In social psychology, superficiality refers to a lack of depth in relationships, conversation and analysis. The principle of "superficiality versus depth" [1] is said to have pervaded Western culture since at least the time of Plato. [2] Social psychology considers that in everyday life, social processing veers between superficiality and a deeper form of processing.
Socrates sought to convince his debaters to turn from the superficiality of a worldview based on the acceptance of convention to the examined life of philosophy, [3] founded (as Plato at least considered) upon the underlying Ideas. For more than two millennia, there was in the Platonic wake a general valorisation of critical thought over the superficial subjectivity that refused deep analysis. [4] The salon style of the Précieuses might for a time affect superficiality, and play with the possibility of treating serious topics in a light-hearted fashion; [5] but the prevailing western consensus firmly rejected elements such as everyday chatter [6] or the changing vagaries of fashion [7] as superficial distractions from a deeper reality.
By contrast, Nietzsche opened the modernist era with a self-conscious praise of superficiality: "What is required is to stop courageously at the surface, the fold, the skin, to adore appearance, to believe in forms, tones, words, in the whole Olympus of appearance! Those Greeks were superficial – out of profundity!". [8]
His (still) preference for superficiality was however over-shadowed for most of the 20th century by modernism's full subscription to the depth/surface model, and to the privileging of the former over the latter. Frederic Jameson has highlighted four main modernist versions of the belief in a deeper reality - Marxist, psychoanalytic, existential, and semiotic - in each of which reality is understood to be concealed behind an inauthentic surface or façade. [9] Jameson contrast these models sharply with the lack of depth, the ahistoricity, the surface-focus and flatness of the postmodern consciousness, with its new cult of the image and the simulacrum. [10]
In the last third of the 20th century, Lyotard began challenging the Platonic view of a true meaning hidden behind surface as a theatrical world-view, insisting instead that sense manifestations had their own reality which necessarily impacted upon the purely verbal order of intelligibility. [11] Similarly, deconstruction has increasingly sought to undo the depth/surface hierarchy, proposing in ironic style that superficiality is as deep as depth. [12] The result has been the call to abandon the idea that behind appearances there is any ultimate truth to be found; [13] and in consequence the growing postmodern replacement of depth by surface, or by multiple surfaces. [14]
That process of substitution was well under way by the 1990s, when notoriously "surface was depth", [15] and in the new millennium has led to a state of what has been called hypervisibility: everything is on view. [16] In this new era of exposure [17] we are all submerged in what the psychoanalyst Michael Parsons has called "the totalist world where there is a horror of inwardness; everything must be revealed". [18]
If postmodernism's proponents welcomed the way a new transcendence of the surface /depth dichotomy allowed a fuller appreciation of the possibilities of the superficial [19] - the surface consciousness of the now, as opposed to the depths of historical time [20] - critics like J. G. Ballard object that the end-product is a world of "laws without penalties, events without significance, a sun without shadows": [21] of surface without depth. They see postmodern superficiality as a by-product of the false consciousness of global capitalism, where surface distractions, news, and entertainment supersaturate the zapping mind in such a way as to foreclose the possibility of envisioning any critical alternative. [22]
Almost all depth psychologies defy the postmodern to value depth over surface—to aim, in David Cooper's words, for "change from the depths of oneself upwards into the superficies of one's social appearance". [23] Debates may rage over whether to begin analysis at the surface or by way of deep interpretations, [24] but this is essentially a question of timing. Thus for example Jungians would highlight at the start of therapy what they call the persona-restoring phase as an effort to preserve superficiality, but would later optimally see the client moving from the surface to deeper emotion and creativity. [25]
Fritz Perls by contrast maintained that "the simplicity of the Gestalt approach is that we pay attention to the obvious, to the utmost surface. We don't delve into a region which we don't know anything about, into the so-called 'unconscious'". [26] A similar focus on the superficial has fuelled much of the Freud Wars of late modernity, in which, according to Jonathan Lear, "the real object of attack—for which Freud is only a stalking-horse—is the very idea that humans have unconscious motivation". [27] Given a choice of surface or depth—"are we to see humans as having depth, layers of meaning which lie beneath the surface of their own understanding?"—he asks: "Or are we to take ourselves as transparent to ourselves...to ignore the complexity, depth and darkness of human life"; [28] the postmodern bias remains towards superficiality.
Social psychology considers that in everyday life social processing veers between superficiality, where we rely on first impressions and immediate judgements, and a deeper form of processing in which we seek to understand the other person more fully. [29] In the ordinary course of life, we necessarily take others at face-value, [30] and use ideal types/stereotypes to guide our daily activities; while institutions too can rely on the superficial consensus of groupthink [31] to preclude deeper investigation.
Some circumstances however necessitate a shift from superficial to extensive processing. When things become serious, we must put more and deeper thought into understanding, leaving superficial judgements to cases where the stakes are low, not high. [32]
The following outline is provided as an overview of and topical guide to critical theory:
In psychology, fantasy is a broad range of mental experiences, mediated by the faculty of imagination in the human brain, and marked by an expression of certain desires through vivid mental imagery. Fantasies are generally associated with scenarios that are impossible or unlikely to happen.
Postmodernism is a term used to refer to a variety of artistic, cultural, and philosophical movements that claim to mark a break from modernism. They have in common the conviction that it is no longer possible to rely upon previous ways of depicting the world. Still, there is disagreement among experts about its more precise meaning even within narrow contexts.
