Type | Music Instruments |
---|---|
Industry | Guitar Effects Pedals |
Founded | 2004 |
Headquarters | , |
Website | strymon.net |
Strymon is an American manufacturer of audio equipment, originally called Damage Control Engineering. [1] They are best known for their line of high end guitar effects pedals which use a mixture of analog circuitry and digital signal processing. The company is based in Westlake Village, California, and manufactures products in the United States.
Under the Damage Control name, the company's product line included several guitar preamps, distortions, multi-effects, [2] and delays which utilized tubes within the pedals themselves.
The Strymon product line includes distortion, delay, [3] reverb, [4] chorus, [5] flanger, and compressor pedals for guitar. [6] [7]
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.
Boss is a manufacturer of effects pedals for electric guitar and bass guitar. It is a division of the Roland Corporation, a Japanese manufacturer that specializes in musical equipment and accessories. For many years Boss has manufactured a wide range of products related to effects processing for guitars, including "compact" and "twin" effects pedals, multi-effect pedals, electronic tuners and pedal boards. In more recent times, Boss expanded their product range by including digital studios, rhythm machines, samplers and other electronic music equipment. They also are now manufacturing solid-state amplifiers and speaker heads such as the Waza and the Katana. Both feature multi-effects units meant to emulate Boss' classic effects pedals.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products.
Kurt Rosenwinkel is an American jazz guitarist, keyboardist, composer, bandleader, producer, educator and record label owner.
Morley Pedals is the name of a guitar effects pedal company, famous for manufacturing wah-wah pedals and other treadle type effects for guitar. Morley pedals use electro-optical circuitry rather than a potentiometer to control the effect. The foot treadle controls a shutter inside the pedal that in turn controls the amount of light reaching a photoresistor. The advantage to this system is that there are no potentiometers in the signal path to wear out and become "scratchy sounding" over time. Electro-optical circuitry is used throughout the classic Morley pedal line, which includes or has included volume pedals, delay pedals, chorus and phaser pedals, and many others.
Electro-Harmonix is a New York City-based company that makes electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of guitar effects pedals introduced in the 1970s and 1990s. EHX also made a line of guitars in the 1970s.
Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.
The Korg Prophecy is considered one of the earliest (mid-nineties) virtual analog synthesizers, although its synthesis capabilities went beyond many of its VA contemporaries.
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo.
MXR is a New York-based manufacturer of effects pedals from Rochester. The manufacturer was co-founded in 1972 by Keith Barr and Terry Sherwood and incorporated as MXR Innovations, Inc. in 1974. The MXR trademark is now owned by Jim Dunlop, which continues to produce the original effects units along with new additions to the line.
T-Rex ApS is a manufacturer of handmade electric guitar effects pedals.
Maxon is the brand name used by the Nisshin Onpa company of Japan for its line of effects pedals designed for guitar and bass.
TC Electronic is a Danish audio equipment company that designs and imports guitar effects, bass amplification, computer audio interfaces, audio plug-in software, live sound equalisers, studio and post-production equipment, studio effect processors, and broadcast loudness processors and meters. In August 2015, the company was purchased by Music Tribe, a holding company chaired by Uli Behringer.
The Line 6 Flextone was the first in a series of guitar amplifiers to package Line 6's POD digital modeling system in a stand-alone amplifier product. Digital modeling allowed users to access guitar tones based on those of many popular vintage and boutique amplifiers. At the time of its release in the late 1990s, the Flextone series was a more affordable alternative to the company's flagship Vetta amplifier.
Multivox was an American-based synthesizer company since the mid-1970s until the 1980s. Originally it was founded in the mid-1940s as the guitar and amplifier manufacturing subsidiary of Peter Sorkin Music Company, a New York-based retailer/wholesaler. Then eventually it established separate corporate identity, and after the close of Sorkin Music in the mid-1970s, it continued in existence for fourteen years, according to the Blue Book of Guitar Values. In addition to synthesizers, the company marketed several effects pedals. These included the Big Jam series guitar effects line.
Record is a music software program developed by Swedish software developers Propellerhead Software. Designed for recording, arrangement and mixing, it emulates a recording studio, with a mixing desk, a rack of virtual instruments and effects and an audio and MIDI sequencer. Record can be used either as a complete virtual recording studio in itself, or together with Propellerhead Software's Reason.
Source Audio is a guitar effects pedal company based near Boston, Massachusetts. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug-in style desktop interface. They are also the creators of the Hot Hand Wireless Effects Controller, a device worn around the finger that uses an accelerometer to send expression signal to an effect like an envelope filter. Source Audio mainly uses DSP to create their effects, and are known to program their own processor chips.
Tone-Lok Effects are guitar effects pedals from a product line, introduced by Ibanez in 1999. In contrast with other guitar pedals, they included a "Lok" feature, engaged for each adjustment by pressing down on its corresponding potentiometer's control knob.
Chase Bliss is a Minnesota-based company that makes high-end electronic audio processors, known as effects pedals, used for the electric guitar, synthesizer, or for manipulating audio in a recording studio. The brand has built a reputation among audio purists for their forward thinking effects and their high functionality. For this reason, musicians and producers have frequently applied Chase Bliss effects not only to guitars but other electric instruments as well as audio from microphones.
Meris is a maker of 500 series modules and effects pedals. The company is based in Los Angeles and manufactures their products in the United States.