Swarna Chitrakar | |
---|---|
Born | 1974 (age 48–49) Naya village Pingla, West Bengal, India |
Nationality | Indian |
Spouse | Sambhu Chitrakar |
Children | Mamoni Chitrakar, Sonali Chitrakar, Runa Chitrakar, Jhunur Chitrakar & Nupur Chitrakar (daughters) |
Awards | 1994 State level Award – visual artist |
Swarna Chitrakar (born 1974) is a Patachitra artist from Pingla, a changemaker and a community leader.
Chitrakar was born in 1974 in Naya village of West Midnapur of West Bengal. [1] She learnt painting from her father but her parents married her off at her early age due to poverty. After marriage she took up paint and brush mainly to support her family. [1] [2] She stayed with her husband and 5 daughters. All of them are Patua. [3]
Chitrakar returned to her home, there she started Patachitra painting and started her journey as Patua. She learnt scroll painting and Patua music from her father in his childhood. She had showcased her art in the countries Australia, China, England, France, Germany, Sweden, and the United States. [4] [5] Swarna Chitrakar used her expertise pat painting with a melodic song for social cause like awareness about COVID-19. She used 7 scrolls to depict the current situation as well as COVID-forntline healthcare workers and awareness message like staying indoor and use of mask and washing hand when necessary. A video where she is singing and showing those Patachitra has been viewed more than 99,000 times on Facebook. [6] [7]
Chitrakar covers major incidents like Tsunami, September 11 attacks and social issues like Tuberculosis, HIV/AIDS, child marriage, trafficking of children and COVID-19 etc. through her Patachitra and her self composed Patua Sangeet. [7]
Collodi, Carlo. The Patua Pinocchio. Illustrated by Swarna Chitrakar and translated by Carol Della Chiesa. publisher Tara Books; Illustrated edition, May 12, 2015
The Patua are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh. Some Patuas are Hindus, while others are Muslims. Hindu Patuas are active in the Kalighat and Kumartuli regions of Calcutta, along with some other parts of West Bengal, where they are reduced in number. It is believed that most Patuas are actually converts from Hinduism to Islam. Today, they practice customs that are both Hindu and Islamic in nature. They may have also been Buddhist at various points in time. Today, however, the majority of them are impoverished Muslims who rely on patronage from mainly Hindus, but also increasingly from tourists who buy their painted scrolls, as Frank J. Korom has described and analysed in his book Village of Painters: Narrative Scrolls from West Bengal.
The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.
Indian painting has a very long tradition and history in Indian art, though because of the climatic conditions very few early examples survive. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old.
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Kalighat painting, Kalighat Patachitra, or Kalighat Pat originated as a distinct style or genre of Indian paintings in the 19th century, practiced and produced by a group of specialised scroll painters known as the patuas in the vicinity of the Kalighat Kali Temple in Kolkata, in the present Indian state of West Bengal. Composed of bold outlines, vibrant colour tones, featuring minimal background details, these paintings and drawings, done on hand-made, or more usually, machine manufactured, paper, depicted mythological stories, figures of Hindu gods and goddesses, as well as scenes from everyday life and society, thereby recording a socio-cultural landscape which was undergoing a series of transitions during the 19th and early 20th century, when the Kalighat pat reached its pinnacle.
Cheriyal Scroll Painting is a stylized version of Nakashi art, rich in the local motifs peculiar to the Telangana. They are at present made only in Hyderabad, Telangana, India. The scrolls are painted in a narrative format, much like a film roll or a comic strip, depicting stories from Indian mythology, and intimately tied to the shorter stories from the Puranas and Epics. Earlier, these paintings were prevalent across Andhra, as also various other parts of the country, albeit flavoured with their distinct styles and other local peculiarities dictated by the local customs and traditions. In the same way, Cheriyal scrolls must have been popular across Telangana in earlier times, though with the advent of television, cinemas and computers it has been fenced into its last outpost, the Cheriyal town.
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha, West Bengal and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. Pattachitra is one of the ancient artworks of Odisha, originally created for ritual use and as souvenirs for pilgrims to Puri, as well as other temples in Odisha. Patachitras are a component of an ancient Bengali narrative art, originally serving as a visual device during the performance of a song.
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Chalchitra is a part of Bengal Patachitra. It referred to the Debi Chal or Durga chala, the background of the Durga Pratima or idol. Originally, these were used to give a proper proportion to the structure. This tradition is very ancient and is still maintained.
The Indian state, West Bengal has a rich and cultural heritage. Due to the reign of many different rulers in the past, arts and crafts in West Bengal underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, terracotta, painting and carving, dances and music.
Patua Sangeet or Poter Gan is a cultural tradition of Bengal Patachitra. It is performed by a Patua. It is famous in the village part of West Bengal like Birbhum, Jhargram, Bardhaman and Murshidabad as a folk song of West Bengal.
Manimala Chitrakar is a patua artist from West Bengal.
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