Suzanne Murphy (born 15 October 1941) is an Irish soprano. [1]
Suzanne Murphy was born in Limerick on 15 October 1941. She began her career working as a folk singer before training as a classical soprano at the Dublin College of Music. She made her professional debut at the Irish National Opera in La Cenerentola . In 1976 she became a resident soprano at the Welsh National Opera (WNO). Repertoire she performed with the WNO includes Alice Ford in Falstaff , Elvira in Ernani and the title roles in Lucia di Lammermoor and Norma . [2]
Murphy provided vocals for the soundtrack to the 1984 film Amadeus . [3] In 1987 she made her debut at the Vienna State Opera as Electra in Idomeneo , and in 1988 she performed Alice Ford at the Royal Opera House, Covent Garden. She sang this latter role again in 1989 at both La Scala and the New York City Opera (NYCO). She performed the roles of both Amelia in Un ballo in maschera and Bellini's Norma with both the NYCO and the Bavarian State Opera. [2]
She is a founder-director of Opera Collective Ireland. [4] As of 2020 [update] , she teaches at the Royal Welsh College of Music and Drama. [5]
Welsh National Opera (WNO) is an opera company based in Cardiff, Wales. WNO gave its first performances in 1946. The company began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days, the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by The New York Times as "one of the finest operatic ensembles in Europe".
Grace Melzia Bumbry was an American opera singer, considered one of the leading mezzo-sopranos of her generation, who also ventured to soprano roles. She belonged to a pioneering generation of African-American classical singers, led by Marian Anderson. She was recognized internationally when Wieland Wagner cast her for the 1961 Bayreuth Festival as Venus in Tannhäuser, the first black singer to appear at the festival.
Phyllis Curtin was an American soprano and academic teacher who had an active career in operas and concerts from the early 1950s through the 1980s. She is known for her creation of roles in operas by Carlisle Floyd, such as the title role in Susannah and Catherine Earnshaw in Wuthering Heights. She was a dedicated song recitalist, who retired from singing in 1984. She was named Boston University's Dean Emerita, College of Fine Arts in 1991.
Dame Felicity Joan Palmer,, is an English mezzo-soprano and music professor. She sang soprano roles until 1983.
Dame Gwyneth Jones is a Welsh dramatic soprano, widely regarded as one of the greatest Wagnerian sopranos in the second half of the 20th century.
Regina Resnik was an American opera singer who had an active international career that spanned five decades. She began her career as a soprano in 1942 and soon after began a lengthy and fruitful relationship with the Metropolitan Opera that spanned from 1944 until 1983. Under the advice of conductor Clemens Krauss, she began retraining her voice in the mezzo-soprano repertoire in 1953 and by 1956 had completely removed soprano literature from her performance repertoire.
Dame Margaret Berenice Price was a Welsh soprano.
Gianna Rolandi was an American soprano. She was based at the New York City Opera (NYCO) and enjoyed a 20-year national and international career in coloratura soprano roles. She retired from performing in 1994 and served as director of and principal instructor at the Lyric Opera of Chicago's opera studio until 2013.
Patricia Lynn Racette is an American operatic soprano. A winner of the Richard Tucker Award in 1998, she has been a regular presence at major opera houses internationally. Racette has enjoyed long-term partnerships with the San Francisco Opera, where she has been a regular performer since 1989, and with the Metropolitan Opera, where she has performed since 1995. Also active on the concert stage, Racette has appeared with many of the world's leading orchestras, including the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the San Francisco Symphony, and the London Philharmonic Orchestra. She also received the award for Best Opera Recording for her performance in the Los Angeles Opera's production of The Ghosts of Versailles at the 59th Annual Grammy Awards.
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."
Beverly Wolff was an American mezzo-soprano who had an active career in concerts and operas from the early 1950s to the early 1980s. She performed a broad repertoire which encompassed operatic and concert works in many languages and from a variety of musical periods. She was a champion of new works, notably premiering compositions by Leonard Bernstein, Gian Carlo Menotti, Douglas Moore, and Ned Rorem among other American composers. She also performed in a number of rarely heard baroque operas by George Frideric Handel with the New York City Opera (NYCO), the Handel Society of New York, and at the Kennedy Center Handel Festivals.
Beverly Bower was an American operatic soprano who had an active international opera career from the mid-1950s through the early 1970s. She began her opera career at the New York City Opera where she sang between 1956 and 1963. She later worked mainly as a freelance artist with important opera companies throughout the United States and with a few opera companies in Europe.
Kay Griffel is an American operatic spinto soprano.
Frances Ginsberg was an American opera singer. Opera News magazine described her as "a lirico-spinto soprano of striking temperament whose vivid style made her an audience favorite at New York City Opera and other U.S. companies in the 1980s and 1990s."
Maria di Gerlando was an American operatic soprano and voice teacher who was a leading performer at the New York City Opera from 1953 to 1969. She was best known for creating the role of Carmela in the 1954 world premiere of Gian Carlo Menotti's The Saint of Bleecker Street.
Brenda Lewis was an American operatic soprano, musical theatre actress, opera director, and music educator. She enjoyed a 20-year-long collaboration with the New York City Opera (NYCO) with whom she notably created roles in several world premieres by American composers; including the title role in Jack Beeson's Lizzie Borden in 1965. She also performed with frequency at the Metropolitan Opera from 1952 to 1965, and was active as a guest artist with notable opera companies both nationally and internationally. Although she is mainly remembered as an exponent of American operas and musicals, she performed a broad repertoire of works and was particularly celebrated for her portrayals of Marie in Wozzeck, Rosalinde in Die Fledermaus, and the title roles of Carmen and Salome; the latter of which she performed for the inauguration of the Houston Grand Opera in 1956.
Elaine Bonazzi was an American operatic mezzo-soprano who had an active international career from the 1950s through the 1990s. A singer with an unusually broad repertoire that encompassed both classical and contemporary works, she notably created roles in the world premieres of operas by composers Dominick Argento, David Carlson, Carlisle Floyd, Gian Carlo Menotti, Thomas Pasatieri, and Ned Rorem. In the United States she was particularly active with the New York City Opera, the Santa Fe Opera, and the Washington National Opera.
Joy Davidson was an American operatic mezzo-soprano, actress, and pedagogue. She performed internationally in many of the world's great opera houses.
Arthur Davies was a Welsh tenor who had an active international performance career from the 1970s through the 1990s. He performed leading roles with The Royal Opera in London, the Welsh National Opera, the Scottish Opera, and the English National Opera.
Veronica Dunne, also known as Ronnie Dunne, was an Irish operatic soprano and voice teacher who was described as "an Irish national treasure". After a successful operatic career at the Dublin Opera and the Royal Opera House in London, she focused on voice teaching in Dublin, where she trained future international singers. The triennial Veronica Dunne International Singing Competition was established in 1995. She received the National Concert Hall Lifetime Achievement Award in 2014.