| Successive Slidings of Pleasure | |
|---|---|
 Film poster | |
| Directed by | Alain Robbe-Grillet |
| Written by | Alain Robbe-Grillet [1] |
| Produced by |
|
| Starring | Anicée Alvina |
| Cinematography | Yves Lafaye [1] |
| Edited by | Bob Wade [1] |
Production company | Cosefa Films [1] |
| Distributed by | Lira Films |
Release date |
|
| Country | France [1] |
Successive Slidings of Pleasure (French : Glissements progressifs du plaisir) is a 1974 French art film [2] directed by Alain Robbe-Grillet. [3]
The film delves into the surreal and demented psyche of a young woman following the murder of her partner Nora. She is incarcerated in a convent prison where her sexual and sadistic desires interrupt her sense of reality.
Luc Béraud is the assistant director on the film.
Successive Slidings of Pleasure was released in France in 1974 where it was distributed by Lira Films. [1]
Isabelle Anne Madeleine Huppert is a French actress. Known for her portrayals of cold, austere women devoid of morality, she is considered one of the greatest actresses of her generation. With 16 nominations and two wins, Huppert is the most nominated actress at the César Awards. She is also the recipient of several accolades, including five Lumières Awards, a BAFTA Award, three European Film Awards, two Berlin International Film Festival, three Cannes Film Festival and Venice Film Festival honors, a Golden Globe Award, and an Academy Award nomination. In 2020, The New York Times ranked her first on its list of the greatest actresses of the 21st century.
Last Year at Marienbad, released in the United Kingdom as Last Year in Marienbad, is a 1961 French New Wave film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.
Alain Robbe-Grillet was a French writer and filmmaker. He was one of the figures most associated with the Nouveau Roman trend of the 1960s, along with Nathalie Sarraute, Michel Butor and Claude Simon. Robbe-Grillet was elected a member of the Académie française on 25 March 2004, succeeding Maurice Rheims at seat No. 32. He married Catherine Robbe-Grillet.
The Nouveau Roman is a type of 1950s French novel that diverged from classical literary genres. Émile Henriot coined the term in an article in the popular French newspaper Le Monde on May 22, 1957 to describe certain writers who experimented with style in each novel, creating an essentially new style each time. Most of the founding authors were published by Les Éditions de Minuit with the strong support of Jérôme Lindon.
Catherine Robbe-Grillet is a French writer, dominatrix, photographer, theatre and film actress of Armenian descent who has published sadomasochistic writings under the pseudonyms Jean de Berg and Jeanne de Berg.
Satanism and Witchcraft is a book by Jules Michelet on the history of witchcraft. Originally published in Paris as La Sorcière in 1862, the first English translation appeared in London a year later. Michelet portrays the life of witches and trials held for witchcraft, and argues that medieval witchcraft was a righteous act of rebellion by the lower classes against feudalism and the Roman Catholic Church. Although his book is thought to be largely inaccurate, it is notable for being one of the first sympathetic histories of witchcraft.
Anicée Alvina, also known as Anicée Schahmaneche (born Anicée Shahmanesh or Anicee Schahmane was a French singer and actress.
François Weyergans was a Belgian writer and director. His father, Franz Weyergans, was a Belgian and also a writer, while his mother was from Avignon in France. François Weyergans was elected to the Académie française on 26 March 2009, taking the 32nd seat which became vacant with the death of Alain Robbe-Grillet in 2008.
Trans-Europ-Express is a 1966 experimental film written and directed by Alain Robbe-Grillet and starring Jean-Louis Trintignant and Marie-France Pisier. The title refers to the Trans Europ Express, at the time an international rail network in Europe. A frame story shows a creative team devising a film plot during a train journey to Antwerp, intercut with a film-within-a-film about a novice cocaine smuggler and a prostitute that enacts their outline imperfectly.
Michel Berto was a French actor. He was married to the actresses Juliet Berto and Marie Berto. His body was found on 3 January 1996, hence the exact date of his death is uncertain.
Jacques Doniol-Valcroze was a French actor, critic, screenwriter, and director. In 1951, Doniol-Valcroze was a co-founder of the renowned film magazine Cahiers du cinéma, along with André Bazin and Joseph-Marie Lo Duca. The magazine was initially edited by Doniol-Valcroze between 1951–1957. As critic, he championed numerous filmmakers including Orson Welles, Howard Hawks, and Nicholas Ray. In 1955, then 23-year-old François Truffaut made a short film in Doniol-Valcroze's apartment, Une Visite. Jacques's daughter Florence played a minor part in it.
L'Immortelle is a 1963 international co-produced drama film directed by Alain Robbe-Grillet, his first feature after the worldwide success of Last Year at Marienbad which he wrote. Entered into the 13th Berlin International Film Festival, it also won the Prix Louis Delluc.
Eden and After is a 1970 French-Czechoslovak drama art film directed by French novelist and filmmaker Alain Robbe-Grillet. It was entered into the 20th Berlin International Film Festival.
Serious as Pleasure is a 1975 French drama film directed by Robert Benayoun.
La Belle captive is a 1983 French avant-garde film directed by Alain Robbe-Grillet. A playful mystery, the film combines elements of erotic allure and supernatural horror with a pulp fiction plot. Suffused with visual surrealism, it often explicitly evokes the works of René Magritte.
Pascal Judelewicz is a French film producer, actor and President of Acajou Films.
Richard Leduc is a French actor. He appeared in more than thirty films from 1969 to 1999.
Michel Fano is a French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content. During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores for five of Robbe-Grillet's films.
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