Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States on October 16, 1968, and by Track Records in the UK nine days later. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.
Lincoln is the second studio album by the band They Might Be Giants. It was released by Bar/None in 1988. The album is named after John Linnell and John Flansburgh's boyhood home of Lincoln, Massachusetts. The album produced three singles—"Ana Ng", "They'll Need a Crane", and "Purple Toupee". It is included on Then: The Earlier Years, a compilation of the band's early material, in its entirety.
Get a Grip is the eleventh studio album by American rock band Aerosmith, released in April 1993 by Geffen Records. Get a Grip was the band's last studio album to be released by Geffen before they returned to Columbia Records.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for The Village Voice, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music, and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen."
Miscellaneous T is a B-side and remix compilation album released by the alternative rock band They Might Be Giants in 1991. It is a US re-release of Don't Let's Start, with different cover art, track order, and the additional song "Hello Radio".
Calexico is an American indie rock band based in Tucson, Arizona. Founded in 1996, the band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records and City Slang, and their 2005 EP, In the Reins, recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock.
Ribbed is the third studio album by the American punk rock band NOFX, released in 1991 through Epitaph Records. It was their last album to feature Steve Kidwiler on guitar; he was replaced by El Hefe. Ribbed is also the last NOFX album produced by Brett Gurewitz, who also produced their first two Epitaph albums. The album sold 8,000 copies upon its release.
Kerplunk is the second studio album by the American rock band Green Day, released on December 17, 1991, by Lookout! Records. Kerplunk was Green Day's last independent release on the Lookout Records label, and was also the first album to feature Tré Cool on drums. Kerplunk officially includes only 12 tracks, but the versions released on CD and cassette also include the 4 tracks from the Sweet Children EP. One of those tracks is a cover of The Who's "My Generation". Green Day guitarist and singer Billie Joe Armstrong stated in a 2021 Vulture magazine interview that Kerplunk is his favorite album, citing it as "kind of autobiographical."
Hold Me Up is the third studio album by American rock band Goo Goo Dolls, released on October 16, 1990, by Metal Blade Records. It marked the beginning of John Rzeznik's emergence as the band's principal lead vocalist. The album features the band's first single "There You Are," which became their first music video as well. In 2017, Loudwire listed the album as one of Metal Blade's best albums.
Pottymouth is the debut studio album by American punk rock band Bratmobile, released on June 8, 1993, by Kill Rock Stars.
Giant Sand is an American musical group from Tucson, Arizona, United States. Its most constant member is singer-songwriter Howe Gelb. The groups have developed idiosyncratic sound rooted in alternative country, but touching on a wide range of other styles and featuring Gelb's beatnik-influenced vocals and songwriting. Since about 2012, they have also performed as Giant Giant Sand when featuring a larger ensemble than their traditional four to six musicians.
He Touched Me is the 17th studio album by American singer and musician Elvis Presley, released in April 1972. A contemporary gospel music album, it earned him his second of three Grammy Awards. The album was his third and final studio gospel album, and the most contemporary of the three. He Touched Me was certified Gold on March 27, 1992 and Platinum on July 15, 1999 by the RIAA.
Sucking in the Seventies is the sixth official compilation album by The Rolling Stones, released in 1981. Serving as the successor to 1975's Made in the Shade, it covers material from the recording sessions of It's Only Rock 'n Roll (1974), Black and Blue (1976), Some Girls (1978) and Emotional Rescue (1980). Deviating from the standard practice of "greatest hits" albums, it features a mix of hit songs, remixes, alternate takes of album tracks, B-sides, and live recordings.
Colors of the Day: The Best of Judy Collins is a compilation album by American singer and songwriter Judy Collins, released by Elektra Records in 1972. In the United Kingdom, it was released as Amazing Grace: The Best of Judy Collins. The album peaked at No. 37 on the Billboard Pop Albums charts.
Howard “Howe” Gelb is an American singer-songwriter, musician and record producer based in Tucson, Arizona.
"Every Grain of Sand" is a song written by Bob Dylan, recorded in Los Angeles in the spring of 1981 and released in August of that year on Dylan's album Shot of Love. It was subsequently included on the compilation Biograph. An early version of the song, recorded in September 1980 and featuring Jennifer Warnes on backing vocal, was released in 1991 on The Bootleg Series Volumes 1–3 1961–1991.
Live, Love, Larf & Loaf is a studio album by the English/American experimental rock quartet French Frith Kaiser Thompson. It was the group's first album and was recorded at Mobius Music in San Francisco in March 1987. The album was released in 1987 in the United States by Rhino Records on LP, CD and cassette. The CD release contained two extra tracks. The album was reissued in 2008 by Fledg'ling Records with five extra tracks recorded live at the Ashkenaz in Berkeley, California.
Dark Magus is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in Davis' career. His group at the time included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas; Davis used the performance to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings, titled with the Swahili numerals for numbers one through four.
Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music.
Ramp is an album by the American band Giant Sand, released in 1991. The album was released via frontman Howe Gelb's Amazing Black Sand label, before being picked up by Restless Records.
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