Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Scott Joplin was an African-American composer and pianist. Dubbed the "King of Ragtime", he composed more than 40 ragtime pieces, one ragtime ballet, and two operas. One of his first and most popular pieces, the "Maple Leaf Rag", became the genre's first and most influential hit, later being recognized as the quintessential rag. Joplin considered ragtime to be a form of classical music meant to be played in concert halls and largely disdained the performance of ragtime as honky tonk music most common in saloons.
James Sylvester Scott was an American ragtime composer and pianist. He is regarded as one of the "Big Three" composers of classical ragtime along with Scott Joplin and Joseph Lamb.
James Price Johnson was an American pianist and composer. A pioneer of stride piano, he was one of the most important pianists in the early era of recording, and like Jelly Roll Morton, one of the key figures in the evolution of ragtime into what was eventually called jazz. Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller, who was his student.
Gunther Alexander Schuller was an American composer, conductor, horn player, author, historian, educator, publisher, and jazz musician.
The "Maple Leaf Rag" is an early ragtime musical composition for piano composed by Scott Joplin. It was one of Joplin's early works, becoming the model for ragtime compositions by subsequent composers. It is one of the most famous of all ragtime pieces. Its success led to Joplin being dubbed the "King of Ragtime" by his contemporaries. The piece gave Joplin a steady if unspectacular income for the rest of his life.
Rick Benjamin is the founder and conductor of the world-renowned Paragon Ragtime Orchestra. Benjamin has an active career as a pianist and tubist as well as an arranger.
Treemonisha (1911) is an opera by American ragtime composer Scott Joplin. It is sometimes referred to as a "ragtime opera", though Joplin did not refer to it as such and it encompasses a wide range of musical styles. The music of Treemonisha includes an overture and prelude, along with various recitatives, choruses, small ensemble pieces, a ballet, and a few arias.
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin.
Richard Hyman is an American jazz pianist and composer. Over a 70-year career, he has worked as a pianist, organist, arranger, music director, electronic musician, and composer. He was named a National Endowment for the Arts Jazz Masters fellow in 2017.
John Francis Oscar Arpin was a Canadian composer, recording artist and entertainer, best known for his work as a virtuoso ragtime pianist.
Richard “Dick” Zimmerman is a ragtime performer, historian, author and producer. He is regarded as being one of the key figures responsible for the worldwide revival of ragtime. Zimmerman is the first pianist to have recorded the complete works of Scott Joplin and in 1987 was awarded the first place prize “Champion Ragtime Performer of the World”. Zimmerman was technical advisor for the film Scott Joplin. He is a founder of the "Maple Leaf Club", and is the editor of its publication, "The Rag Times". Zimmerman is also a professional magician. He has contributed many signature illusions to the field of magic and has acted as consultant for such magicians as David Copperfield.
Richard MacQueen Wellstood was an American jazz pianist.
Knocky Parker, born John William Parker, II, was an American jazz pianist. He played primarily ragtime and Dixieland jazz.
"Wild Women Don't Have the Blues", "Wild Women Don't Get the Blues", or simply "Wild Women" is a vaudeville-style blues song recorded by American singer Ida Cox with Lovie Austin's Blues Serenaders in 1924. It has a strong feminist message. The song has been performed by numerous classic female blues singers, including Bessie Smith.
Trebor Jay Tichenor was a recognized authority on Scott Joplin and the ragtime era. He collected and published others' ragtime piano compositions and composed his own. He authored books about ragtime, and both on his own and as a member of The St. Louis Ragtimers, became a widely known ragtime pianist.
Air Lore is an album by the improvisational trio Air featuring Henry Threadgill, Steve McCall, and Fred Hopkins performing compositions by Jelly Roll Morton and Scott Joplin. It was reissued on compact disc by Bluebird/RCA in 1987 and included in the eight-CD box set, Complete Novus and Columbia Recordings of Henry Threadgill and Air on Mosaic Records.
Scott Joplin is a 1977 biographical film directed by Jeremy Kagan and based on the life of African-American composer and pianist Scott Joplin. It stars Billy Dee Williams and Clifton Davis. Its script won an award from the Writers Guild of America in 1979. The only other composers mentioned as worthy equals in the film are John Philip Sousa and Jelly Roll Morton. Eubie Blake makes an appearance in the movie.
Laura Smith was an American classic female blues and country blues singer. Songs she recorded include "Gonna Put You Right in Jail" and her version of "Don't You Leave Me Here". She led Laura Smith and her Wild Cats and also worked with Clarence Williams and Perry Bradford. Details of her life outside the music industry are scanty.
Scott Joplin: The Red Back Book is an album by the New England Ragtime Ensemble conducted by Gunther Schuller featuring the music of Scott Joplin arranged by E.J. Stark and D.S. De Lisle. The "Red Back Book" of the album title is taken from the popular name for the collection of band arrangements of ragtime music featuring Joplin's music, "Standard High-Class Rags" published by the Stark Music Company of St. Louis around 1912. The name came from the red color of the front and back cover.
