Sue Perlgut is a second-wave feminist [1] who was a central figure in It's All Right To Be Woman Theatre, [2] [3] a women's theater collective founded in 1970 [4] in New York City that operated without a director. [5]
Perlgut studied educational theatre and worked as a director, performer, playwright, puppet maker, teacher, arts administrator, and producer. [6] Perlgut taught theater at Richmond College and in New York City. [7] [8] She was one of the first people to suggest that women confess their abortions publicly, [1] which led to the #ShoutYourAbortion movement.
Owner: Close to Home Productions, CloseToHomeProductions.com
Director: Women's Wisdom Project, facebook.com/WomensWisdomProject
Director: It's All Right To Be Woman Theatre, ItsAllRightToBeWomanTheatre.com
Director: Women Artists Have Their Say, WomenArtistsHaveTheirSay
Director: Connie Cook, A Documentary, ConnieCookFilm.com
"The Yellow Wallpaper" is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, due to its illustration of the attitudes towards mental and physical health of women in the 19th century.
Susan Keating Glaspell was an American playwright, novelist, journalist and actress. With her husband George Cram Cook, she founded the Provincetown Players, the first modern American theatre company.
Anti-abortion feminism or pro-life feminism is the opposition to abortion by some feminists. Anti-abortion feminists may believe that the principles behind women's rights also call them to oppose abortion on right to life grounds and that abortion hurts women more than it benefits them.
Documentary theatre is theatre that uses pre-existing documentary material as source material for stories about real events and people, frequently without altering the text in performance. The genre typically includes or is referred to as verbatim theatre, investigative theatre, theatre of fact, theatre of witness, autobiographical theatre, and ethnodrama.
Antifeminism is opposition to some or all forms of feminism. Antifeminists in the late 19th century and early 20th century resisted women's suffrage, while antifeminists in the late 20th century in the United States opposed the Equal Rights Amendment. Others, particularly in the 21st century, see antifeminism as a response to an ideology rooted in hostility towards men.
Ghulam Ahmad Parwez, widely known as Allama Parwez, was a Muslim scholar of Islam and the Quran from pre-Independence India and later Pakistan. He was focused primarily on systematically interpreting Quranic themes and Iqbal’s writings in the light of Islamic Reform. Many conservative Islamic scholars criticized Parwez throughout his active years, although Parwez was well regarded among the educated demographic. Nadeem F. Paracha has called Parwez's Islam: A Challenge to Religion one of the most influential books in the history of Pakistan.
Holly Hughes is an American lesbian performance artist.
Chick flick is a slang term, sometimes used pejoratively, for the film genre that generally tends to appeal more to a younger female audience and deals mainly with love and romance. Although many types of films may be directed towards a female audience, the term "chick flick" is typically used only in reference to films that contain personal drama and emotion or themes that are relationship-based. Chick flicks often are released en masse around Valentine's Day. Feminists such as Gloria Steinem have objected to terms such as "chick flick" and the related genre term "chick lit", and a film critic has called it derogatory.
Erin Kamler is an American writer, composer, and academic researcher who works at the intersection of feminist social justice and the arts.
The Westbeth Playwrights Feminist Collective was a group of professional women playwrights in New York active from 1971 to 1975. They wrote and produced feminist plays and were one of the first feminist theatre groups in the United States to do so. The members' individual works had been produced at the Public Theater, La Mama, Joe Chaikin’s Open Theater, Caffe Cino, Circle Repertory Company, Mark Taper Forum, Lincoln Center, and New York Theater Ensemble.
Francisca Flores was a labor rights activist, an early Chicana feminist, a journal editor, and an anti-poverty activist.
Centre for Theatre Practices "Gardzienice" was founded in 1977 by Włodzimierz Staniewski, and formally registered in 1978. The name comes from the village where the theatre is located. The group gained international critical acclaim, and is classified as an experimental anthropological theater. In 1997 the association established the Academy for Theatre Practices. This carries out numerous projects: research, arts, music, and cultural investigation into the humanities.
Anti-abortion movements, also referred to as pro-life movements, are involved in the abortion debate advocating against the practice of abortion and its legality. Many anti-abortion movements began as countermovements in response to the legalization of elective abortions.
Split Britches is an American performance troupe, which has been producing work internationally since 1980. Academic Sue Ellen Case says "their work has defined the issues and terms of academic writing on lesbian theater, butch-femme role playing, feminist mimesis, and the spectacle of desire". In New York City Split Britches have long standing relationships with La Mama Experimental Theatre Company, where they are a resident company, Wow Café, which Weaver and Shaw co-founded, and Dixon Place.
Spiderwoman Theater is an American, Indigenous women's performance troupe that blends traditional art forms with Western theater. Their mission was to present exceptional theater performance, and to provide theatrical training and education in an urban Indigenous performance practice. Spiderwoman theater was an early feminist theatre group that sprung out of the feminist movement in the 1970s. They questioned gender roles, cultural stereotypes, sexual and economic oppression. It was founded in 1976, the core of the group is formed by sisters Muriel Miguel, Gloria Miguel, and Lisa Mayo. It was the first Native American women's theater troupe and is named after the Spiderwoman deity from Hopi mythology.
Dress Suits to Hire is a play written by Holly Hughes and originally performed by the Lesbian and Feminist performance group, Split Britches. It premiered in 1987 at Performance Space 122 in Manhattan's East Village. The play is essentially a lesbian love story told in the overheated style of film noir, also drawing upon images from pulp fiction; The show has been revived several times since its premiere, with the original cast of Peggy Shaw and Lois Weaver (Michigan) reprising their roles. The show won OBIE Awards for both Shaw and Hughes.
Penelope Dalton is an artist, critic and writer.
Gloria Feman Orenstein is a feminist art critic, pioneer in the field of the women of Surrealism and scholar of ecofeminism in the arts. Orenstein's Reweaving the World is considered a seminal ecofeminist text which has had "a crucial role in the development of U.S. ecofeminism as a political position".
Martha Boesing is an American theater director and playwright. She was the founding artistic director of the Minneapolis experimental feminist theater collective At the Foot of the Mountain.
Nancy A. Naples is an American sociologist, and currently Board of Trustees Distinguished Professor of Sociology and Women’s, Gender, and Sexuality Studies at the University of Connecticut, where she is also Director of Graduate Studies. She has contributed significantly to the study of community activism, poverty in the United States, inequality in rural communities, and methodology in women's studies and feminism.
This theatrical biography is a stub. You can help Wikipedia by expanding it. |