Suzanne Broughel

Last updated

Suzanne Broughel is a multidisciplinary American artist based in New York City. Her work examines whiteness as a racialized identity. [1] [2]

Contents

Education

Broughel received a BFA from Hunter College in 1999, and an MFA from Hunter College in 2003. She attended the Skowhegan School of Painting and Sculpture in 2008.

Recognition

Broughel has been the recipient of many awards, residencies and grants, including a Create Change Fellowship from the Laundromat Project, [3] [4] a Fellowship in Sculpture from the New York Foundation for the Arts, and an AIR Gallery Fellowship. [5] Her work has been discussed in the New York Times , [6] Hyperallergic , [7] Block Magazine , HYCIDE Magazine, [8] and the PS1 Newspaper, [9] among others.

Exhibitions

Broughel has had solo exhibitions at AIR Gallery, the Aljira Center for Contemporary Art, the Jones Gallery at the University of Memphis, Trailer Park Projects in San Juan, Puerto Rico, and the York Fine Arts Gallery at CUNY. She has been included in group exhibitions at Dorsky Gallery Curatorial Programs, Bronx Art Space, Winkleman Gallery, Rush Arts Gallery, the Caribbean Cultural Center, Duke University, Marlborough Gallery, the Pelham Art Center, MoMA PS1, [10] and the Wallach Art Gallery at Columbia University, [11] among others. She was a participant in the New Museum's 2015 seminar, PERSONA. [12]

Collectives

Broughel is a member of the tART Collective. [13]

Related Research Articles

Stephanie Syjuco, is a US conceptual artist and educator. She currently lives and works in San Francisco

Huma Bhabha is a Pakistani-American sculptor based in Poughkeepsie, New York. Known for her uniquely grotesque, figurative forms that often appear dissected or dismembered, Bhabha often uses found materials in her sculptures, including styrofoam, cork, rubber, paper, wire, and clay. She occasionally incorporates objects given to her by other people into her artwork. Many of these sculptures are also cast in bronze. She is equally prolific in her works on paper, creating vivid pastel drawings, eerie photographic collages, and haunting print editions.

Phong H. Bui is an artist, writer, independent curator, and Co-Founder and Artistic Director of The Brooklyn Rail, a free monthly arts, culture, and politics journal. Bui was named one of the "100 Most Influential People in Brooklyn Culture" by Brooklyn Magazine in 2014. In 2015, The New York Observer called him a "ringmaster" of the "Kings County art world." He lives with his wife, the painter Nathlie Provosty in Greenpoint, Brooklyn.

Chitra Ganesh is a visual artist based in Brooklyn, New York. Ganesh's work across media includes: charcoal drawings, digital collages, films, web projects, photographs, and wall murals. Ganesh draws from mythology, literature, and popular culture to reveal feminist and queer narratives from the past and to imagine new visions of the future.

Leah Dickerman is the Director of Editorial & Content Strategy at The Museum of Modern Art (MoMA) in New York City. Serving most recently as the Museum’s first Marlene Hess Curator of Painting and Sculpture, a post endowed in 2015, Dickerman previously held the positions of Curator of Painting and Sculpture at MoMA (2008-2015), Acting Head of the Department of Modern and Contemporary Art at the National Gallery of Art (NGA), Washington, D.C. (2007), and Associate Curator in Modern and Contemporary Art at the NGA (2001-2007). Over the course of her career, Dickerman has organized or co-organized a series of exhibitions including One-Way Ticket: Jacob Lawrence's Migration Series and Other Works (2015), Inventing Abstraction, 1910-1925 (2012-2013), Diego Rivera: Murals for the Museum of Modern Art (2011-2012), Bauhaus: Workshops for Modernity (2009-2010), Dada (2005-2006), and Aleksandr Rodchenko (1998).

Bayeté Ross Smith is a contemporary African American multi-media artist, film maker and educator. He currently lives and works in Harlem. He is represented by Guido Maus, beta pictoris gallery / Maus Contemporary in Birmingham, AL.

Clifford Owens is an African-American mixed media and performance artist, writer and curator. Owens was born in Baltimore, Maryland, in 1971 and spent his early life in Baltimore. Owens is known for his works which center on the body and often include interactions with the audience and spontaneity.

Kameelah Janan Rasheed

Kameelah Janan Rasheed is an American writer, educator, and artist from East Palo Alto, California. She is known for her work in installations, book arts, immersive text-based installations, large-scale public text pieces, publications, collage, and audio recordings. Rasheed's art explores memory, ritual, discursive regimes, historiography, and archival practices through the use of fragments and historical residue. Based in Brooklyn, NY, she is currently the Arts Editor for SPOOK magazine and is also a contributing editor for The New Inquiry.

Paula Wilson American artist

Paula Wilson is an African-American "mixed media" artist creating works examining women's identities through a lens of cultural history. She uses sculpture, collage, painting, installation, and printmaking methods such as silkscreen, lithography, and woodblock. In 2007 Wilson moved from Brooklyn, New York to Carrizozo, New Mexico where she currently lives and works with her woodworking partner Mike Lagg.

Emily Cheng American painter

Emily Cheng is an American artist of Chinese ancestry. She is best known for large scale paintings with a center focus often employing expansive circular images... "radiantly colored, radially composed". She has won numerous awards including Pollock-Krasner Foundation Fellowship, 2010, New York Foundation for the Arts Fellowship, 1996, Yaddo Residency, 1995, National Endowment for the Arts Fellowship, 1982-1983.