Postmodern philosophy is a philosophical movement that arose in the second half of the 20th century as a critical response to assumptions allegedly present in modernist philosophical ideas regarding culture, identity, history, or language that were developed during the 18th-century Age of Enlightenment. Postmodernist thinkers developed concepts like différance, repetition, trace, and hyperreality to subvert "grand narratives", univocity of being, and epistemic certainty. Postmodern philosophy questions the importance of power relationships, personalization, and discourse in the "construction" of truth and world views. Many postmodernists appear to deny that an objective reality exists, and appear to deny that there are objective moral values.
In psychoanalytic theory the “id, the ego and the superego” are three different, interacting agents in the psychic apparatus as Sigmund Freud summarized and defined it in his structural model of the psyche. He developed these three terms to describe the basic structure and various phenomena of mental life as they were encountered in psychoanalytic practice. Freud himself used the German terms das Es, Ich, and Über-Ich, which literally translate as "the it", "I", and "over-I". The Latin terms id, ego and superego were chosen by his original translators and have remained in use.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
Postmodernity is the economic or cultural state or condition of society which is said to exist after modernity. Some schools of thought hold that modernity ended in the late 20th century – in the 1980s or early 1990s – and that it was replaced by postmodernity, and still others would extend modernity to cover the developments denoted by postmodernity. The idea of the postmodern condition is sometimes characterized as a culture stripped of its capacity to function in any linear or autonomous state like regressive isolationism, as opposed to the progressive mind state of modernism.
Jean Baudrillard was a French sociologist and philosopher with an interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his most well-known works are Seduction (1978), Simulacra and Simulation (1981), America (1986), and The Gulf War Did Not Take Place (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Nevertheless, Baudrillard had also opposed post-structuralism, and had distanced himself from postmodernism.
Jean-François Lyotard was a French philosopher, sociologist, and literary theorist. His interdisciplinary discourse spans such topics as epistemology and communication, the human body, modern art and postmodern art, literature and critical theory, music, film, time and memory, space, the city and landscape, the sublime, and the relation between aesthetics and politics. He is best known for his articulation of postmodernism after the late 1970s and the analysis of the impact of postmodernity on the human condition. Lyotard was a key personality in contemporary continental philosophy and authored 26 books and many articles. He was a director of the International College of Philosophy founded by Jacques Derrida, François Châtelet, Jean-Pierre Faye, and Dominique Lecourt.
Hyperreality is a concept in post-structuralism that refers to the process of the evolution of notions of reality, leading to a cultural state of confusion between signs and symbols invented to stand in for reality, and direct perceptions of consensus reality. Hyperreality is seen as a condition in which, because of the compression of perceptions of reality in culture and media, what is generally regarded as real and what is understood as fiction are seamlessly blended together in experiences so that there is no longer any clear distinction between where one ends and the other begins.
Rationalization is a defense mechanism in which apparent logical reasons are given to justify behavior that is motivated by unconscious instinctual impulses. It is an attempt to find reasons for behaviors, especially one's own. Rationalizations are used to defend against feelings of guilt, maintain self-respect, and protect oneself from criticism.
Depth psychology refers to the practice and research of the science of the unconscious, covering both psychoanalysis and psychology. It is also defined as the psychological theory that explores the relationship between the conscious and the unconscious, as well as the patterns and dynamics of motivation and the mind. The theories of Sigmund Freud, Carl Gustav Jung, and Alfred Adler are all considered its foundations.
A Thousand Plateaus: Capitalism and Schizophrenia is a 1980 book by the French philosopher Gilles Deleuze and the French psychoanalyst Félix Guattari. It is the second and final volume of their collaborative work Capitalism and Schizophrenia. While the first volume, Anti-Oedipus (1972), was a critique of contemporary uses of psychoanalysis and Marxism, A Thousand Plateaus was developed as an experimental work of philosophy covering a far wider range of topics, serving as a "positive exercise" in what Deleuze and Guattari refer to as rhizomatic thought.
French philosophy, here taken to mean philosophy in the French language, has been extremely diverse and has influenced Western philosophy as a whole for centuries, from the medieval scholasticism of Peter Abelard, through the founding of modern philosophy by René Descartes, to 20th century philosophy of science, existentialism, phenomenology, structuralism, and postmodernism.
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism.
Historicity in philosophy is the idea or fact that something has a historical origin and developed through history: concepts, practices, values. This is opposed to the belief that the same thing, in particular normative institutions or correlated ideologies, is natural or essential and thus exists universally.
Father complex in psychology is a complex—a group of unconscious associations, or strong unconscious impulses—which specifically pertains to the image or archetype of the father. These impulses may be either positive or negative.
The spectacle is a central notion in the Situationist theory, developed by Guy Debord in his 1967 book The Society of the Spectacle. In the general sense, the spectacle refers to "the autocratic reign of the market economy which had acceded to an irresponsible sovereignty, and the totality of new techniques of government which accompanied this reign." It also exists in a more limited sense, where spectacle means the mass media, which are "its most glaring superficial manifestation."
Psychoanalytic sociology is the research field that analyzes society using the same methods that psychoanalysis applies to analyze an individual.
Libidinal Economy is a 1974 book by French philosopher Jean-François Lyotard. The book was composed following the ideological shift of the May 68 protests in France, whereupon Lyotard distanced himself from conventional critical theory and Marxism because he felt that they were still too structuralist and imposed a rigid "systematization of desires". Drastically changing his writing style and turning his attention to semiotics, theories of libido, economic history and erotica, he repurposed Freud's idea of libidinal economy as a more complex and fluid concept that he linked to political economy, and proposed multiple ideas in conjunction with it. Alongside Gilles Deleuze and Félix Guattari's Anti-Oedipus, Libidinal Economy has been seen as an essential post-May 68 work in a time when theorists in France were radically reinterpreting psychoanalysis, and critics have argued that the book is free of moral or political orientation. Lyotard subsequently abandoned its ideas and views, later describing it as his "evil book".