Related Research Articles
Nanook of the North is a 1922 American silent film that combines elements of documentary and docudrama/docufiction, at a time when the concept of separating films into documentary and drama did not yet exist. In the tradition of what would later be called salvage ethnography, the film follows the struggles of the Inuk man named Nanook and his family in the Canadian Arctic. It is written and directed by Robert J. Flaherty, who also served as cinematographer, editor, and producer.
Dont [sic] Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.
All My Babies: A Midwife's Own Story is a 1953 educational film written, directed and produced by George C. Stoney which was used to educate midwives in the Southern United States and promote greater cooperation between midwifery and the modern health system. It was produced by the Georgia Department of Public Health. The film follows Mary Francis Hill Coley (1900–66) an African American midwife from Albany, Georgia who helped deliver over 3,000 babies in the middle part of the 20th century. On December 17, 2002, it was announced by Librarian of Congress James H. Billington that "All My Babies, George Stoney's landmark educational film used to educate midwives in Georgia and throughout the South" was among the annual selection of 25 motion pictures to be added to the National Film Registry.
The Atomic Cafe is a 1982 American documentary film directed by Kevin Rafferty, Jayne Loader and Pierce Rafferty. It is a compilation of clips from newsreels, military training films, and other footage produced in the United States early in the Cold War on the subject of nuclear warfare. Without any narration, the footage is edited and presented in a manner to demonstrate how misinformation and propaganda was used by the U.S. government and popular culture to ease fears about nuclear weapons among the American public.
Julie Ethel Dash is an American filmmaker, music video and commercial director, author, and website producer. Dash received her MFA in 1985 at the UCLA Film School and is one of the graduates and filmmakers known as the L.A. Rebellion. The L.A. Rebellion refers to the first African and African-American students who studied film at UCLA. Through their collective efforts, they sought to put an end to the prejudices of Hollywood by creating experimental and unconventional films. The main goal of these films was to create original Black stories and bring them to the main screens. After Dash had written and directed several shorts, her 1991 feature Daughters of the Dust became the first full-length film directed by an African-American woman to obtain general theatrical release in the United States. In 2004, Daughters of the Dust was named to the National Film Registry by the Library of Congress for its "cultural, historical and aesthetic significance". Stemming from the film's success, Dash also released novels of the same title in 1992 and 1999. The film was later a key inspiration for Beyoncé's 2016 album Lemonade.
Hoop Dreams is a 1994 American documentary film directed by Steve James, and produced by Frederick Marx, James, and Peter Gilbert, with Kartemquin Films. It follows the story of two African-American high school students, William Gates and Arthur Agee, in Chicago and their dream of becoming professional basketball players.
Paris Is Burning is a 1990 American documentary film directed by Jennie Livingston. Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City and the African-American, Latino, gay, and transgender communities involved in it.
The Times of Harvey Milk is a 1984 American documentary film that premiered at the Telluride Film Festival, the New York Film Festival, and then on November 1, 1984, at the Castro Theatre in San Francisco. The film was directed by Rob Epstein, produced by Richard Schmiechen, and narrated by Harvey Fierstein, with an original score by Mark Isham.
The Watermelon Woman is a 1996 American romantic comedy-drama film written, directed, and edited by Cheryl Dunye. The first feature film directed by a black lesbian, it stars Dunye as Cheryl, a young black lesbian working a day job in a video store while trying to make a film about Fae Richards, a black actress from the 1930s known for playing the stereotypical "mammy" roles relegated to black actresses during the period.
Mildred "Chick" Strand was an American experimental filmmaker, "a pioneer in blending avant-garde techniques with documentary". Chick Strand contributed to the movement of women's experimental cinema in the early 1960s–1970's. Strand's film making and directing approach incorporates personal elements from her own life experiences and societal forces and realities. The film Elasticity (1976) is an example of Strand's attempts at autobiographical work that also incorporates Strand's specific standpoint on certain social issues. Feminist issues and anthropological inquiries about the human condition are frequent themes in Strand's films. However, because Strand's films and work were often deeply personal and subjective, they were often rejected from male-dominated academic circles of anthropologists and critiqued for being non-academic works.
Alfred Camille Abadie was an American photographer and pioneer filmmaker who worked for Thomas Edison. He specialized in actuality films, a predecessor to the standard form of documentary. In 2019, Abadie's Emigrants Landing at Ellis Island was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. The two minute film was the first to record a ferryboat docking at Ellis Island with dozens of passengers disembarking.
Elba Lightfoot (1906-1989) was an African-American artist known for her work on the Works Progress Administration (WPA) murals at Harlem Hospital.
Camille Josephine Billops was an African-American sculptor, filmmaker, archivist, printmaker, and educator.
Madeline Anderson is an American filmmaker, television and documentary producer, film director, editor and screenwriter. She is best known for her films Integration Report One (1960) and I Am Somebody (1970), the latter of which garnered national and international acclaim. In 2015, the National Museum of African American History and Culture officially recognized Integration Report One as the first documentary film to be directed by an African-American woman.
Losing Ground is a semiautobiographical 1982 American drama film written and directed by Kathleen Collins, and starring Seret Scott, Bill Gunn and Duane Jones. It is the first feature-length drama directed by an African-American woman since the 1920s and won First Prize at the Figueira da Foz International Film Festival in Portugal.
Christine Choy is a Chinese-American filmmaker. She is known for co-directing Who Killed Vincent Chin?, a 1988 film based on the murder of Vincent Jen Chin, for which she was nominated for an Academy Award. She co-founded Third World Newsreel, a film company focusing on people of color and social justice issues. As a documentary filmmaker, she has produced and directed more than eighty films. She is a professor at New York University's Tisch School of the Arts.
Ayoka "Ayo" Chenzira is an independent African-American producer, film director, television director, animator, writer, experimental filmmaker, and transmedia storyteller. She is the first African American woman animator and one of a handful of Black experimental filmmakers working since the late 1970s. She has earned international acclaim for her experimental, documentary, animation, and cross-genre filmmaking productions. Her work, as well as her efforts as one of the first African American woman film educators, have led some in the press to describe her as a media activist for social justice and challenging stereotype representations of African Americans in the mainstream media.
Fronza Woods is an American filmmaker best known for her short films including Killing Time (1979) and Fannie's Film (1982).
Sands of Silence: Waves of Courage is a 2016 documentary film that addresses the spectrum of sexual violence, from child sexual abuse and clergy abuse to rape and sex trafficking. It was directed, written and produced by filmmaker Chelo Alvarez-Stehle.
Catherine James Catti was an African American visual artist. She is best known for her paintings, which explore themes of identity, memory, and emotion. Catti’s work is also expressed through mixed media and costume.
References
- ↑ Criterion Channel
- ↑ Tell Me: Women Filmmakers, Women's Stories - The Criterion Channel
- ↑ Klotman, Phyllis R.; Cutler, Janet K. (1999). Struggles for representation : African American documentary film and video . Bloomington: Indiana University Press. ISBN 0253335957.
- ↑ Foster, Gwendolyn Audrey (1997). Women filmmakers of the African and Asian diaspora decolonizing the gaze, locating subjectivity . Carbondale, Ill.: Southern Illinois University Press. ISBN 9781441619358.
- ↑ "Six Films by Camille Billops and James Hatch". The Criterion Channel. Retrieved 2023-03-09.
- ↑ "With "20,000 Leagues," the National Film Registry Reaches 700". Library of Congress. Retrieved 19 December 2016.