Painting for me, is the evidence of an inquiry…It is the postulation made physical….It is the wall that penetrates….It is the mind reminded. It is the hunch made vivid. It is the reworking of the familiar. It is the shadow of the unfamiliar. It is the acting out of desire. It is the probe of limits. It is the life imaged. It is the eye engaged. Painting is luxury bounded.

Doreen Garner is an American sculptor and performance artist. Her art practice explores where history, power, and violence meet on the body via beauty or medicine. Garner has exhibited at a number of venues, including Abrons Arts Center, Pioneer Works, Socrates Sculpture Park, The National Museum of African American History in Washington, D.C., Museum of Contemporary African Diasporan Art in Brooklyn, and Chrysler Museum of Art in Norfolk, Virginia. Garner holds a monthly podcast called #trashDAY with artist Kenya (Robinson). Garner lives and works in Brooklyn, New York.

Chloë Bass

Chloë Bass is an American conceptual artist who works in performance and social practice. Bass's work focuses on intimacy. She was a founding co-lead organizer of Arts in Bushwick from 2007-2011, the group that organizes Bushwick Open Studios. She is an Assistant Professor of Art and Social Practice at Queens College, CUNY, and holds a BA from Yale University and an MFA from Brooklyn College. Bass is also a regular contributor to publications like Hyperallergic.

Aisha Tandiwe Bell American visual artist

Aisha Tandiwe Bell is an American visual artist known for her work that creates myth and ritual through mixed media including sculpture performance, video, sound, drawing, and installation that addresses themes of fragmentation, shape-shifting, code-switching, hyphenated identities and multiple consciousness, marginalization, and lack of agency people in the African Diaspora struggle with.

GenderFail is a publishing and programming initiative created by Be Oakley that seeks to encourage projects from an intersectional, queer perspective. Many projects are tied together by the slogan “Radical Softness as a Boundless Form of Resistance.” The press is currently based out of Brooklyn, NY. In an April 16, 2020 article Our Favorite New Yorkers on the Best Things in All Five Boroughs in Conde Nast Traveler., Curator Legacy Russell mentioned GenderFail as one of their favorite things in New York.

Che Gossett is a trans femme writer, and archivist. They have written extensively on black and trans visibility, black trans aesthetics, racial capitalism, and queer, trans and black radicalism, resistance and abolition. Their writing has been published in Trap Door: Trans Cultural Production and the Politics of Visibility,Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment, Transgender Studies Reader, The Scholar & Feminist Online,Los Angeles Review of Books, and Frieze. Gossett has lectured and performed at The Museum of Modern Art, MoMA PS1, Whitney Museum of American Art, New Museum and A.I.R. Gallery. They are currently an archivist at the Barnard Center for Research on Women and a doctoral candidate in trans/gender studies at Rutgers University.

Esperanza Cortes

Esperanza Cortés is a Colombian-born American visual artist who lives and works in New York City. Her paintings, sculptures and installations explore the themes of social injustice and cultural invisibility. She draws on the folk traditions of the Americas, including their rituals, music, dance and art.

Didier William is a mixed-media painter originally from Port-au-Prince, Haiti. His work incorporates traditions in oil painting, acrylic, collage and printmaking to comment on intersections of identity and culture.

Lina Puerta is a Colombian-American mixed media artist based in New York City. She was born in New Jersey and grew up in Columbia.

Clarity Haynes is a queer feminist American artist and writer. She currently lives and works in New York, NY. Haynes is best known for her unconventional depictions of the female torso. She is a former member of the tART Collective and the Corpus VI Collective.

Karyn Olivier American artist (born 1968)

Karyn Olivier is a Philadelphia-based artist who creates public art, sculptures, installations and photography. Olivier alters familiar objects, spaces, and locations, often reinterpreting the role of monuments. Her work intersects histories and memories with present-day narratives.

References

  1. "Keep Hope Alive Alive and Other Democratic Clichés". Hyperallergic. 2012-11-06. Retrieved 2019-04-16.
  2. "» Suzanne Broughel" . Retrieved 2019-04-16.
  3. "Suzanne Broughel – The Laundromat Project" . Retrieved 2019-04-16.
  4. Brown, Burgess (2018-11-14). "People Powered Fundraising". Medium. Retrieved 2019-04-16.
  5. https://www.airgallery.org/past-fellows/suzanne-broughel.Missing or empty |title= (help)
  6. Cotter, Holland (2014-02-06). "The Wayland Rudd Collection". The New York Times. ISSN   0362-4331 . Retrieved 2019-04-16.
  7. "Keep Hope Alive Alive and Other Democratic Clichés". Hyperallergic. 2012-11-06. Retrieved 2019-04-16.
  8. "WAGES OF WHITENESS – Hycide.com". hycide.com. Retrieved 2019-04-16.
  9. (PDF) https://momaps1.org/pdf/newspaper/Newspaper_summer06.pdf.Missing or empty |title= (help)
  10. "Suzanne Broughel | MoMA". The Museum of Modern Art. Retrieved 2019-04-16.
  11. "a curious blindness". Wallach Art Gallery | Columbia University. 2017-02-17. Retrieved 2019-04-16.
  12. "PERSONA New Museum Seminars: (Temporary) Collections of Ideas Consortium". www.newmuseum.org. Retrieved 2019-04-16.
  13. "Asking Better Questions: tART Collective and Smoke School of Art at WonderRoot". BURNAWAY. 2016-07-09. Retrieved 2019-04-16.