"Style" is a 1999 single by the electronica duo Orbital. It was their fourth consecutive single, and fifth overall, to reach the top 20 of the UK singles chart, peaking at number 13.
The track takes its name from the analogue electronic musical instrument, the stylophone, which is used extensively on the track. The main version includes a sample of "Oh L'amour" performed by Dollar, while the "Bigpipe Style" version (which features the main riff played on bagpipes) samples Suzi Quatro's hit "Devil Gate Drive". Orbital's request to use a sample from a Rolf Harris stylophone demonstration disc was turned down. The other versions are "Old Style", a more club-oriented dance mix; and "New Style", a retro-styled version with live bass by Andy James.
All of the mixes are by Orbital themselves; the duo had wanted Stereolab to remix the track, but the latter group were on tour at the time and unavailable, so the "New Style" mix is Orbital's own version of a Stereolab-type mix.
Two other tracks were included on the single. They were "An Fhómhair", which is a heavily reworked version of album track "Otoño" (featuring Pooka on vocals), and "Mock Tudor", a blend of heavy club beats and baroque-style melody in 7/4 time.
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and multimedia. According to Spin, "in '87 Coldcut pioneered the British fad for 'DJ records'".
The Chemical Brothers are a British electronic music duo composed of Tom Rowlands and Ed Simons, originating in Manchester in 1989. Along with the Prodigy, Fatboy Slim, and other fellow acts, they were pioneers at bringing the big beat genre to the forefront of pop culture. They achieved widespread success when their second album Dig Your Own Hole topped the UK charts in 1997. In the United Kingdom they have had six number one albums and thirteen Top Twenty singles, including two number ones. In the United States they have won six Grammy Awards including "Best Rock Instrumental Performance", "Best Dance Recording" and "Best Dance/Electronic Album" of the year as recently as 2020.
A remix is a piece of media which has been altered or contorted from its original state by adding, removing, and changing pieces of the item. A song, piece of artwork, books, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
Daft Punk are a French electronic music duo formed in Paris in 1993 by Guy-Manuel de Homem-Christo and Thomas Bangalter. They achieved popularity in the late 1990s as part of the French house movement; they also had success in the years following, combining elements of house music with funk, techno, disco, rock and synthpop. They have worn ornate helmets and gloves to assume robot personas in most public appearances since 1999 and rarely grant interviews or appear on television. The duo were managed from 1996 to 2008 by Pedro Winter, the head of Ed Banger Records.
Orbital are an English electronic dance music duo from Sevenoaks, Kent, England, consisting of brothers Phil and Paul Hartnoll. The band's name is taken from Greater London's orbital motorway, the M25, which was central to the early rave scene and party network in the South East during the early days of acid house. In addition, the cover art on three of their albums shows stylised atomic orbitals. Orbital have been both critically and commercially successful and known particularly for their element of live improvisation during shows. They were initially influenced by early electro and punk rock.
Utah Saints are an English electronic music group. The band's members, Jez Willis and Tim Garbutt, were joined on-stage by additional musicians when they played live from 1991 to 2001. Since then they have performed as DJs. The band had three top ten and another five top 40 singles in the UK Singles Chart in the 1990s, as well as number one dance tracks in the UK and USA. They were notable for their pioneering use of sampling technology – in particular, their practice of manipulating samples from mainstream pop and rock songs and combining them with contrasting dance beats, using the samples in an entirely new context. The band wrote, produced and mixed all of their own music.
Computer World is the eighth studio album by German electronic band Kraftwerk, released on 10 May 1981.
The Stylophone is a miniature analog stylus-operated keyboard. Invented in 1967 by Brian Jarvis, it entered production in 1968, manufactured by Dubreq. It consists of a metal keyboard made of printed circuit board and played by touching it with a stylus—each note being connected to a voltage-controlled oscillator via a different-value resistor—thus closing a circuit. The only other controls were a power switch and a vibrato control on the front panel beside the keyboard, and a tuning potentiometer on the rear. Some three million Stylophones were sold, mostly as children's toys, but were occasionally used by professional musicians such as Rolf Harris and David Bowie.
