) are generally simpler, less polyphonic than in K515 and 516". [3]

Movements

The opening of the Minuetto, with the cello entering in canon with the first violin Menuetto canone.png
The opening of the Minuetto, with the cello entering in canon with the first violin
The first eight bars of the trio, showing the pairs of instruments answering in mirror canon String Quintet No. 2 (Mozart) Trio bars 1-8.png
The first eight bars of the trio, showing the pairs of instruments answering in mirror canon

The work is in standard four movement form:

Mozart contrasts the stark opening theme with a lyrical second subject in the relative major – E flat. However, in the recapitulation the second subject returns in C minor, rather than C major, allowing the whole movement to conclude uncompromisingly in C minor.

The lyrical slow movement is unremarkable structurally. However, throughout the work Mozart made small adjustments to the musical material of the original wind serenade when rewriting the music for strings, one of which can be heard in the second subject of this movement. In the string quintet version, he inserts a chromatic note into the descending scale motif, and adjusts the rhythm to accommodate it.

The Menuetto is a canon in which the violin enters first, with the cello following at an interval of one bar.

The trio, in the major, is a double Mirror canon, in which the second viola is silent. In it, each answering voice plays the previous musical material upside-down.

The last movement is a set of variations which, Wigmore [3] points out, often treats the theme quite freely. The fifth variation, begun softly by violas (horns in the original wind version) is on a larger scale and is in the relative major key of C minor, E flat major. The seventh variation explores the theme with chromatic harmonies. It is only with the final variation that the work finally turns to C major.

Related Research Articles

<span class="mw-page-title-main">String quintet</span>

A string quintet is a musical composition for five string players. As an extension to the string quartet, a string quintet includes a fifth string instrument, usually a second viola or a second cello, or occasionally a double bass.

<i>Eine kleine Nachtmusik</i> Composition for a chamber ensemble by Wolfgang Amadeus Mozart

Eine kleine Nachtmusik, K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart (1756–1791). The German title means "a little night music". The work is written for an ensemble of two violins, viola, cello and double bass, but is often performed by string orchestras. The serenade is one of Mozart's most famous works.

<span class="mw-page-title-main">Symphony No. 35 (Mozart)</span> Musical work in 4 movements composed by Wolfgang Amadeus Mozart

Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.

The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.

<span class="mw-page-title-main">Clarinet Quintet (Mozart)</span> Musical composition by Mozart

Wolfgang Amadeus Mozart's Clarinet Quintet, K. 581, was written in 1789 for the clarinetist Anton Stadler. A clarinet quintet is a work for one clarinet and a string quartet. Although originally written for basset clarinet, in contemporary performances it is usually played on a clarinet in A. It was Mozart's only completed clarinet quintet, and is one of the earliest and best-known works written especially for the instrument. It remains to this day one of the most admired of the composer's works. The quintet is sometimes referred to as the Stadler Quintet; Mozart so described it in a letter of April 1790. Mozart also wrote a trio for clarinet, viola and piano for Stadler, the so-called Kegelstatt Trio, in 1786.

<i>Kegelstatt Trio</i> Piano trio by Wolfgang Amadeus Mozart

The Kegelstatt Trio, K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart.

The Divertimento in E♭ major, K. 563, is a string trio, written by Wolfgang Amadeus Mozart in 1788, the year in which he completed his last three symphonies and his "Coronation" Piano Concerto. It is his last divertimento and different from his other divertimenti not only in its instrumentation but also in its compositorial ambition and scope.

<span class="mw-page-title-main">String Quartet No. 19 (Mozart)</span>

The String Quartet No. 19 in C Major, K. 465 by Wolfgang Amadeus Mozart, nicknamed "Dissonance" on account of its unusual slow introduction, is perhaps the most famous of his quartets. It is the last in the set of six quartets composed between 1782 and 1785 that he dedicated to Joseph Haydn.

The String Quintet No. 4 in G minor, K. 516, written by Wolfgang Amadeus Mozart, is like all of Mozart's string quintets a "viola quintet" in that it is scored for string quartet and an extra viola . The mood of the piece is dark and melancholic, typical of Mozart's G minor works.

The String Quintet No. 3 in C major, K. 515 was written by Wolfgang Amadeus Mozart. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola.

<span class="mw-page-title-main">Serenade No. 10 (Mozart)</span> Serenade for winds by Wolfgang Amadeus Mozart

The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.

The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.

The String Quintet No. 5 in D major, K. 593 was written by Wolfgang Amadeus Mozart in 1790. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola.

The String Quintet No. 6 in E-flat major, K. 614, was completed by Wolfgang Amadeus Mozart on April 12, 1791. It is Mozart's last major chamber work. Like all of Mozart's string quintets, it is a "viola quintet" in that it is scored for string quartet and an extra viola

The String Quintet No. 1 in B flat major, K. 174, was written by Wolfgang Amadeus Mozart in December 1773. Unlike Mozart's other viola quintets, which are scored for two violins, two violas and cello, this early work is scored for two violins, two violas and basso. It is inspired by Michael Haydn viola quintets in C major and G major, written earlier in the same year.

The Serenade No. 12 for winds in C minor, K. 388/384a, was written by Wolfgang Amadeus Mozart in 1782 or 1783. The work is sometimes called "Nachtmusik". In 1787, Mozart transcribed the work for string quintet. This transcription survives as String Quintet, K. 406/516b.

The six string quartets, K. 168–173, were composed by Wolfgang Amadeus Mozart in late 1773 in Vienna. These are popularly known as the Viennese Quartets. Mozart may have hoped to have them published at the time, but they were published only posthumously by Johann André in 1801 as Mozart's Op. 94.

<span class="mw-page-title-main">String Quartets, Op. 50 (Haydn)</span> String quartets by Joseph Haydn

The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.

The Divertimento No. 17 in D major, K. 334/320b was composed by Wolfgang Amadeus Mozart between 1779 and 1780 and was possibly composed for commemorating the graduation of a close friend of Mozart's, Georg Sigismund Robinig, from his law studies at the University of Salzburg in 1780. Lasting about 42 minutes, it is the longest of the divertimenti by Mozart.

References

  1. ↑ Charles Rosen, "The Classical Style: Haydn, Mozart, Beethoven", 1997, Norton
  2. ↑ Zaslaw N. The Non-Canonic Status of Mozart's Canons. Eighteenth-Century Music. 2006 Mar 1;3(1):109-23.
  3. 1 2 Richard Wigmore. Sleeve notes to Hyperion album CDA67861/3
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.