Sunrise, Inverness Copse | |
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Artist | Paul Nash |
Year | 1918 [1] |
Medium | Watercolour [1] |
Dimensions | 468 mm× 610 mm(18.4 in× 24 in) [1] |
Location | Imperial War Museum, London |
Sunrise, Inverness Copse is a 1918 watercolour by English artist Paul Nash, which was produced during World War I. It depicts a scene from the Western Front near Ypres in Belgium, and was developed from an eye-witness sketch which Nash drew whilst at the scene in 1917. The drawing is in the collection of the Imperial War Museum, in London. [1]
Born in Kensington, London, England, in 1889, Paul Nash served in the Artists Rifles following the outbreak of World War I. [2] He was subsequently commissioned as an officer in the Royal Hampshire Regiment. [3] He was sent to Flanders in February 1917, but was invalided back to London in May 1917, a few days before his unit was nearly obliterated at the Battle of Messines. Nash became an official war artist and returned to the Ypres Salient, where he was shocked by the devastation caused by war. [4] In six weeks on the Western Front, he completed what he called "fifty drawings of muddy places on the Front", [5] [6] one of which was Sunrise, Inverness Copse. [7]
Sunrise, Inverness Copse depicts the Western Front during World War I, at Inverness Copse close to Ypres in Belgium. [1] It is set in 1917, following the bloody Battle of Passchendaele. [8] Nash drew it as a sketch at the location of the battle in 1917 and then developed it into a full watercolour in 1918, following his return to England. [9] [10]
The drawing shows a muddy field of broken trees, lacking colour, with a lake and clouds in the background. [1] The scene is illuminated by a faint sun whose rays lack penetration. [11] [1] Art historians are divided as to whether the picture represents hope of a better future or is fundamentally pessimistic in nature. Richard Cork wrote that "there is still a hope, in this otherwise dejected study, that light and heat will one day nurture the graveyard of nature's forms". But other sources opine that despite the title and the image of the rising sun, Nash does not intend us to view this positively. [8] Nash wrote in a letter around this time that "sunset and sunrise are blasphemous, they are mockeries to man". [12]
Later in 1918 Nash painted another picture of the same scene, titled We Are Making a New World , which was based on Sunrise, Inverness Copse. [8] The later painting is now widely regarded as Nash's most famous work. Art critic Ben Lewis has described it as "one of Britain’s best paintings of the 20th century: our very own Guernica ". [13]
The Third Battle of Ypres, also known as the Battle of Passchendaele, was a campaign of the First World War, fought by the Allies against the German Empire. The battle took place on the Western Front, from July to November 1917, for control of the ridges south and east of the Belgian city of Ypres in West Flanders, as part of a strategy decided by the Allies at conferences in November 1916 and May 1917. Passchendaele lies on the last ridge east of Ypres, 5 mi (8.0 km) from Roulers a junction of the Bruges (Brugge) to Kortrijk railway. The station at Roulers was on the main supply route of the German 4th Army. Once Passchendaele Ridge had been captured, the Allied advance was to continue to a line from Thourout to Couckelaere (Koekelare).
Paul Nash was a British surrealist painter and war artist, as well as a photographer, writer and designer of applied art. Nash was among the most important landscape artists of the first half of the twentieth century. He played a key role in the development of Modernism in English art.
John Northcote Nash was a British painter of landscapes and still-lives, and a wood engraver and illustrator, particularly of botanic works. He was the younger brother of the artist Paul Nash.
The Ypres Salient around Ypres in Belgium was the scene of several battles and an extremely important part of the Western front during the First World War.
Events from the year 1918 in art.
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The First World War, which was fought between 1914 and 1918, had an immediate impact on popular culture. In over the hundred years since the war ended, the war has resulted in many artistic and cultural works from all sides and nations that participated in the war. This included artworks, books, poems, films, television, music, and more recently, video games. Many of these pieces were created by soldiers who took part in the war.
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Gassed is a very large oil painting completed in March 1919 by John Singer Sargent. It depicts the aftermath of a mustard gas attack during the First World War, with a line of wounded soldiers walking towards a dressing station. Sargent was commissioned by the British War Memorials Committee to document the war and visited the Western Front in July 1918 spending time with the Guards Division near Arras, and then with the American Expeditionary Forces near Ypres. The painting was finished in March 1919 and voted picture of the year by the Royal Academy of Arts in 1919. It is now held by the Imperial War Museum. It visited the US in 1999 for a series of retrospective exhibitions, and then from 2016 to 2018 for exhibitions commemorating the centenary of the First World War.
The 25th Battalion, CEF was a unit in the Canadian Expeditionary Force during the Great War. It was the second infantry battalion of ten to be raised in Nova Scotia during the war. The 25th served in Belgium and France as part of the 5th Canadian Brigade, 2nd Canadian Division from 16 September 1915 until the end of the war. Regimental headquarters were established at the Halifax Armouries, with recruitment offices in Sydney, Amherst, New Glasgow, Truro and Yarmouth. Of the 1000 Nova Scotians that started with the battalion, after the first year of fighting, 100 were left in the battalion, while 900 men were killed, taken prisoner, missing or injured.
The Hall of Remembrance was a series of paintings and sculptures commissioned, in 1918, by the British War Memorials Committee of the British Ministry of Information in commemoration of the dead of World War I.
We Are Making a New World is a 1918 oil-on-canvas painting by Paul Nash. The optimistic title contrasts with Nash's depiction of a scarred landscape created by a battle of the First World War, with shell-holes, mounds of earth, and leafless tree trunks. Nash's first major painting and his most famous work, it has been described as one of the best British paintings of the 20th century, and compared to Picasso's Guernica. "Yet it is worth remembering that the picture was a piece of official art and that it first appeared, untitled, as the cover of an issue of British War Artists at the Front, published by Country Life. ... [It] was promulgated in 1917 as covert propaganda for the Allied cause."
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The Capture of Wurst Farm was an attack by the British 58th Division against the German 36th Division on 20 September 1917, near Ypres, Belgium, during the Battle of the Menin Road Ridge, part of the Third Battle of Ypres. Wurst Farm was at the lower end of Gravenstafel Ridge and several British attacks in the area since 31 July had been repulsed by the Germans. The British began a desultory bombardment on 31 August and the shelling became intense from 13 September, to "soften" the German defences, except in the area of the Fifth Army, where the slow bombardment continued until 24 hours before zero hour, when a surprise hurricane bombardment was to be fired.
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The Ypres Salient at Night is a 1918 watercolour by English artist Paul Nash, which was produced during World War I. It depicts a scene from the Western Front near Ypres in Belgium, and was developed from an eye-witness sketch which Nash drew whilst at the scene in 1917. The drawing is in the collection of the Imperial War Museum, in London.
Coordinates: 50°50′32.35″N2°58′6.90″E / 50.8423194°N 2.9685833°E