The Doctor Who theme music is a piece of music written by Australian composer Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop. Created in 1963, it was one of the first electronic music signature tunes for television. It is used as the theme for the science fiction programme Doctor Who, and has been adapted and covered many times.
"Robot Rock" is the lead single from Daft Punk's third studio album Human After All. The single was released initially on 11 April 2005 with a music video, directed by and featuring the duo, preceding the single's release. While the single reached a moderately high chart position, many critics found the song overly repetitive when compared to songs from their other studio albums at the time. It features a sample of "Release the Beast" performed by Breakwater.
"Pump Up the Volume" is the only single by British recording act M|A|R|R|S. Recorded and released in 1987, it was a number-one hit in many countries and is regarded as a significant milestone in the development of British acid house music and music sampling. The song derives its title directly from a lyrical sample from "I Know You Got Soul", a hit single by labelmates Eric B. & Rakim, released months prior in that same year.
The Middle of Nowhere is the fifth album released by Orbital. It was released in 1999, where it peaked at #4 and spent 7 weeks in the UK albums chart.
Moonshake were a British-based experimental rock/post-rock band, existing between 1991 and 1997. The only consistent member was singer/sampler player/occasional guitarist David Callahan, who initially co-led the project with Margaret Fiedler. The band was notable for its extensive use of textures and sampler technology in a rock context.
"Trippin'" is a song by American R&B girl group Total, released as the first single from their second studio album Kima, Keisha, and Pam (1998). It was also their second release working with production/writing duo Missy Elliott & Timbaland, after What About Us?, although Timbaland this time provided only co-production and instrumentation, with the pair's longtime collaborator Darryl Pearson instead handling main production with Elliott. Elliott was also often given a "featuring" credit despite only providing background vocals and spoken word to the song. The track was by far the group's biggest hit, peaking at number seven on the U.S. Billboard Hot 100 and number three on the Hot R&B/Hip-Hop Songs chart.
Nu-disco is a 21st-century dance music genre associated with a renewed interest in the late 1970s US disco, synthesizer-heavy 1980s European dance music styles, and early 1990s electronic dance music. The genre was especially popular in the first half of the 2000s, and experienced another mild resurgence through the 2010s.
"Chime" is the first single from the British electronic group Orbital. It was originally recorded on cassette tape and allegedly cost less than £1 to produce. The track was originally released in December 1989 and was a big underground success. In 1990, it had a wider release on FFRR Records, and reached number 17 on the UK Singles Chart.
"Push the Feeling On" is a house song by the Scottish music group Nightcrawlers and Marc Kinchen.
III is an EP released by the techno duo Orbital. The title has a double meaning, referring to it being their third single release, and having three tracks. Two of the group's best known tracks, "Satan" and "Belfast", made their first appearances on the EP. "Belfast" was first discovered by David Holmes and Alan Simms when they booked Orbital to play the Art College, Belfast on 12 May 1990. Orbital left a demo tape which included the track that was subsequently named "Belfast" in recognition of the positive experience they'd had in the city.
The Trackmasters are an American hip hop production duo composed of music producers Poke and Tone, best known for their commercial hit records in the mid-late 1990s and early 2000s. Frank "Nitty" Pimentel joined forces with the duo to complete the success of "Trackmasters". Throughout their career, they have worked with various hip-hop and R&B artists including Destiny's Child, Nas, R. Kelly, LL Cool J, Mary J. Blige, Will Smith, Jay-Z, Cam'ron, Jennifer Lopez, Mariah Carey, The Notorious B.I.G. and 50 Cent.
UK garage, abbreviated as UKG, is a genre of electronic music which originated in England in the early to mid-1990s. The genre blends styles such as garage house, R&B, jungle and dance-pop. It usually features a percussive, shuffled 4/4 breakbeat rhythm with syncopated hi-hats, cymbals and snares, and sometimes includes irregular kick drum patterns. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage gave rise to subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related.
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